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Drama

TPAC announces 2020-2021 Broadway Season; ‘Mean Girls’, ‘’The Prom’ and Temptations Musical among coming shows

February 23, 2020 by Jonathan

Rather than hosting patrons, members of the media and fans for their annual Season Announcement Party, Tennessee Performing Arts Center cut to the chase by announcing the coming 2020-2021 Broadway Season by sending out an early morning email and sharing the exciting line-up via social media.

In a prepared statement included in the press release,, TPAC President and CEO Jennifer Turner said, “This season is alive with a remarkable energy. TPAC’s creation 40 years ago was a catalyst for our performing arts community, and we’re excited to chart a new course for the future with a renewed commitment to providing high quality arts entertainment.” She continued, “We can’t think of a better way to launch our 40th anniversary than with a full year of fresh, spirit-lifting, thought-provoking Broadway productions. Truly, the best is yet to come.”

There are seven shows making their Music City debut in the coming season, including: Come From Away, Ain’t Too Proud -The Life and Times of The Temptations, Mean Girls, The Band’s Visit, The Prom, What the Constitution Means to Me and a special pre-Broadway engagement of 1776.

Returning favorites Les Miserables, Elton John and Tim Rice’s AIDA, The Vagina Monologues an extended Nashville run of the ever-popular Disney phenomenon, The Lion King round out the jam-packed ten-show season.

The 2020-2021 Broadway Season calendar looks like this: 

Come From Away – July 28-August 2, 2020 

Ain’t Too Proud – August 11-16, 2020 

1776 – November 3-8, 2020 

Mean Girls – November 17-22, 2020 

Disney’s The Lion King – February 3-27, 2021 

(With season subscriber priority ticketing – February 3-9, 2021) 

The Band’s Visit – March 2-7, 2021 

The Prom – May 25-31, 2021 

As usual, TPAC also offers a few Broadway Special Presentations peppered throughout the season. That calendar is as follows:

Elton John & Tim Rice’s AIDA – June 15-20, 2021 

What the Constitution Means to Me– July 14-19, 2020

The Vagina Monologues-August 18-23, 2020

Les Miserables – September 15-20, 2020

For those not familiar with the coming shows, TPAC’s email blast offered the following:

The 2020-21 season and special presentations feature the Nashville premieres of The New York Times Critics’ Pick, COME FROM AWAY; AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS, the electrifying new musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock and Roll Hall of Fame; a re-imagining of the Tony Award®-winning musical 1776 prior to its Broadway engagement at Roundabout Theatre Company; MEAN GIRLS, the hilarious hit musical from the award-winning creative team of Tina Fey, Jeff Richmond, Nell Benjamin and Casey Nicholaw; THE BAND’S VISIT, the critically-acclaimed smash hit musical winner of 10 Tony Awards including Best Musical; the Drama Desk Award winner for Best Musical THE PROM, a new musical comedy about big Broadway stars on a mission to change the world, and WHAT THE CONSTITUTION MEANS TO ME, the 2019 Tony nominated Best Play and Pulitzer Prize finalist by famed writer Heidi Schreck. 

Back by popular demand are LES MISÉRABLES, the enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption and Elton John and Tim Rice’s AIDA, a retelling of the passionate and timeless story for today’s audiences. 

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Further information on each show from the press release comes directly from each show’s publicity department:

COME FROM AWAY 

Nashville Premiere 

July 28 – August 2, 2020 

Broadway’s COME FROM AWAY is a Best Musical winner all across North America! This New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. Don’t miss this breathtaking new musical written by Tony® nominees Irene Sankoff and David Hein and helmed by this year’s Tony-winning Best Director, Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!” On 9/11, the world stopped. On 9/12, their stories moved us all. 

AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS 

Nashville Premiere 

August 11-16, 2020 

AIN’T TOO PROUD is the electrifying new smash-hit Broadway musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. The winner of the 2019 Tony Award for Best Choreography, it’s a thrilling story of brotherhood, family, loyalty, and betrayal during a decade of civil unrest in America. Set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” “Papa Was a Rolling Stone,” AIN’T TOO PROUD tells the unforgettable story of the legendary quintet that Billboard Magazine named the greatest R&B group of all time. 

Get ready – ‘cause here they come! 

1776 

Nashville Premiere 

November 3-8, 2020

They knew they would make history, but not what history would make of them. Fed up with living under the tyranny of British rule, John Adams attempts to persuade his fellow members of the Continental Congress to vote in favor of American Independence and sign the Declaration. But how much is he willing to compromise in the pursuit of freedom? And to whom does that freedom belong? Direct from the American Repertory Theater at Harvard University, visionary director Diane Paulus reexamines a pivotal moment in American history in a re-imagining of the Tony Award®-winning musical 1776 prior to its Broadway engagement at Roundabout Theatre Company.

MEAN GIRLS

Nashville Premiere 

November 17-22, 2020 

Direct from Broadway, MEAN GIRLS is the hilarious hit musical from an award-winning creative team, including book writer Tina Fey (“30 Rock”), composer Jeff Richmond (“Unbreakable Kimmy Schmidt”), lyricist Nell Benjamin (Legally Blonde) and director Casey Nicholaw (The Book of Mormon). Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. New York Magazine cheers, “MEAN GIRLS delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” USA Today says, “We’ll let you in on a little secret, because we’re such good friends: Get Your Tickets Now!” 

Disney’s THE LION KING 

Back by Popular Demand 

February 3-27, 2021 

Disney’s The Lion King US North American Tour, Rafiki Tour cast: Brandon McCall (Simba)

More than 100 million people around the world have experienced the phenomenon of Disney’s THE LION KING, and now you can, too, when Nashville’s best-loved musical returns to Nashville. Winner of six Tony Awards®, including Best Musical, this landmark musical event brings together one of the most imaginative creative teams on Broadway. Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals. THE LION KING also features some of Broadway’s most recognizable music, crafted by Tony Award®-winning artists Elton John and Tim Rice. There is simply nothing else like THE LION KING. 

THE BAND’S VISIT 

Nashville Premiere 

March 2-7, 2021 

THE BAND’S VISIT is the winner of 10 Tony Awards, including Best Musical, making it one of the most Tony-winning musicals in history. In this joyously offbeat story, set in a town that’s way off the beaten path, a band of musicians arrive lost, out of the blue. Under the spell of the desert sky, and with beautiful music perfuming the air, the band brings the town to life in unexpected and tantalizing ways. Even the briefest visit can stay with you forever. With a Tony- and Grammy-winning score that seduces your soul and sweeps you off your feet, and featuring thrillingly talented onstage musicians, THE BAND’S VISIT rejoices in the way music makes us laugh, makes us cry, and ultimately, brings us together.   

THE PROM 

Nashville Premiere 

May 25-31, 2021 

Everyone’s invited to the joyous Broadway hit that New York Magazine hails as “smart and big-hearted” while The New York Times declares it “makes you believe in musical comedy again!” THE PROM is a new musical comedy about big Broadway stars on a mission to change the world and the love they discover that unites them all. THE PROM features direction and choreography by Tony Award winner Casey Nicholaw (Mean Girls, The Book of Mormon), a book by Tony Award winner Bob Martin (The Drowsy Chaperone) and Tony Award nominee Chad Beguelin (Aladdin), music by Tony Award nominee Matthew Sklar (Elf) and lyrics by Tony Award nominee Chad Beguelin. 

Elton John & Tim Rice’s AIDA  

Back by Popular Demand 

June 15-20, 2021 

A love story written in the stars. The New Yorker says, “Disney’s done it again!” The winner of four Tony® Awards returns to the stages of North America. With a Grammy® and Tony® Award-winning score by the legendary Elton John and Tim Rice, the hit Broadway musical AIDA returns to the stages of North America in a thrilling new production, reinterpreted for today’s audiences by the original Tony® Award-winning creative team. From the producers of The Lion King and Frozen, comes a compelling tale of star-crossed lovers belonging to feuding nations. Through the stirring contemporary score, and a timeless and powerful love story, AIDA reveals that we have the power to change history, but only when we make brave choices. 

BROADWAY SPECIAL PRESENTATIONS: 

WHAT THE CONSTITUTION MEANS TO ME 

Nashville Premiere 

July 14-19, 2020 

Direct from Broadway, the 2019 Tony® nominated Best Play and Pulitzer Prize finalist, WHAT THE CONSTITUTION MEANS TO ME, by famed writer Heidi Schreck, arrives in Nashville for a strictly limited engagement. This boundary-breaking play breathes new life into our Constitution and imagines how it will shape the next generation of Americans. Fifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and achingly human new play, she resurrects her teenage self in order to trace the profound relationship between four generations of women and the founding document that shaped their lives. Schreck’s timely and galvanizing play, directed by Oliver Butler, became a sensation off-Broadway last fall before transferring to Broadway where it received two Tony Award® nominations among countless other accolades. See the play The New York Times hails as “not just the best play on Broadway, but also the most important.” 

THE VAGINA MONOLOGUES

August 18-23, 2020

The show on everyone’s lips this year is The Vagina Monologues. Twenty years after first shocking and empowering audiences, Eve Ensler’s groundbreaking, wildly entertaining phenomenon is returning to the stage in a star-studded National Tour, reminding us all at this monumental time in our history how important it is to laugh, to cry, to come together, raise our voices, and speak out before it is too late. Don’t miss your opportunity to think inside the box – and to be a part of something truly revolutionary.

LES MISERABLES

September 15-20, 2020

By popular demand, Cameron Mackintosh’s acclaimed production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical phenomenon, LES MISÉRABLES returns to TPAC. Set against the backdrop of 19th-century France, Les Misérables tells an unforgettable story of heartbreak, passion, and the resilience of the human spirit. Featuring the beloved songs “I Dreamed A Dream,” “On My Own,” “Stars,” “Bring Him Home,” “One Day More,” and many more, this epic and uplifting story has become one of the most celebrated musicals in theatrical history. With its glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo, this breathtaking new production has left both audiences and critics awestruck, hailed as the “Les Miz for the 21st Century.” 

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Season ticket packages are available on Monday, Feb. 24 at 10 a.m. An eight-show season package for the 2020-21 HCA Healthcare / TriStar Health Broadway at TPAC Season series starts at $325. Season ticket holders receive the best seats at the best price compared to purchasing shows individually, and are entitled to additional exclusive benefits, such as easy exchange privileges, flexible payment plans, and savings on dining, hotels, and additional single tickets for any 2020-21 Broadway show at TPAC. 

For more information on the 2020-21 HCA Healthcare / TriStar Health Broadway at TPAC Season, visit TPAC.org/Broadway, where season tickets may be purchased, or call TPAC Patron Services at 615-782-6560. You also may visit the TPAC Box Office located at 505 Deaderick St. 

With all the excitement of the 2020-2021 Broadway Season at TPAC, let’s not forget that the current 2019-2020 Broadway Season is currently ongoing. Up next as TPAC’s current season continues is Jesus Christ Superstar, on stage March 3-8, followed by The Color Purple March 27-29, Escape to Margaritaville May 5-10 and Charlie and the Chocolate Factory June 9-14.

Discover all the latest from TPAC by checking them out online or on Facebook, Instagram and Twitter.

As always, if you are interested in coverage for your latest entertaining endeavor, simply click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.


Filed Under: Breaking News, Theare Tagged With: 2020-2021, Broadway, Broadway at TPAC, Broadway Musicals, Broadway Season, Comedy, Drama, Musical, Nashville, Tennessee Performing Arts Center, TPAC

Rapid Fire 20 Q with cast of Nashville Rep’s ‘Shakespeare in Love’ onstage at TPAC’s Johnson Theatre thru April 13

March 28, 2019 by Jonathan

Directed by René Copeland, Shakespeare in Love is making its Nashville stage debut as Nashville Repertory Theatre’s current offering. Adapted for the stage by Lee Hall and based on the screenplay by Tom Stoppard and Marc Norman, it’s been 20 years since the Gwyneth Paltrow/Joseph Fiennes/Geoffrey Rush film premiere. I remember enjoying the movie, but considering the time that has passed since I’ve seen it and the fact that I’ve never seen the stage version…full confession: I had no idea it even existed…I had to get the low-down on. When I found out one of my absolute “theatre crushes”, Jennifer Whitcomb-Oliva was cast as Queen Elizabeth 1 for The Rep’s mounting, alongside Rep newcomers Joe Leitess as Will Shakespeare, Cailen Fu as Viola and Sewanee professor, James Crawford as Henslowe, as well as local theatre favorite, David Wilkerson, who’s not only cast as Tilney, but also serving as the show’s fight choreographer, I knew this group would result in a fun-filled Rapid Fire 20 Q, and by Bard, I was right.

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RAPID FIRE WITH SHAKESPEARE IN LOVE’S JENNIFER WHITCOMB-OLIVA

JHP: You’re playing Queen Elizabeth 1, so tell me…is it really true what they say? IS it good to be the Queen?

JENNIFER WHITCOMB-OLIVA: It’s soooo good! Big dresses, royal treatment, bowing, parties! Queen Elizabeth was quite the woman. She’s a total rockstar! I’m really enjoying portraying her.

JHP: From what I know, this is your sixth time to appear onstage at Nashville Rep. What keeps you coming back?

JENNIFER WHITCOMB-OLIVA: Nashville Rep continues to bring in theatrical gems. The plays are always so engaging, and full of wonderful surprises. I am so challenged each time from production to production. I am grateful for each opportunity I get, to play something meaningful and outside of the box. I strive to play roles and characters that are beyond the norm.

JHP: Alright, you’ve already mentioned the big dresses…I LOVE the publicity photo of you all done up in QE1 drag. What can you tell me about the gorgeous wigs and the costumes designed by Lori Gann-Smith for Shakespeare in Love?

JENNIFER WHITCOMB-OLIVA: I can tell you to brace yourself! Queen Elizabeth was not one to do casual. These costumes are absolutely gorgeous! They are big, colorful, decadent and exquisitely made. If you don’t ooo and aah, I don’t know how to help you. Also…being a redhead is fun!

JHP: With themes of love, marriage, equality, gender and even the creative life, Shakespeare in Love and Shakespeare’s own writings are just as vital now as when audiences were first exposed to them. Among the themes, which do you think rings most true, in relation to this work?

JENNIFER WHITCOMB-OLIVA: The creative life for sure. This play is truly about the life of the man. It’s about the actors and the world they live in. It’s such a lovely view into the fantastical world of theatre, and why we all fall in love with it over and over again.

RAPID FIRE WITH SHAKESPEARE IN LOVE’S CAILEN FU

JHP: In Shakespeare’s time, it wasn’t unusual for male actors to portray female roles. In a bit of a gender flip, as Viola de Lesseps, you spend part of your time on stage in disguise in male drag. While there’s a large element of comedy, in that the audience is in on the gag, how did you prepare for the duality of the role(s)?

CAILEN FU: My approach to Viola’s disguise is completely based on her idea of what it means to “be an actor.” In Shakespeare’s time, like you said, only men could be actors, so I tried to draw from the men who she would have been influenced or surrounded by for most of her life. This meant looking to her father, the men she met at court and mostly, the actors she saw on stage. While technically she IS going into male drag, I’m making the effort to go more in the direction that she is completely the same person, but she’s just seeing the world and it’s circumstances through a different pair of eyes.

JHP: Speaking of research, have you ever been to Play Dance Bar on a Thursday night for their Drag Kings show? If not, do you think that might be the perfect cast outing?

CAILEN FU: I have not but I think we’d all have a bunch of fun!

JHP: I understand this marks your Nashville Rep debut. What’s the experience been like so far?

CAILEN FU: Yes, this is my Nashville debut! I am having a blast. The entire company of Shakespeare in Love has been so welcoming and lovely. I am loving my time here!

JHP: Shakespeare in Love is of course filled with nods to Romeo and Juliet, as well as many of The Bard’s other works. Do you have a favorite reference included in the play?

CAILEN FU: Oh my, there are so many references! I don’t think I have favorite but I really love how each reference is cleverly woven into the script.

RAPID FIRE WITH SHAKESPEARE IN LOVE’S JOE LEITESS

JHP: You’re playing Shakespeare opposite Cailen’s Viola. What’s the best aspect of having her as your leading lady?

JOE LEITESS: It’s hard to pick just one thing! I admire her ability to jump right into the work. In an abbreviated rehearsal process it can be daunting to tackle these huge scenes about love, loss, and grief- especially with someone you just met. Cailen’s bravery makes that work much easier and more rewarding.

JHP: When I spoke with Cailen, I mentioned her gender flip. Not to give too much away, but you also have a brief moment playing the opposite sex in Shakespeare in Love. What’s something about playing a woman, albeit, mostly for laughs, that you didn’t anticipate?

JOE LEITESS: I was surprised by the physical effect that clothing has- especially with Elizabethan costumes. Dresses, headwear, and footwear change the way you stand, breathe, speak, and relate to other people in space. Doubly so if you’re wearing a corset or something that restricts range of movement. My cast mates sing, play instruments, and dance their way through this play so gracefully while being cinched in- it’s very impressive. I was relieved to learn my brief gender-flip scene doesn’t include a corset.

JHP: Like Cailen, this show marks your Nashville Rep debut. Are you enjoying it so far?

JOE LEITESS: I love it. Our director René Copeland, the cast, crew, and design team are delightful people who do beautiful work.

JHP: I also asked Cailen about the many references and winks to multiple Shakespeare plays within the dialogue and subplots of Shakespeare In Love, so I’ll ask you as well. What’s one nod to The Bard within this work that makes you smile every time it’s uttered?

JOE LEITESS:

Will: This is a dream.

Viola: Dreams are the children of an idle brain, begotten of vain fantasy which is as thin of substance as the air.

Will: …Did you really just say that?

 Of all the references and winks in the show, this one really feels like Will is stealing quotes from the people around him-a good trick for an aspiring writer. I imagine him going home and feverishly rewriting conversations from memory, trying to capture on the page what people say off the cuff.

RAPID FIRE WITH SHAKESPEARE IN LOVE’S JAMES CRAWFORD

JHP: I understand you teach in the department of theatre and dance at Sewanee. How did being part of Nashville Rep’s Shakespeare in Love come about?

JAMES CRAWFORD: I just showed up at the Nashville Rep auditions last year, and I’m so happy that I’m getting to make my Nashville debut in Shakespeare in Love. I feel really lucky. Continuing to act makes me a better teacher, and teaching has made me a better actor.

JHP: Aside from the written word, I understand music plays a part in conveying the spirit of this play. What can you tell me about the inclusion of music in Shakespeare in Love?

JAMES CRAWFORD: Considering this play is not technically a musical, there’s a tremendous amount of live music in it, and it’s beautiful. The cast has over twenty people in it, and it turns out that a few of the actors are also amazingly talented musicians, each of whom plays several instruments. They create a really magical world that the rest of us get to play in.

JHP: You’re playing Philip Henslowe, the owner of The Rose Theatre, a character based in reality, as Henslowe’s The Rose was indeed the first public theatre to stage Shakespeare’s plays. Does portraying a historical figure affect the way you approach the character?

JAMES CRAWFORD: Because Henslowe’s a real person, I did do some research about him. He left a diary that’s very important to people who study theatre history.  It’s full of facts about how much money he spent and how much money he earned, and all kinds of details about what it was like producing plays four hundred years ago. But there’s not a lot of personal information in the diary. Some historians think he was a very generous man, lending his actors money when they needed it, and others think he was more of a ruthless landlord. My job is to honor the version of Henslowe that the writers of Shakespeare in Love imagined.  And, lucky for me, he’s a very funny, delightful character.

JHP: You’re part of a fantastically talented cast, among them, Joel Diggs as Kit Marlowe, fresh off his incredible turn in Nashville Rep’s Topdog/Underdog. What can you tell me about sharing the stage with Joel and this company?

JAMES CRAWFORD: I got to see Joel in Topdog/Underdog the week before we started rehearsing together. It’s always thrilling to see someone make a wonderful leap like that, jumping from playing a bitter three card monte hustler to a wise Elizabethan playwright. As a newcomer to the Nashville theatre scene, I had a memorable experience on the first day of rehearsal. We read the play aloud, and I got to listen to all of these actors, most of whom I’d barely met. It was wonderful, discovering how many exceptionally talented actors are in this cast.

RAPID FIRE WITH SHAKESPEARE IN LOVE’S DAVID WILKERSON

JHP: You’re playing Edmund Tilney, Master of the Revels. Am I dumbing it down to much to say he was the OG party planner?

DAVID WILKERSON: I guess you could say that. Although in the play, he’s a party planner who hates parties then, he’s the person in control of theatre in London and he HATES theatre and actors.

JHP: IF there’s a villain to this piece, you could say TIlney is it, for….SPOILER ALERT…he’s the one who finds out Viola is performing on stage in male drag. What’s the best part of playing Tilney?

DAVID WILKERSON: I always love playing characters who ask for big choices. Tilney is so stuffy and condescending and fun to play!

JHP: In addition to portraying Tilney, you’re also working behind the scenes as the show’s fight choreographer. How much rehearsal goes into fight choreography for a show like this?

DAVID WILKERSON: There is a LOT of fighting in this show. Not counting the slaps and face burnings and wrestling and all that, there are three sword fights. And they are completely different. One is a rehearsal fight, one is a bunch of actors playing, and one is a real life-and-death fight. And they all need to feel different. So we started day one. When you only have two and a half weeks before tech, you have to make the most of every moment.

JHP: Having the unique opportunity of working with the show’s director, René Copeland both on stage as an actor and behind the scenes as fight choreographer, what do you hope audiences take away with them after seeing The Rep’s Shakespeare in Love?

DAVID WILKERSON: Shakespeare in Love is joyous. I hope people come to laugh and cry and along the way realize that art and artists hold an important role in society.

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If you want to experience the joy that is Shakespeare in Love, you have several more chances remaining as performances continue thru Saturday, April 13. Wednesday and Thursday performances at 6:30p.m., Friday evenings at 7:30p.m. and Saturday matinee and evening performances at 2:30p.m. and 7:30p.m. CLICK HERE to purchase tickets or CLICK HERE for more information. Next week, on Thursday, April 4, Nashville Repertory Theatre will announce the coming 2019-2020 season at their 35th Season Reveal Party. Following Shakespeare in Love’s run, The Rep will host the company’s 4th Annual Broadway Brunch fundraising gala at City Winery on May 5. CLICK HERE for tickets.

To keep up with the latest from Nashville Rep, CLICK HERE, or follow them on Facebook, Instagram and Twitter.

If you’ve enjoyed this Rapid Fire, CLICK HERE to check out previous conversations with the who’s who of Nashville’s theatre scene.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram, and Facebook.

Filed Under: Rapid Fire 20 Q Tagged With: Cailen Fu, Comedy, David Wilkerson, Drama, Interview, James Crawford, Jennifer Whitcomb-Oliva, Joe Leitess, Musical, Nashville, Nashville Rep, Nashville Repertory Theatre, Nashville Theatre, Q&A, Rapid Fire, Rapid Fire 20 Q, Rene Copeland, Shakespeare, Shakespeare In Love, Theatre

Rapid Fire Q&A with star Joel Diggs and director Jon Royal; wrapping their ‘Topdog/Underdog’ run alongside star Eddie George at Nashville Rep thru Sunday, February 24

February 23, 2019 by Jonathan

For their February offering, Nashville Repertory Theatre has chosen playwright Suzan-Lori Parks’ thought-provoking 2002 Broadway play, Topdog/Underdog. The debut production garnered the playwright the Pulitzer Prize for Drama, the first such honor awarded a woman of color. The two-person story centers around brothers named Lincoln and Booth (obviously those names are no coincidence and not surprisingly, key to a certain plot point) as they face the day to day struggles of making their way, and their mark on the world; a world filled with preconceived notions and expectations for men of color. Eddie George, yes, THAT Eddie George, he of the 1995 Heisman Trophy, stars as Linc, the oldest of the two brothers, while gifted Nashville-based actor, Joel Diggs stars as Booth. At the helm of Nashville Rep’s production is director, Jon Royal. Royal previously directed The Rep’s Smart People last February. Among Royal’s other notable directorial efforts, Street Theatre’s brilliant 2014 production of Passing Strange and Nashville Shakespeare Festival’s Othello, which also starred Eddie George.

Always excited to chat about shows that are a bit unfamiliar to me, I recently had the opportunity to reach out to the stars and the director for the latest in my recurring interview feature, Rapid Fire 20 Q. Unfortunately, due to circumstances beyond my control, George was unable to participate. Thankfully, Diggs and the director were available, so I give you an abbreviated, yet informative and revealing Rapid Fire 13 Q.

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Diggs (left) and George (right) star as Booth and Linc in Nashville Rep’s “Topdog/Underdog” (production photos by Michael Scott Evans/courtesy Nashville Rep)

RAPID FIRE 13 Q WITH TOPDOG/UNDERDOG STAR JOEL DIGGS AND DIRECTOR JON ROYAL

RAPID FIRE WITH TOPDOG/UNDERDOG STAR, JOEL DIGGS

Joel Diggs

JHP: How familiar were you with the work prior to being cast as Booth in Nashville Rep’s Topdog/Underdog?

JOEL DIGGS: I was somewhat familiar, in that I knew of Suzan-Lori Parks, and that she wrote this great piece, but I had never read it. I did see the production with Eddie and Jeff Carr many years ago though.

JHP: What can you tell me about Booth?

JOEL DIGGS: Booth is deeply troubled, caused by his parents abandonment of he and his brother. He is a very impulsive person, who wants love so bad, he creates fantasies to fill that void.

JHP: While the playwright delves into more serious aspects of the brother’s relationship with each other, there’s still that unbreakable bond of brotherhood. In what ways does the dynamic between you and your co-star, Eddie George mirror that of the relationship between your characters?

JOEL DIGGS: He’s someone who is very well known, and I can see how that relates to Booth admiring Lincoln, because “Linc’s the Man!” Eddie and I are relatively the same age and have many things in common, as well.

JHP: Among the subplots, there’s the inheritances the brothers were left. While Lincoln opened his and spent it, Booth kept his, never opening it, which seems somewhat uncharacteristic for Booth. What’s the significance of this?

JOEL DIGGS: I believe Booth is trying to hold on to the memory of hope in his mother.

JHP: Other subplots deal with the brothers and their relationships with women, Linc’s wife, Cookie and Booth’s girlfriend, Grace, who are spoken of, but never seen. Why do you think the playwright chose to mention the women, but not include them as part of the cast. 

JOEL DIGGS: The women can be felt very strongly, but I feel the playwright may be showing the plight of the Black man in America, the so called head, being disposable, therefore dooming the entire family.

JHP: What is it about Booth that drove you to the role?

JOEL DIGGS: I know people like him, and the challenge of bringing him to life. 

JHP: The entirety of the play is presented as a two-man show. What’s the biggest challenge and biggest reward in sharing the stage with only one other actor?

JOEL DIGGS: The reward is getting to tell such a beautifully written story, and having to deal with so many layers, an actor’s dream. The challenge is the amount of work it takes to do that!

RAPID FIRE WITH TOPDOG/UNDERDOG DIRECTOR, JON ROYAL

Jon Royal

JHP: How did directing Topdog/Underdog for Nashville Rep come about?

JON ROYAL: Rene Copeland asked me how I felt about this script last February. I told her that I loved it! She asked if I’d be up for directing it about a month later.

JHP: From the beginning, did you have a clear vision of what you wanted for the Pulitzer-winning piece?

JON ROYAL: After reading and rereading the piece, I felt like I had a clear understanding for what the script was telling me it was about, but developing that is the biggest part of my job as the director.

JHP: What was it about Eddie George and Joel Diggs’ auditions that spoke to you as a director?

JON ROYAL: I’m pretty sure that Eddie and Rene had already talked about him playing Lincoln, so that meant that the search was on for an actor to play Booth. Joel is very natural onstage. They have great chemistry together.

JHP: How would you categorize you style of directing as it relates to Topdog/Underdog?

JON ROYAL: My style of directing for this piece has been about the beautiful delicious beats that Suzan has written.

JHP: Why is this play, and this production in particular, an important piece for the Nashville theatre community?

JON ROYAL: It’s important because this play is incredible. It’s such a densely, well written piece that connects with people across all walks of life. It’s been produced here twice and a playwright of Suzan-Lori Parks’ caliber should be presented to our local audiences even more. To Rene and the Rep’s credit, this is the third season in a row that this company has produced a play written by a black woman, as part of their season. I’ve been here all of my life, I’d say this kind of consistency is long overdue. 

JHP: What do you hope audiences come away from Topdog/Underdog feeling or contemplating?

JON ROYAL: I hope that audiences contemplate what it means to be in community with each other, as in we are all family. I hope we also look at what we’ve inherited from our birth families and what we’ve inherited from America.

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Nashville Rep’s Topdog/Underdog concludes its run at TPAC’s Andrew Johnson Theatre with performances Saturday, February 23 at 2:30 p.m. and 7:30 p.m. and a final matinee on Sunday, February 24 at 2:30. CLICK HERE for tickets or more information.

Following Topdog/Underdog, Nashville Rep continues their current season with Lee Hall’s stage adaptation of the popular film, Shakespeare in Love with performances March 23-April 13. CLICK HERE for tickets. To keep up with the latest from Nashville Rep, CLICK HERE, or follow them on Facebook, Instagram and Twitter.

If you’ve enjoyed this Rapid Fire, CLICK HERE to check out previous conversations with the who’s who of Nashville’s theatre scene.

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Filed Under: Rapid Fire 20 Q, Theare Tagged With: Drama, Eddie George, Interview, Joel Diggs, Jon Royal, Nashville, Nashville Rep, Nashville Repertory Theatre, Nashville Theatre, Pulitzer Prize, Q&A, Rapid Fire, Theatre, Topdog/Underdog

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