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Playwright

Rapid Fire Q&A with 2019 Clash of the Playwrights winner Jenny Wallace and cast members Jenny Norris and Curtis Reed; Wallace’s original farce, ‘Schooled’ debuts at Chaffin’s Thursday and Friday, January 23 & 24

January 23, 2020 by Jonathan

As the venerable theatre has done since 2017, Chaffin’s Barn held their annual Clash of the Playwrights competition midway through last year and announced Jenny Wallace’s Schooled as the 2019 winner. Part of the prize being a full-scale production on-stage at The Barn. Directed by Joy Tilley-Perryman, Wallace’s winning play, Schooled, a comedy farce, centers ‘round high school Principal Ramonda Clark as she juggles a typical day overseeing  summer school with the nonstop visitors to her office. Cast in the lead Jenny Norris, a favorite amongst Chaffin’s patrons. Alongside Norris is Curtis Reed—another fan favorite at Chaffin’s—cast as not one, but two fellow faculty members, Yanis, the vaguely foreign science teacher and Crawford Broderick, the eclectic drama teacher. 

Not only is the aforementioned Perryman directing, she also appears as three separate characters within the show. Adam Burnett also plays a myriad of characters and Daniel Devault appears as the Dean of Students. Rounding out the cast are Mileah Milstead, Daniel Keith Bissell, Annie Magan, Reyna Troi, and Mike Scott cast as several students, janitors, Parents, delivery guys and more. Aside from his role as the dean,  Daniel DeVault is also the show’s lighting director. Other behind-the-scenes assists are courtesy stage manager, Addison Oelze and technical director, Robin Lawshe. 

Having grown up with a Mom who was the assistant librarian at my high school, Schooled seems like it might hit a bit too close to home for me not to enlist playwright Wallace and co-stars Norris and Reed for yet another addition of my recurring interview feature, Rapid Fire Q&A.

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RAPID FIRE WITH SCHOOLED PLAYWRIGHT, JENNY WALLACE

Playwright Jenny Wallace

JHP: How did you come to enter Chaffin’s Barn Dinner Theatre’s Clash of the Playwrights?

JENNY WALLACE: I had wanted to submit a play to Clash of the Playwrights in previous years, but I wasn’t paying close enough attention and missed the deadline two years in a row. This year I had my act together (as much as it can be) and submitted my script, although Schooled is not the script I was going to submit previously.

JHP: How did you find out you had won this year’s competition?

JENNY WALLACE: I think I was on vacation in Florida late in the summer when I got a text from Joy Tilley Perryman telling me I had won.

JHP: Where did the idea for Schooled come from?

JENNY WALLACE: When I teach playwriting to my students, I have them write short plays (5-7 pages) and insist that their plays be set in a school. Every time I teach the unit I vary my instructions just a bit. Each time they write a play I write my own play alongside them, following my own instructions. (To see if they make sense lol.) Some of the vignettes in Schooledwere born from this process, others have some roots in my own personal experience as an educator, and some of them are brand new. At the same time that I was putting the script together, I had the phrase “strong woman” rolling around in my head and it bothered me. That phrase implies that all women aren’t strong. All of the women I know are strong, their strengths just manifest themselves in different ways. So, I decided to make the story about a capable, confident woman just trying to do her job. But Ramonda, the high school principal and protagonist of the play, isn’t perfect. She tries to be all things to all people in her work life, but her relationships with her family sometimes suffer for it. I hope that the audience—especially women—will see some of themselves in her.

JHP: Having appeared in shows at Chaffin’s yourself, how does it feel to know your show is in such capable hands with director Joy Tilley Perryman and her cast?

JENNY WALLACE: I did my first show at Chaffin’s in 1994, and Joy came to the barn shortly thereafter. So, I have known her for a really long time! I am so excited that she is directing the play. She knows both the Barn “style” and my sense of humor, and I think she will marry the two well. The cast also contains quite a few of my friends, actors whom I have worked with, and who’s work I admire. As an actor myself, I tried to write characters that actors would be excited about playing. Joy has put together a fantastic cast and I can’t wait to see the show!

RAPID FIRE WITH SCHOOLED STAR, JENNY NORRIS

“Schooled” star Jenny Norris as Ramonda Clark

JHP: You’re cast in the lead role of Ramonda Clark in Schooled. What can you tell me about her?

JENNY NORRIS: She is like a lot of working moms. Dedicated to her work and the lives of the students she interacts with but sometimes has difficulty juggling it with her family  life. She is fair and caring, hardworking and kind. Deep down she is a little jealous of the drama teacher though.   

JHP: Many of your co-stars appear in multiple roles within the show. How chaotic does it get remembering who’s playing whom?

JENNY NORRIS: It was at first for sure! And so many people come in and out of my office there were plenty of times when I had no idea what scene was about to happen and just stared blankly at them. But I work with the best of the best and they were always good at saving me when they would see the terror in my eyes! 

JHP: What’s your favorite part of bringing a character to the stage from a new work, as opposed to playing a more well-known role with which the audience is already familiar?

JENNY NORRIS: Supporting new works is very important to me so I was thrilled to have the opportunity to be a part of it. And while I love bringing any character to life with my own version, starting from scratch really gives a unique freedom that I don’t get too often. It’s been fun to take hints from the text and my interactions with the characters my co actors have created to make a real person I feel people will relate to and sympathize with.

RAPID FIRE WITH SCHOOLED CO-STAR, CURTIS REED

“Schooled” co-star Curtis Reed

JHP: Is there a certain added sense of pride in being part of Schooled, considering you know the playwright?

CURTIS REED: The first show I ever did at Chaffin’s Barn was with Jenny Wallace. I have done several shows with her since. I have a special place in my heart for her and I love the fact that I get to be a part of the inaugural performance of her original play. It’s quite funny, and as someone who has taught in some capacity since the age of 17, I FULLY relate to what happens to the main character in this piece.

JHP: You’ve touched on this a little, but, how exciting is it to be part of a new play as it makes its Chaffin’s Barn debut?

CURTIS REED: VERY! No one has interpreted these characters yet so you get to be the pioneer in a way and trailblaze with how people will see these characters for the first time. You even get the chance to create something so iconic, that the writer might go back and add ad-libbed lines or nuances you created for the character into the script, so it is forever there. 

JHP: What can you tell me about the characters you play in Schooled?

CURIS REED: I am definitely a large part of the funny in this show, thanks to how my characters are written by Jenny Wallace. I play Yanis, the indeterminately foreign science teacher who thinks it’s in his best interest to warn the principal that the videos he is watching are of an educational nature….. I don’t want to give too much away. Then I play the very eccentric and out there drama teacher (Typecasting?) where I get to sing at the top of my lungs and be wild and crazy. It’s very freeing and what we have created on stage is sure to please. Of course, having Jenny Norris as your scene partner just makes everything that much easier to experiment and play around. 

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Chaffin’s is presenting the World Premiere of Schooled with a matinee performance Thursday, January 23 and an evening performance on Friday, January 24. The Thursday Matinee is a free performance to all industry people. CLICK HERE or Call 615.664.9977 for reservations, ticket prices and more information.

Next up at Chaffin’s is The Barn Dating Game, a live, local twist on the classic TV gameshow on stage for one night only on Saturday, February 1. CLICK HERE for tickets or more information. Then, from February 6-29 Chaffin’s will present Breaking Up Is Hard to Do, a musical featuring the songs of Neil Sedaka. CLICK HERE for tickets or more information.

To keep up with the latest from Chaffin’s Barn Dinner Theatre, find them online at ChaffinsBarnTheatre.com, ’like’ them on Facebook and follow them on Instagram and Twitter.

If you’ve enjoyed this edition of Rapid Fire, CLICK HERE to check out previous conversations. Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.

Filed Under: Rapid Fire 20 Q, Rapid Fire Q&A Tagged With: CHAFFIN'S BARN, CHAFFINS BARN DINNER THEATRE, Clash of the Playwrights, Comedy, CURTIS REED, Interview, JENNY NORRIS, JENNY WALLACE, Nashville, Nashville Theatre, Playwright, Rapid Fire, Rapid Fire 10Q, World Premiere

Rapid Fire 20 Q with Lila Toshiko and Jennifer Whitcomb-Oliva; their original two-woman show, ‘Highness’, onstage thru Sunday at Belmont Black Box Theater

July 29, 2018 by Jonathan

Highness, an original two-character stage collaboration created by, written by and starring Jennifer Whitcomb-Oliva and Lila Toshiko wraps its brief weekend run with a final performance at 6 p.m. on Sunday, July 29 at Belmont’s Black Box Theatre. This latest offering in Actors Bridge Ensemble’s continuing summer series, She Said/She Said: Summer of Women’s Stories examines women in a hierarchal society. Prior to Highness’ debut, Toshiko and Whitcomb-Oliva most recently shared the stage in a production of the gender-flipping Men On Boats. Having known Whitcomb-Oliva for several years and being a huge admirer of her work on stage, I was anxious to chat with both creative forces to get the inside scoop on Highness for my latest edition of Rapid Fire 20 Q, which, incidentally marks the debut of my recurring interview feature for the new JHPEntertainment site.

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RAPID FIRE 20 Q with HIGHNESS CREATORS AND STARS, JENNIFER WHITCOMB-OLIVA and LILA TOSHIKO

Highness collaborators Lila Toshiko and Jennifer Whitcomb-Oliva

JHP: Was Actors Bridge Ensemble’s April production of Men On Boats your first time working together?

LILA TOSHIKO: Actually, Jennifer and I first worked together in the Actors Bridge Performance of Haunted. Men On Boats was our second show together.

JHP: Tell me about working with Lila and continuing the journey with this piece?

JENNIFER WHITCOMB-OLIVA: We are kind of like siblings ourselves. We both love working together, and having the chance to play strong women on stage is always appreciated. Having just played explorers in Men On Boats, the opportunity to keep the theme of women alive, was a plus!

JHP: What about sharing the stage in the past lead you to collaborate on Highness?

LILA TOSHIKO: Jennifer and I would always chat about pieces we were working on individually and when Vali Forrister of Actors Bridge asked us if we wanted to write a piece together we saw it as a perfect time to try a collaboration.

JHP: How did collaborating with Lila Toshiko on this project come into being?

JENNIFER WHITCOMB-OLIVA: We were approached after performing in Actors Bridge Ensemble’s production Men On Boats. We enjoy working together so much, that we jumped at the opportunity to play together again.

JHP: What is Highness about?

JENNIFER WHITCOMB-OLIVA: Highness is re-imagined fairytale about the stigmas that women face in a hierarchal society.

JHP: I understand the two of you play Cinderella’s step-sisters. Who plays Whom?

LILA TOSHIKO: Jennifer Plays Jo, I play Lucy.

JHP: What can you tell me about the characters in Highness?

JENNIFER WHITCOMB-OLIVA: They are the stepsisters from the classic Cinderella fairytale. Lucinda, the youngest more eager stepsister. Josephine, the eldest, and more mature stepsister.

JP: They’re typically portrayed as wicked. Is that the case in Highness?

LILA TOSHIKO: I don’t ever think any character is necessarily wicked. It’s always their backstory that has gotten them to this place and time and I definitely think that’s the case for Jo (Jennifer) and Lucy (Lila). They do what they must do to survive.

JHP: How long did it take for you two to go from concept to finished play?

JENNIFER WHITCOMB-OLIVA: I wouldn’t even call this finished. LOL. But it took us about 6 weeks to get it all together.

JHP: Earlier this week, a behind the scenes glimpse of the two of you in hair and makeup was shared to social media. From the powdered wigs and overly exaggerated clown-white makeup, it would appear the Baroque period was inspiration for the play’s setting. Is there anything else behind the extreme hair/makeup choices?

LILA TOSHIKO: From a character point of view our makeup and hair basically work as a  “Baroque Snapchat filter”. It hides the imperfections of our characters. From an actor point of view…..Jennifer and I just love to play dress up!

JHP: How excited are you to be part of the She Said/She Said series?

JENNIFER WHITCOMB-OLIVA: Extremely excited. This is the first time that I have ever had a chance, to put on a professional writer’s hat. It’s so exciting to try something new, and do something out of the box.

LILA TOSHIKO: It’s super exciting and scary all at the same time! Having your piece shown in front of a live audience is absolutely terrifying but we have been so blessed to have such great support from all the amazing ladies in this series!

JHP: Why do you think it’s a good fit for this grouping of plays?

JENNIFER WHITCOMB-OLIVA: It’s a story of women, told by women, and written by women. Shows different aspects and sides of the very things that we deal with on a day to basis.

JHP: What about exploring the stigmas of women in a hierarchal society appealed to you as a playwright?

LILA TOSHIKO: I think what appealed most to me was how not much has changed. A lot of the expectations of women still remain today.

JHP: Does the Black Box’s space lend itself Well to your vision for Highness?

JENNIFER WHITCOMB-OLIVA: Yes. This is a wonderful space. So much so, with this new script and left over set, we weren’t sure what to do with it. But I love the Belmont Black Box and it’s always nice to play here.

JHP: What were the challenges of writing a two-person play?

LILA TOSHIKO: I think the thing that made me the most nervous about a two person play is there’s no room for error. You two only have each other to count on if anything goes wrong on stage. I’m so glad I got to team up with Jennifer for this process. She made this whole process so easy!

JHP: What do you hope audience come away from Highness having experienced?

JENNIFER WHITCOMB-OLIVA: I hope that they can find something relatable, or open their eyes and ears to seeing/hearing another point of view. Maybe laugh a little!

LILA TOSHIKO: I hope it opens some eyes and encourages people to walk in someone else’s shoes before they make judgments.

JHP: After this weekend’s debut, do you have other plans for Highness?

JENNIFER WHITCOMB-OLIVA: I’m not sure. I’d definitely love to fine tune and tweak. It might be fun to see and play with this idea again.

JHP: Do you hope to collaborate on another project in the near future?

LILA TOSHIKO AND JENNIFER WHITCOMB-OLIVA: Absolutely!

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With that, my conversation with the creators and stars of Highness came to an end, but I’ve a feeling their reign over the Nashville theatre community is just beginning. CLICK HERE to purchase tickets to Highness’ final performance at 6 p.m., Sunday, July 29 at Belmont Black Box Theatre as part of Actors Bridge Ensemble’s continuing summer series, She Said/She Said. CLICK HERE for more information about the series’ final offering, Cynthia Harris’ How to Catch a Flying Woman, directed by Helen Shute-Pettaway, onstage August 3-5.  Be sure to Actors Bridge Ensemble on Facebook, Instagram and Twitter.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment  on Instagram and Facebook.

Filed Under: Entertainment, Rapid Fire 20 Q Tagged With: Actors, Actors Bridge Ensemble, Belmont, Black Box Theatre, Debut, Interview, Jennifer Whitcomb-Oliva, Lila Toshiko, Nashville, Nashville Theatre, Original Theatre, Playwright, Premiere, SheSaid/She Said, Theatre, Vali Forrester, Women Playwright, Women's Theatre

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