Larry Keeton Theatre

Rapid Fire 20Q with cast of William Inge’s ‘Bus Stop’; Opening at The Keeton October 11 thru 27

October 10, 2024 by Jonathan

For their latest dinner theatre offering, The Keeton Theatre will present William Inge’s 1955 Tony-winning play, Bus Stop with performances Friday, October 11 thru Sunday, October 27. Directed by Erin Grace Bailey, Bus Stop features among its cast Josh Mertz, Fiona Barrett, Rich Moses and Jena Salb. As the cast and crew put the finishing touches on the show, I had the chance to chat with the four stars to get their take on the play, the characters they’re playing, and yes, the famous folk who’ve come before them in previous stage and screen adaptions of this classic slice-of-life work. What follows are those conversation.

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Rapid Fire 20Q with Cast of The Keeton Theatre’s Bus Stop

Rapid Fire with Josh Mertz, Bo Decker in Bus Stop

JHPENTERTAINMENT: Keeton audiences last saw you in the supporting role of Travis in their recent production of Footloose and now you’re playing leading man, Bo in Bus Stop. How excited are you to step front and center with this role?

JOSH MERTZ: It is such an honor and a privilege to get to perform at the Keeton. I used to see shows here growing up and dreamed of one day being on that stage. I’m very grateful for the theater family that I have made over the past couple months . I am very blessed that Erin Grace(our director) trusted me to tell her vision of the show as Bo Decker. He is such a fun role to play because yes, of course he’s the comedic relief but also his character arc is about his journey in finding true love and growing up. I believe there isn’t any small roles in theatre because at the end of the day, every actor upon that stage affects how story is told to the audience.

JHPENTERTAINMENT: On the exterior, Bo seems to be a bit of a ruffian. How much fun are you having playing this type of character?

JOSH MERTZ: Bo Decker is one of the wildest characters I’ve ever portrayed on stage. Developing the mannerisms, voice And even walk of this character has been the most fun I’ve had with a role in a while. I feel like with every rehearsal was bringing something new to the table and I’m still finding things to incorporate with the character. I can’t wait for everyone to see who Bo really is.

JHPENTERTAINMENT: Within the context of Bus Stop, Bo is said to be a rodeo champion. I understand you’re a Nashville native yourself, so I gotta ask…any experiences or interactions with livestock in your own background?

JOSH MERTZ: The closest I’ve ever been to something of that nature is my grandmother lives out in the country of South Carolina and owns horses and goats. I absolutely love animals and I’ve seen a couple of rodeo shows growing up. I actually hope one day to go horseback riding again.

JHPENTERTAINMENT: Bo has fellow cowboy Virgil Blessing (played by Dean Bratton) as a bit of a mentor and occasional voice of reason. Is there a Virgil in your own life who sets you straight now and again?

JOSH MERTZ: The Virgil of my life was definitely my Pawpaw David Atchison. We lost him about a year and a half ago from a long battle with COPD. Anytime I ever had a life question or just needed to get something off my chest or needed better guidance on something, I would go and sit in my Pawpaw‘s room and talk about it. He was one of the best men I’ve ever known and I miss him every day. he always knew the right answer and lived his whole life with love and compassion towards others. He wanted me to follow my dreams so this is why I dedicate all my performances since to him.

JHPENTERTAINMENT: I’m about to chat with Fiona Barrett, who plays Cherie to your Bo. What’s she like as a scene partner?

JOSH MERTZ: Getting to know this whole cast has been such a blessing in my life. Everybody brings such an amazing energy to the show and it’s magical to be in. Fiona as a scene partner has been so fun to work with. She’s never afraid to make bold choices and very willing to try new things on stage. Could not ask for a better Cherie to my Bo.

Rapid Fire with Fiona Barrett, Cherie in Bus Stop

JHPENTERTAINMENT: Who is Cherie to you?

FIONA BARRETT: Cherie, to me, is a symbol of strength and perseverance, with a dash of fun and carefree nature. I say this to not only reflect her character in general, but also when thinking about the things she’s had to overcome in her past and present. She’s survived the lowest of lows and the highs of being on top; that, to me, creates a well-rounded character with depth, blended beautifully with a cheeky attitude.

JHPENTERTAINMENT: From your bio, I understand the role of Cherie marks the end of a five-year hiatus from the theatre. What’s it like being back on stage?

FIONA BARRETT: It’s truly been a gift; no exaggeration. Being back on stage feels like I’ve come home again. I spent a good fifteen years of my life doing theatre in my younger years, and I forgot how much joy it brought me until the rehearsal process started for Bus Stop. It’s revived my love for theatre and I won’t be stopping any time soon!

JHPENTERTAINMENT: Doing a little research in preparation to chat with you and your fellow cast mates, I revisited 1956’s film adaptation, which came out one years after the Broadway debut of the stage play. In it, Marilyn Monroe plays up Cherie’s naive sex kitten side. I also checked out 1982’s HBO teleplay in which Margot Kidder (Lois Lane in 1977’s Superman: The Movie) approaches the role with a bit of humor and clumsy charm. I’m curious how you’ve chosen to play the iconic role?

FIONA BARRETT: While I auditioned with the mindset of visually portraying Marilyn, my interpretation of Cherie comes forward with strength and wittiness, combined with that charm and appeal you may have seen in the past. I wanted to bring my own interpretation of the character itself to life based upon the text, but I also wanted to acknowledge that Cherie is still a beautiful young girl with a sense of humor and sweet disposition. To me, Cherie isn’t just a bombshell blonde dancer; she’s a young woman that’s grown up more quickly than most and has developed a keen sense of navigation of the world around her, even if it hasn’t been as kind to her as she’d like for it to be.

JHPENTERTAINMENT: One of my favorite scenes, regardless of who’s playing Cherie is the moment she gets to show off her talents as a ‘chanteuse’. Can you give us any insider info on ‘That Old Black Magic’?

FIONA BARRETT: I agree! I love the fact that I get to show off Cherie’s chanteuse side! Given that I’ve played primarily musical roles in the past, it’s so fun being able to give that duality onstage. However, even though That Old Black Magic is one of Cherie’s best numbers and the one that got Bo’s attention, she chooses a different song to sing when given the opportunity to shine in the diner. What song, you ask? Come see the show to find out! 😉

JHPENTERTAINMENT: Over the past couple years I’ve gotten to know your director, Erin-Grace Bailey, for her work both onstage as an actress and behind the scenes as a director. What’s your experience been like having her the director of Bus Stop?

FIONA BARRETT: I couldn’t have asked for a better director to work with upon my re-introduction to theatre, and I say that with my whole heart. Erin-Grace directs with intelligence and purpose, but also continuously ensures that the actors involved are comfortable with the direction given, especially in places where the text is more intense. She creates a collaborative environment between herself and the people she works with, but also leads with a keen sense of storytelling ability that you don’t see very often. I credit her with helping me find a version of Cherie that has depth and strength along with charm, beauty, and confidence. I hope I get the opportunity to work with her in future productions!

Rapid Fire with Rich Moses, Will Masters in Bus Stop

JHPENTERTAINMENT: What can you tell me about Will Masters, the character you play in Bus Stop?

RICH MOSES: Will is the local sheriff of our small town. He’s a big hearted guy, looking to protect the ladies of the diner as well as the passengers who are stranded due to the storm. While he’s a no-nonsense sort of sheriff, he also has a positive outlook on life and is willing to give everyone the benefit of the doubt. He takes his past experiences and uses them for good, even trying to help out a certain cowboy. He loves life and everything about it, and people love him for it.

JHPENTERTAINMENT: How familiar were you with Bus Stop prior to auditioning for the show?

RICH MOSES: I was familiar with the basic premise of the story along with the fact that it was a star vehicle for Marilyn Monroe but had not seen the movie. I try to avoid seeing any productions of a show I audition for prior to the run of our show. I feel like it helps me establish a character as my own, letting me put my own spin on things rather than being influenced by other actors and their character choices whenever possible.

JHPENTERTAINMENT: Keeton audiences might recognize you from your recent role in their production of The Music Man, among other Keeton shows. What is it about The Keeton that keeps you coming back?

RICH MOSES: Bus Stop will be my ninth production “trodding the boards” at Keeton. It’s one of my favorite theaters along with Playhouse 615 in Mt. Juliet. I keep coming back to the Keeton for a multitude of reasons. They do a great job with play selection, the directors are always fabulous and push actors to become better onstage, and I love working with the actors who perform there. Quite a few of us have been in multiple shows together, so the chemistry and fun we share onstage always shines through. The audiences are absolutely incredible as well. They bring the energy in the house and are always engaged in the show, which makes for a better production all around.

JHPENTERTAINMENT: When I chatted with Fiona, I mentioned that I had rewatched not only the 1956 film version of Bus Stop, but also the early 80s HBO teleplay. In the latter, Claude Akins played Will Masters. In both, Masters is the good-hearted everyman. What’s your favorite aspect of playing a character that’s just so likable?

RICH MOSES: Funny story – when I was reading the script and preparing for auditions I pictured Claude Akins as someone who could play that role, especially after his time as Sheriff Lobo on BJ and The Bear and The Misadventures of Sheriff Lobo back in the 70s and early 80s, and wasn’t aware he had performed in the 80s teleplay.

The best part of playing a likable character is the fact that it gives me an opportunity to make the audience smile and really enjoy the show. Those sort of characters are always memorable for audiences and they love to root for them and their impact on the story. I think we are always looking for the good in people and they can identify with someone on stage who exudes that positivity.

JHPENTERTAINMENT: Within the context of the play, Will seems to have a bit of a crush on Grace, the owner of the roadside diner where the action of Bus Stop takes place. Jena Salb plays Grace to your Will. Since I’m about to wrap up this Rapid Fire 20Q by chatting with her, what are you enjoying most about sharing the stage with Jena?

RICH MOSES: This will be my second show with Jena after performing with her last year in Arsenic and Old Lace. We had a ball for that show and are having just as much fun this time. She was so excited to audition for this show with me that she asked for me to yell at her during auditions “like I did in Arsenic for old times sake.” Jena is a master actress on stage with her comedic timing and ability to bond with other characters. Her passion for the stage is infectious, and I love playing alongside her.

Rapid Fire with Jena Salb, Grace Hoylard in Bus Stop

JHPENTERTAINMENT: What can you tell me about Grace, the character you play in Bus Stop?

JENA SALB: Grace is a conundrum. She’s a little bit of everything, but mostly she’s tough. Not because she wants to be, but because she has to be. She’s a little selfish, but not in a mean way. She just has to look out for herself over anyone else, because she knows that’s the only person she can rely on. She’s snarky, but not bitter, and takes life as it comes. She’s a lot like me to be honest, which is what drew me to her.

JHPENTERTAINMENT: Most everyone knows Marilyn Monroe starred as Cherie in the 1956 film adaptation of Bus Stop, but while researching to chat with you and your fellow cast mates, I learned that Elaine Stritch, one of the most beloved theatre actors of the modern era originated the role Grace on Broadway a year prior to the film’s release. Does knowing the legacy of a role mean anything to you as an actor, or do you approach each role as though you’re the first and only one to step into it?

JENA SALB: Elaine Stritch is an icon! But, I haven’t looked at anything she did with the role. If I did that, it would just be a terrible Elaine Stritch impression and I’m saving that for when I’m old enough to play Joanne in Company.

JHPENTERTAINMENT: From what I’ve seen on social media, Kevin Driver, Bus Stop’s technical director has outdone himself with the set. Grace’s roadside diner looks perfectly charming and authentic. Is there a piece of set decor that you particularly enjoy?

JENA SALB: I love anything that Kevin Driver does. He’s just the best person and we are so lucky to have him residency here at the Keeton. This set is really spot on and when I’m up there behind the counter, it really brings me back to my waitressing days at a diner downtown. I think I love all of the clutter on the walls the most. Just don’t spend too much time looking at all of it, because you’ll miss the little moments happening in the background by all of my cast mates.

JHPENTERTAINMENT: I gotta tell you, Grace is one of my favorite characters in this play. Rewatching the 1956 film and the early 80s teleplay, I literally LOL’d each time when Grace says, “I love a fight”. She’s got such great lines throughout. Do you have a favorite line or scene in the show?

JENA SALB: I love the end of the show when she is just tired of everyone’s shenanigans and wants them out so she can go to bed. Or it just a front and she loves having all of these crazies here to keep her company? I’ll let you decide that…

JHPENTERTAINMENT: I always end these Rapid Fire 20Qs with a version of the same final question and since you’re my last piece of this puzzle…What do you hope audience remember after having seen Bus Stop at The Keeton?

JENA SALB: I hope it just leaves them thinking. When I see a show, I know it’s a good one if I’m leaving having a discussion with who I saw it with. And even better if we disagree with each other! I hope they see these very flawed people with a human lens and see that they aren’t good or bad. They are just a product of their experiences.

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The Keeton’s Bus Stop runs October 11-27. Dinner and Show tickets are $40 for Adults and $35 for Children. Show Only tickets are $30. For evening performances, doors open at 5:45p.m. with dinner served at 6p.m. and the show beginning at 7:30p.m. Shows with a Thursday show only performance open doors at 6:30p.m. with show at 7p.m. Sunday matinee hours are as follows: doors at 12:45p.m./lunch at 1p.m. and show at 2p.m. CLICK HERE to purchase tickets. As always, The Keeton coordinates their dinner menu to compliment the show. For Bus Stop, the pre-show meal will consist of a Dinner Salad, Country Fried Steak with Pepper Gravy served with sides of Mashed Potatoes, Green Beans and Roll with Cookies and Cream Pie for dessert.

Next up at The Keeton is A Christmas Story: The Musical, with performances December 5-22. WATCH THIS LINK for tickets or more information soon.

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Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook. In the meantime, #GoSeeTheShow!

RAPID FIRE 20Q WITH CAST OF LARRY KEETON THEATRE’s ‘WHITE CHRISTMAS’

December 1, 2022 by Jonathan

If you know me at all, or you’ve read any of my holiday reviews over the last decade or so, you likely know Irving Berlin’s White Christmas is my hands-down favorite movie musical, in any incarnation. Doesn’t matter whether we’re talking about the classic 1954 film, or the subsequent stage musical. I love all things White Christmas. Given that bit of insider info about myself, of course I had to chat with Kevin Raymond, Micheal Walley, Casey Cuba and Dani Haines for my latest Rapid Fire 20Q. The quartet of talented performers are starring in White Christmas directed by Keith Hardy at The Larry Keeton Dinner Theatre (108 Donelson Pike) beginning tonight, Thursday, December 1and continuing through Sunday, December 18.

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RAPID FIRE 20Q WITH THE CAST OF THE LARRY KEETON THEATRE’S WHITE CHRISTMAS

RAPID FIRE WITH KEVIN RAYMOND, BOB WALLACE IN WHITE CHRISTMAS

JHPENTERTAINMENT: Tell me a little about Bob Wallace.

KEVIN RAYMOND: Bob Wallace is a lovable character but sometimes he appears to be a bit sarcastic because he’s missing something in his life. There’s no romance going on he doesn’t have anybody to love. Even his partner Phil points out that he should “add a little romance to his life“ and maybe he’d be happier. He spends most of his time working on business deals and the Wallace and Davis act on his entire life since the army. The transition of his character in White Christmas is truly a beautiful one through his rocky relationship with Betty Haynes. Hopefully, you’ll have a chance to see the love in his heart, his joy in his business and performing as well as his general love for his fellow mankind.

JHPENTERTAINMENT: Taking on the role made famous by Bing Crosby…daunting, a dream, or a combination of both?

KEVIN RAYMOND: I have to say, it is a daunting task! Bob sings a majority of the music in the show and appears in every scene except for two in the entire musical. One of the biggest things that I’ve enjoyed about this is the challenge set before me. But to be perfectly honest, this has been a dream role for my entire life. I feel as if I’m in an age right now to be the perfect Bob Wallace because 10 years ago I may have been too young and 10 years from now I’ll definitely be too old to play this character.

JHPENTERTAINMENT: Your creative credits go beyond on-stage performing, you’ve also been involved in a number of productions at The Keeton and other theatre companies behind the scenes. Do you think that gives you an advantage when cast in a show?

KEVIN RAYMOND: I’m delighted to also be the choreographer for this production and one of the things that I generally always tell the cast is to think like a director or to think like a choreographer. I feel as if it’s a life learning lesson to have someone nurture you to the fact that if there’s an even number of people on stage, someone will split the center line when it comes to blocking a dance. If there’s an odd number of people on stage someone will always be on that center line. If you have thoughts like this in your head going in to a learning experience then it makes life so much more easy for you. Also, when you’re moving set pieces think about what might need to go off before some thing else comes on and vice versa. The knowledge that it takes to be able to pull things off like that is a vital life lesson for the arts. I think that my interaction with people and all of the previous artistic elements I’ve been involved in at the Keeton certainly help me to develop this and others as well. On top of that, because I generally think like a Director and Choreographer, blocking, staging and other elements come really easy for me and I can pour that natural instinct into a character.

JHPENTERTAINMENT: Speaking of other gigs, a couple years ago you released a Christmas cd. What can you tell me about that project?

KEVIN RAYMOND: Christmas music is and always will be my favorite! I love being in the studio and creating art on a recorded medium. It’s very different than live performing because you can do quite a few takes and pick the best one or splice things together very easily. The CD was basically a labor of love and a really fun project that one of my best friends, Gabe Wateski, recorded and produced for me. The title of the CD is called Christmas Is… and can be found on my website at kevinfraymond.com. It has 18 truly wonderful tracks, some old and familiar and some new material.

JHPENTERTAINMENT: I’m about to chat with you costars, so I gotta ask…what’s it been like to share the stage with Micheal Walley’s Phil Davis to your Bob Wallace?

KEVIN RAYMOND: Micheal is an absolute joy! I’m so thankful that the director, Keith Hardy, cast him because if I was directing, he would’ve gotten my first vote as well! Filling the shoes of Phil Davis (not to mention having everyone always comparing you to Danny Kaye) is not an easy one because he hast to be an absolute funny man. Every successful vaudeville act has to have two comedians where one is acting in the funny man capacity and the other as the straight man. Micheal is the perfect funny man for the show. He brings Phil to a light that I could’ve never even imagined. It is so easy to work off of him that I’m truly blessed to be on stage with Micheal. In real life, Micheal is a tremendously likable young man with a great personality and though I only met him when we started rehearsals for the show I feel as if I’ve known him forever already. I think at the Wallace and Davis combo along with the Haynes Sisters will leave you very pleased with White Christmas!

RAPID FIRE WITH MICHEAL WALLEY, PHIL DAVIS IN WHITE CHRISTMAS

JHPENTERTAINMENT: I just interviewed your co-star, Kevin and asked about working with you, so turn about is fair play…how is Kevin as a scene partner?

MICHEAL WALLEY: Oh, Kevin! When I auditioned for the show and read a scene with Kevin, I thought to myself, “I really would love to play opposite that guy!” It’s been a dream. Kevin truly is the ideal song-and-dance man, and getting to feed off of his energy and stage presence is so much fun. He and I also accidentally showed up wearing matching shirts at rehearsal one day, so he has great style.

JHPENTERTAINMENT: I last saw you at the Darkhorse Theatre in Bucket List Productions’ Assassins earlier this year, but first saw you in Chaffin’s Barn Dinner Theatre’s Minnie Pearl: All the News from Grinder’s Switch. All very diverse roles. What draws you to a role?

MICHEAL WALLEY: It’s been so fun getting to bring to life all sorts of different characters. Honestly, I’m grateful to do any role that is offered- whatever the type of role! I went a long time without doing any sort of theatre, and am in awe that people have trusted me with some really wonderful roles. The incredible team at Chaffin’s Barn (gosh – I miss it!), the cast mates that became family in Assassins, and the new friends in White Christmas have made Nashville feel like home. Each role has pushed me to be a better performer, and I’m so grateful for the community here. I’d jump at any chance to work with the wonderful people that make up the Nashville theatre community!

JHPENTERTAINMENT: If you could apply an aspect of Phil’s character into your real life, what would it be?

MICHEAL WALLEY: I love Phil’s optimism and glass-half-full nature. I’m usually an optimistic person, but man, the pandemic and the past few years have affected us all, and it’s a little harder to look on the bright side of things. I’m challenged to refocus and reconnect with my own optimism to ensure Phil’s joy is authentic onstage.

JHPENTERTAINMENT: Snow is my favorite moment in the show…what’s yours?

MICHEAL WALLEY: I absolutely adore the Act 2 opener, I Love a Piano. While I’m sad that Choreography from the movie isn’t in the live stage show, this song is a pretty good substitute and a blast to perform. It’s such a big production number, and I’m really proud of what the cast has accomplished with it over the past few weeks. Plus – the costumes are fantastic!

JHPENTERTAINMENT: Singing, dancing, comedy and a little bit of drama…White Christmas has it all. I understand you co-star, Kevin is also the show’s choreographer. What has rehearsal been like?

MICHEAL WALLEY: Yes, the choreographer is none other than our Bob Wallace, Kevin Raymond. Kevin has pushed us beyond what we thought was possible. At our first rehearsal, I said, “I hope people watch my face and not my feet” because I don’t consider myself a great dancer. But Kevin has been a fantastic, patient teacher and I’ve learned so much from him. He’s helped create something really impressive on the Keeton stage, and we can’t wait for the audience to see our tapping feet! In the words of Clark Griswold, “This will be the hap, hap, happpiest Christmas since Bing Crosby tap-danced with Danny…Kaye!”

RAPID FIRE WITH CASEY CUBA, BETTY HAYNES IN WHITE CHRISTMAS

JHPENTERTAINMENT: While preparing for the role of Betty Haynes, what or who have you drawn from to channel certain attributes?

CASEY CUBA: Looking the part of Betty during this time period, I focused on the elegance and poise of my grandmothers. I always loved looking at their old photographs from the 1940s and envied how glamorous life seemed. As for the character of Betty, I have drawn on my own raw emotions, vulnerability, and life experiences. Betty is very independent and strong willed, traits that sometimes cause her to sabotage her own happiness. I often recognize these traits in myself.

JHPENTERTAINMENT: Of course there are parallels between the two featured couples…Betty and Bob share more serious traits while Phil and Judy are a bit more carefree. In real life are you more a Betty or a Judy?

CASEY CUBA: I am definitely more of a Judy in real life! I am the one finding humor in almost ANY situation. Who doesn’t enjoy laughing?

JHPENTERTAINMENT: I’ve said it a hundred times…White Christmas isn’t just my favorite Christmas movie. Heck, it’s my favorite stage musical…of all-time. Aside from White Christmas, naturally…what’s your favorite holiday viewing?

CASEY CUBA: I can only choose one?!? Planes, Trains, and Automobiles is my favorite movie for Thanksgiving, but for Christmas…there are so many good ones! My top 2 favorites are probably It’s a Wonderful Life and Christmas Vacation.

JHPENTERTAINMENT: The wardrobe…can we talk about the wardrobe? The show’s director, Keith Hardy is doing double duty as the costumer as well. Do you have a favorite look?

CASEY CUBA: Yes, Keith is also the costumer. How amazing is that? He has knocked it out of the park…per usual. The dresses for Sisters, the iconic blue dresses and fans, are UNREAL! They are just gorgeous. But my absolute favorite look in the show is the black velvet gown that Betty wears for her solo of Love, You Didn’t Do Right By Me. It was made to look just like the gown Rosemary Clooney wore in the film and it is just stunning. I feel so connected to Betty in that scene with the glamour and the raw emotion. It’s just beautiful.

JHPENTERTAINMENT: If you hadn’t been cast as Betty, regardless of whether you’re the ‘type’, what other White Christmas role would you love to play?

CASEY CUBA: I would love to play Rita or Rhoda! Haha I mean c’mon! I think it would be so fun to play a ditzy, blonde bimbo! Their lines are so ridiculously funny and their costumes are hysterical!

RAPID FIRE WITH DANI HAINES, JUDY HAYNES IN WHITE CHRISTMAS JHPENTERTAINMENT: I’ve heard playing Judy a dream role for you. What is is about Judy Haynes that drew you to the part?

DANI HAINES: I’ve always had a connection with Judy since I first saw the movie when I was younger. She was a charismatic and dynamic performer and I think that really influenced how I’ve approached all the roles I’ve gotten the chance to do throughout my stage career.

JHPENTERTAINMENT: I understand you’re a relative newcomer to Nashville and this is your first show at The Keeton. How’s your time in Music City been thus far and are you enjoying being part of the Keeton family?

DANI HAINES: I’ve lived in a lot of different places in my life, and Nashville has been one of my favorites! I’m excited to put down roots in a diverse, entertaining city. Joining a new theatre family will always come with unique challenges and barriers, but I’ve learned so much about myself and the community through the experience; and I’m extremely grateful for the love and support from my new friends.

JHPENTERTAINMENT: The role of Judy is dance-heavy, having first been portrayed on screen by the iconic Vera-Lynn. Do you have a dance background?

DANI HAINES: I’ve actually been a dancer most of my life! I started lessons at a young age in various genres of dance, and that was what created the gateway to my love for musical theatre. I’m so fortunate to have had the experiences I’ve been given and use them in this show.

JHPENTERTAINMENT: A little online sleuthing revealed when you’re not on stage, you work at an escape room. If you could create a White Christmas-themed escape room, what would it consist of?

DANI HAINES: Hmmm… Without a doubt, there would have to be a lot of music! I’d probably create a puzzle involving the iconic songs of the movie and the show. The theme would be “backstage and get ready so the show can go on”!

JHPENTERTAINMENT: What do you hope audiences take with them after seeing White Christmas at The Keeton?

DANI HAINES: One of the biggest lessons this show teaches its viewers is that a kind heart and goodwill towards others never goes out of style. I hope that this show serves as a reminder to us all that compassion and generosity should be celebrated year round, not just during the holiday seasons. I also hope they take home fun memories and some tapping toes!

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Irving Berlin’s White Christmas celebrates the holidays at The Larry Keeton Dinner Theatre with performances December 1-18. At the time of this posting, it would appear the entire run has sold out, but you just never know…some Scrooge might have to cancel at the last minute. You might want to call 615.231.1231 and check on last-minute availability. Dinner and Show tickets are $35/Adult and $25/children. Show Only tickets are $30/$20. CLICK HERE for more information.

Up next at The Keeton Dinner Theatre is Newsies. February 10-26. CLICK HERE for tickets. To keep up with the latest from The Larry Keeton Dinner Theatre, follow them on Facebook, Twitter and Instagram.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.

Rapid Fire 20Q with cast of the Larry Keeton Theatre’s ‘Blithe Spirit’; Noel Coward classic onstage October 14-30

October 12, 2022 by Jonathan

It’s been quite some time since I’ve attended a show at The Larry Keeton Theatre, one of Nashville’s only, if not the only remaining Dinner Theatre, so you can imagine my delight when a friend, who just so happens to be one of the theatre’s board members, reached out extending an invitation to come see their upcoming production of Noel Coward’s high-spirited classic, Blithe Spirit. I then inquired if they’d be willing to have some of the cast take part in the latest installment of my recurring interview feature, Rapid Fire 20 Q. Given the fact that even before I began writing about theatre more than a decade ago, I was a season subscriber at the Keeton and have always enjoyed their productions, I’m thrilled to be writing about them again. To that end, what follows are my conversations with Erin-Grace Bailey, Abby Waddoups, Aaron Gray and Drew Ann Davis Borsos, just days before they open at the Keeton Theatre in Blithe Spirit.

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RAPID FIRE 20Q WITH CAST OF THE KEETON THEATRE’s BLITHE SPIRIT

RAPID FIRE WITH ERIN-GRACE BAILEY, ELVIRA IN BLITHE SPIRIT

JHPEntertainment: What can you tell me about Elvira, the character you’re playing in The Larry Keeton Theatre’s production of Noel Coward’s Blithe Spirit?

Erin-Grace Bailey: Charles refers to Elvira as “rather light and irresponsible,” which I think is a great way to describe her. She’s just a joy to play. To me, in her life, she would have been the person to arrive fashionably late at a party and just completely light up the room. She’s witty, feminine, and she isn’t afraid to say whatever comes to her mind.

JHPEntertainment: Playing Elvira and apparitions in general aren’t a new phenomenon to you are they? Tell me a bit about your side gig as a Ghost Tour guide?

Erin-Grace Bailey: Indeed. It’s kind of funny. I applied to be a tour guide with the ghost tours because I am a huge history nerd and always thought being a tour guide would be fun (and it is). I lead walking tours of some haunted historical sites and get to share Nashville history and ghost stories a couple times a week. The gig has sort of led me into getting involved in a lot of entertainment on the spookier side as well, including murder mysteries, a show based on the works of Edgar Allen Poe, and now Blithe Spirit. Ironically, I scare very easily, and if you’d have told me five years ago that a lot of my current work would look like it does now, I would have said you are dead wrong!

JHPEntertainment: What’s been the most fun aspect of playing a ghostly figure?

Erin-Grace Bailey: Elvira is unapologetically who she is. She gets to do and say whatever she wants, and, aside from her husband, no one else witnesses it. Playing a ghost takes away these life or death stakes we see so often in plays, and she really gets to let loose. It’s not very often we get to do something like that as actors.

JHPEntertainment: I understand this is your first show with the Keeton Theatre. What’s the experience been like so far?

Erin-Grace Bailey: It has been so lovely, and I’ve been so grateful to get to know and work with these people. I’m thankful to Donna for trusting me to take on this role and perform this text. Everyone on this team has been so supportive since the beginning. I can’t wait for the audience to see all of the love that’s been put into every aspect of this project – from the acting, to the set, to the sound design, and more.

JHPEntertainment: While it’s your first Keeton show, this isn’t your first time appearing in a work written by the great Noel Coward, having played Julia in a production of Fallen Angels. Prior to our chat you indicated Coward is your favorite playwright. What is it about his style that you enjoy?

Erin-Grace Bailey: The first time I was exposed to Noel Coward, I was in an acting class in undergrad. I was assigned a scene from Blithe Spirit, playing Madame Arcati actually, and I had a terrible time of it at first. Coward writes like you’re on a racetrack, and you don’t stop unless it’s absolutely necessary to change the tires. I had several acting classes end in tears, but once it clicked with me, I felt like it really clicked. I’ve adored him ever since. Coward’s scripts are written very intentionally. The wit in his dialogue is unmatched, and he leaves enough of his scripts up to interpretation that his works have remained relevant for the past hundred years. One of my favorite things about Blithe Spirit specifically has to do with the way he has written the female characters, particularly Ruth and Elvira. They completely juxtapose one another, yet neither of them are perfect. There aren’t these unrealistic expectations of perfect beauty or manners in either of them. I love getting to play a character who is incredibly light and feminine but also quick-witted, confrontational, and outright funny. Female identifying characters from the time period this play was written are often meant to be one thing or another, and part of why I think Coward’s works are still so cherished is that a great deal of his characters don’t fall into this trap.

RAPID FIRE WITH ABBY WADDOUPS, RUTH IN BLITHE SPIRIT

JHPEntertainment: In the Larry Keeton Theatre’s production of Noel Coward’s Blithe Spirit, you play Ruth. How would you describe her?

Abby Waddoups: Ruth is a devoted wife to Charles and considers her position of wealth and managing their household very important. Her whole world is shook when Charles believes he sees the ghost of his first wife, which continues to live with them for several days. She is naturally upset and emotional about the whole ordeal.

JHPEntertainment: As Ruth, you get the fun opportunity to play two aspects of the same character, one–her earthly human form, the other–her ghostly incarnation. Are there subtle differences in the way you play her in each of the two configurations?

Abby Waddoups: Yes, Ruth definitely has a range of emotions throughout the show and those are the best characters to play. The difference in live Ruth and spirit Ruth are great. Our director, Donna Driver, has pushed the spirits to be fun and light. I take this as the worries in the real world have been lifted from Ruth’s shoulders in death. By accepting her death, she is able to be more carefree.

JHPEntertainment: The original script sets the action in the English countryside. Accents can always be an issue with local productions, so I’m wondering…Did the cast work with a dialect coach Or has the setting been changed?

Abby Waddoups: The Keeton theatre decided to change the setting and time period of this production. They apparently have other British farces set at the same time and thought their audience would get tired of it. The setting has been changed to 1980s Dallas. It is still in keeping with the British humor, but with small changes of locations.

JHPEntertainment: Like Erin, this is also your first time doing a Keeton show, so I’ll ask you the same question I asked her. What’s it been like thus far?

Abby Waddoups: Working at Keeton has been great! The people are all very nice and professional. The stage is on the larger side and deep for a community theatre, so that’s fun. The theatre itself has a good reputation around town and is an important part of their community. Audiences should be large and I’m sure they will enjoy the show!

JHPEntertainment: Since Blithe Spirit features a couple of séances…If you could summon the ghost of any famous person, who would it be and what would you asked of them?

Abby Waddoups: Wow, that’s an interesting question that I’ve never thought of before… of course their are multiple classic actors who would make my list, but my first instinct goes to a specific rock star, David Bowie, and I’d ask him to play a duet with me.

RAPID FIRE WITH AARON GRAY, CHARLES IN BLITHE SPIRIT

JHPEntertainment: You play Charles, a man who’s visited by not one, but two ghosts, both of whom were married to him. Describe each of your two leading ladies in three words each.

Aaron Gray: Well to begin with these two ladies are great to share the stage with. Their performances counter and compliment one another comedically. It has been awesome to work with them.

Abby Waddoups, who plays Ruth, is powerful, surprising, and engaging on and off stage. Erin-Grace Bailey as Elvira is fierce, exciting, and witty in everything she does.

JHPEntertainment: Blithe Spirit is typically set in 40s, the time period during which it was first presented on stage. A quick look at rehearsal images reveals your longer hairstyle isn’t exactly period-authentic. I was going to ask you about that, but while chatting with one of your costars, the aforementioned Abby, about whether or not there was a dialect coach to aide with the British accents, she revealed that your production is no longer set in England, nor the 1940s. So instead I’ll ask…what do you think of the director’s decision to update the timeframe and the locale?

Aaron Gray: Great question. Our director had the idea to set the play in 1980s Dallas before we even had auditions. This is a cool spin on the play and gives it a new unique style. Charles only has a few published books, but i see him as if he thinks he is some sort of new celebrity. His recent success inspires him to keep his hair long as he likes to think he is living the 80s “rockstar” lifestyle. I was willing to cut my hair for the role if needed, but after some character development and the vision of Donna, I think the hair fits the show we are going to portray.

JHPEntertainment: Keeton patrons will no doubt recognize you as you’ve been in a few shows there. What is it about the Keeton that keeps you coming back?

Aaron Gray: After graduating from MTSU with a bachelors in theatre in 2019, the Keeton was the first theatre I auditioned for. I was cast in Mamma Mia just before the pandemic hit. When that production finally opened after being on hold for over a year, I found a family and community here that I fell in love with. For me, the Keeton isn’t just about the shows we build onstage, its about the friendships we build backstage, too.

JHPEntertainment: What’s your favorite characteristic of Charles?

Aaron Gray: Charles is an interesting character because although he is funny and relatable, he also has selfish and unlikable qualities. I personally aspire to live as a generous and good person, so to play a character like Charles has been a fun change of pace. Playing Charles’s more selfish and indignant motivations throughout the play is what makes playing him so interesting and fun.

JHPEntertainment: Charles is a novelist struggling for inspiration for his next work. If you were to write a novel, what would it be titled and what would it be about?

Aaron Gray: I used to love creative writing in school, so portraying a novelist has reminded me of those days. I would have to say that I would write a children’s story. I have a 3 year old son that means everything to me. He inspires me to tell stories and create art that means something. So, to create a story that he’d love would mean a lot to me. It would be about growing up and embracing who you are no matter what life throws at you. I would call it The You That You Are. I would want my son to know that no matter what anyone says, the best thing he can be is himself.

RAPID FIRE WITH DREW ANN DAVIS BORSOS, MADAME ARCATI IN BLITHE SPIRIT

JHPEntertainment: You’ve got the scene-stealing plum role of Madame Arcati, a role originated on the stage and in the classic 1945 film adaptation by Margaret Rutherford and subsequently by everyone from Geraldine Page and Angela Lansbury to Jennifer Saunders and, in the current 2022 film, Judi Dench. Those are some big turbans to fill. How do you feel you’ve made her your own?

Drew Ann Davis Borsos: I am tickled pink to play Madame Arcadi! I love physical comedy and playing eccentric, quirky characters. My last role was Daisy in Driving Miss Daisy. Her character was sedate, dignified, and reserved. My director, Vickie Bailey, had to reign me in constantly! I am thrilled to be able to go all out for Madame Arcadi! Our director, Donna Driver, has given me room to make Madame Arcadi bigger than life. Is she an act, or is she the real deal? She is passionate, boisterous, and self assured. Margaret Rutherford’s own personal characteristics along with Noel Coward’s words, made that part comical for which she earned an Oscar. But, I can’t imagine her, or Judi Dench, jumping, running, and throwing themselves on the furniture, or Angela Lansbury being overly melodramatic. I was sorry to hear that Angela Lansbury passed over this week.

JHPEntertainment: Since you play a medium, What are your thoughts on ghosts and such, and Have you ever attended a seance?

Drew Ann Davis Borsos: I would never be part of a real life seance, or go to a Fortune Teller, or seek out someone who talks to your deceased loved ones. My character talks to the dead! I have learned that there are different kinds of ghosts in the spirit world…Poltergeists, Emanations, Elementals, etc! My personal belief is that the spirit world is very powerful, very real, and not something to be mocked. Ghosts stories, movies, and plays can be entertaining, but let’s not forget that there is a dark power at work in the world, and it is deceptive. But, as far as participating in Halloween is concerned, it is about opening your doors to your neighbors and getting candy!

JHPEntertainment: As mentioned above, Madame Arcati is easily the most-desired role in Blithe Spirit. Had you not been cast as her, is there another role, regardless of whether you fit the ‘type’ or not, that you’d love to also play?

Drew Ann Davis Borsos: If I had not been cast as Madame Arcadi, I would love to play the role of “Edith”. Edith can be any age, and any gender. I love the the awkwardness and naivety of the character. Also, there are less lines to memorize!

JHPEntertainment: Has it really been a decade since you starred in the Keeton Theatre’s production of Lend Me a Tenor? The theatre has gone through a number of changes since then. What do you think is the best aspect of the current support system and crew at the Keeton?

Drew Ann Davis Borsos: There are a lot of improvements in the building and the theater, which had to be a joint venture with the staff and volunteers over the years. It is more secure and we now have a bathroom backstage!! I noticed right away that there is more organization and communication between the Staff, Board Members, Director, and Crew. It is not everywhere that an actor can walk into the first rehearsal and have a set already done, and costumes and props already provided. That gives us time to learn lines and to deliver a well rehearsed performance. I’m pleased to see in the last few years, there have been more staged plays, and not just musicals. The Larry Keeton Theatre is not just the community theatre hidden behind the Senior Center, but it is now a prime Nashville attraction.

JHPEntertainment: Blithe Spirit is celebrating its eighth decade since it was first staged. What is it about the show, and Noel Coward’s brand of comedy hijinks that makes it just as enjoyable today as ever?

Drew Ann Davis Borsos: Words, Words, Words! It is rich in vocabulary and every sentence is full of little gems. There is a beauty and art form in the way he constructed sentences. Most of us these days don’t know how to talk so eloquently. Or, is that just a British thing! The audience feels for the leading man and lady who gradually lose control of the situation, and has to rely on a bumbling clairvoyant, who got them into this mess in the first place, try to get them out of it. And who wouldn’t love to see the special effects and portrayal of ghosts on screen or in live theater?

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As Borsos’ Madame Arcadi’s says, Who wouldn’t love to see it. To catch Blithe Spirit during its three-week run onstage at The Larry Keeton Theatre (108 Donelson Pike, Nashville, TN 37214).For more information or to Purchase Tickets, CLICK HERE or call the box office at 615.231.1231. Adult Dinner and Show tickets are $35. Child Dinner and Show tickets are $25. Show Only tickets are $30 and $20 respectively. There is a special Pay What You Can Industry Night for fellow actors and crew who might not be able to make the weekend performances due to their own shows about town. For Blithe Spirit, Industry Night is Wednesday, October 12 with doors at 6:30p.m. and curtain at 7p.m. Industry Night show only tickets are a suggested $15. During the run, the schedule is as follows: Thursdays-Doors at 6:30p.m./Show at 7p.m. (Thursdays are Show Only days). Fridays and Saturdays-Doors at 5:45p.m./Dinner at 6p.m. and Show at 7p.m. Sundays-Doors at 12:45p.m./Lunch at 1p.m. and show at 2p.m.

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