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Rapid Fire 20 Q with director and cast of ‘Barefoot in the Park’; at The Keeton Dinner Theatre April 11-27

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During the time Neil Simon’s BAREFOOT IN THE PARK played Broadway, the prolific playwright was enjoying major success, at one point having a total of four plays running simultaneously on the Great White Way. For its initial effort, the play received four Tony nods, taking home Best Director for Mike Nichols. Opening in 1963 and closing in 1967, BAREFOOT IN THE PARK become Simon’s longest-running Broadway show, and Broadway’s tenth longest-running non-musical ever. The year the play closed on Broadway, a film adaptation premiered in theaters, transferring the success of the show to the big screen and widening the audience to movie-goers world-wide.

With such rich history, it’s no wonder The Keeton Dinner Theater has chosen BAREFOOT IN THE PARK as their latest endeavor. Directed by Lenny West and starring Regan Aycock, Evan Fenne, Aleah Christian, Steve Mook and Chad Stem, The Keeton’s BAREFOOT IN THE PARK opens Friday, April 11 and continues through Sunday, April 27. Earlier this week, literally days before the show’s opening, I had a chance to chat with the director and three of the show’s stars for my latest Rapid Fire 20Q. What follows are those conversations.

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Rapid Fire 20 Q with director and cast of The Keeton’s BAREFOOT IN THE PARK

Rapid Fire with BAREFOOT IN THE PARK’s Corie, Regan Aycock

JHPENTERTAINMENT: What can you tell me about Corie Bratter, the character you play in The Keeton’s BAREFOOT IN THE PARK?

REGAN AYCOCK: She’s so lovely, she loves life, she loves love, she’s quick to emotion, but quite literally always just wants to have a good time. I think Corie is the little voice in the back of all of our heads that tells us to get mad or get excited, or cry tears of joy. She’s truly all of us, especially those of us who are in love. On the surface though, she’s a 21-year-old new wife that’s trying to start her life with her new husband. Just a girl.

JHPENTERTAINMENT: In preparing to chat with you and the other company members of BAREFOOT IN THE PARK, I discovered the 1981 HBO presentation starring Richard Thomas, Bess Armstrong and Barbara Barrie is available on YouTube. Pretty sure I saw it back then, but It’s been years since I’ve seen this Neil Simon classic live on stage. How excited are you to be part of this particular production?

REGAN AYCOCK: Funny you mention it! That production is actually how I memorized Cories lines, I listened to it day in and day out for weeks in order to get lines down! As for excitement—you have no idea. I wept like a baby when Lenny offered me Corie. I’ve been off the stage for quite some time now, and Barefoot auditions were simply just to get my feet wet again in terms of acting. I had no inclination that I would get Corie. Now I get to spend a little time with her every day. When I told Lenny I was going to take good care of her, I meant it. This is also such a lifelong goal of mine. I’ve been doing theatre for over a decade, and I can’t say I’ve ever been THE girl. Every actor has that dream of getting to lead a show, and Lenny gave me the opportunity to cross that off my list–It just so happens that Corie is also genuinely lovely. I’ll thank him every day for the experience.

JHPENTERTAINMENT: BAREFOOT IN THE PARK takes place in a small New York apartment of newlyweds Corie and Paul Bratter. In fact, the first half-hour of the play centers around the young marrieds settling in, so I gotta ask…What do you remember most about your first apartment after moving out from your parent’s home?

REGAN AYCOCK: I still live in it! I was very fortunate to have some help moving from St. Louis to Nashville, so my apartment wasn’t in quite the state that Corie and Paul’s is (plus, there’s an elevator rather than six flights of stairs) It was scary when I first moved though, I lived by myself so I didn’t know how to fill the time. It was a brand new building however, so things did break often–but on the bright side, I had a bathtub!

JHPENTERTAINMENT: The show’s title comes from Corie’s carefree attitude towards life, as she encourages her rather uptight business-minded newlywed husband to seize unconventional opportunities in life. Is that an attitude to which you yourself subscribe?

REGAN AYCOCK: To be honest, the biggest challenge that came with playing Corie was her energy. Having to pull her loveliness and energy was difficult, as I’m a bit more of a Paul in real life. I wish to be more like Corie, she just has so much fun no matter what she’s doing. What I do have in common with her though is I think with my heart first rather than my head, there are a few lines in act 1 where I think to myself “I don’t even need to act right now”.

JHPENTERTAINMENT: How much fun are you having being ‘married’ to your onscreen hubby, Evan Fenne?

REGAN AYCOCK: I’ve actually known Evan for a little bit now, we did a show together back in 2022, but hardly interacted, if at-all. It’s been great actually getting to connect with him, he’s a phenomenal actor, and an even sweeter guy. It’s nice having so much trust in a scene partner. Getting to be married is something that I’m having a lot of fun with, and it only got easier as myself and Evan got to be better friends. I can’t say enough good things about him, truly—he’s a class act.

Rapid Fire with BAREFOOT IN THE PARK’s Paul, Evan Fennel

JHPENTERTAINMENT: Who is Paul Bratter to you?

EVAN FENNE: To me, Paul Bratter is a guy who can’t fight the fact that he is a very particular and neat person, no matter how hard he tries. I think his whole life, he has been trying to prove that he can be “fun.” And he does like to have fun, just the Paul way.

JHPENTERTAINMENT: Is there an aspect of Paul’s character that you’d like to incorporate into your own life?

EVAN FENNE: I really love the heart of the story being how two people who are so different can be so in love and value each other so much. Paul’s ability to love Corrie for all the ways she balances him out is one I’d like to exemplify in any of my relationships, not just romantic. Even when they’re fighting, I know Paul is saying everything with the implication that he still loves her.

JHPENTERTAINMENT: How familiar were you with the role prior to auditioning? AND…what was it about this show and this role in particular that prompted you to audition?

EVAN FENNE: I actually portrayed Paul in an acting class and read the play when I was at Belmont, so I was fairly familiar. After that, Paul became a dream role for me. I love Neil Simon’s sense of humor, and I immediately understood and loved Paul. When I saw that the Keeton was putting it up, I was immediately excited to audition. I’m very thankful that I was cast, and the experience has been amazing.

JHPENTERTAINMENT: Quite often, it’s little details within the set decoration or props that prove the most interesting. Is there an aspect of the set that you enjoy and hope audiences take note of?

EVAN FENNE: The use of color in the set is particularly awesome to me. It’s the perfect amount and balance where it’s fun to look at but not too much. The space is also filled so well, and to be honest, it’s better decorated than my own apartment!

JHPENTERTAINMENT: When I chatted with Regan Aycock, I asked her about sharing the stage with you as young marrieds on stage, so I’ll ask you about having Regan as your ‘wife’? How is she as a scene partner?

EVAN FENNE: It’s been wonderful and a breeze to share the stage with Regan. We both have a lot of fun during the big argument because Paul and Corrie are trying to push each other’s buttons, while Evan and Regan are borderline trying to make each other break. She also cares greatly about making sure each of us feels comfortable and safe during scenes, for which I’m very grateful.

Rapid Fire with BAREFOOT IN THE PARK’s Ethel, Aleah Christian

JHPENTERTAINMENT: Keeton audience will no doubt recognize you, having portrayed Belinda Blair in their 2024 production of NOISES OFF. Loved you in that role, by the way! Now you’re playing Ethel Banks, aka Mother in BAREFOOT IN THE PARK. How would you describe Ethel?

ALEAH CHRISTIAN: Ethel is such a fun character to portray.  She’s a devoted mom who’s spent most of her life doing what’s expected of her, but there’s this spark in her that hasn’t gone out—she just hasn’t had a reason to let it shine in a long time. Throughout the show, you see her get a little bolder, a little braver, and it’s really heartwarming. I love that she has more interest in her character than just “The Mom.” Ethel is rediscovering parts of herself.

JHPENTERTAINMENT: What’s your favorite scene or bit of dialogue from the show?

ALEAH CHRISTIAN: There’s a scene where Ethel has just climbed all those infamous stairs and is trying so hard to act like she’s completely fine. The physical comedy is so relatable—like when you’re trying to look composed but your body is saying, “Nope!”

JHPENTERTAINMENT: If research serves, this isn’t your first time being directed by West, having starred as M’Lynn in a 2019 production of STEEL MAGNOLIAS under his direction. What is one aspect of West’s direction that you appreciate as an actress?

ALEAH CHRISTIAN: I love working with Lenny. He’s so intuitive and creates a space where actors feel supported but also challenged in the best way. He gives you the freedom to make bold choices, but he’s always there with a thoughtful note that somehow unlocks a deeper layer of the character. His timing is just spot on. He knows how to bring out the best in a cast. Lenny is selfless and meticulous in overseeing every detail. Honestly, I could go on… I am so grateful for the opportunity to work with him again!

JHPENTERTAINMENT: Some of the show’s funniest scenes happen between Ethel and Victor Vilasco, the rather eccentric upstairs neighbor of Paul and Corie. In this production, Victor is played by Steve Mook. What’s been the best thing about sharing the stage with Steve?

ALEAH CHRISTIAN: Steve has been a joy to work with! He brings so much charm and spontaneity to Victor. We’ve had a blast finding that chemistry between our characters. We are still discovering moments. He’s one of those actors who keeps you on your toes in the best way, you never feel like you’re just going through the motions. He is a great scene partner and it’s been a lot of fun sharing the stage with Steve. 

JHPENTERTAINMENT: At one point, playwright Neil Simon had four plays running in four Broadway theatre at the same time, BAREFOOT IN THE PARK being one of them. While that was during the mid-60s, his work is just as timeless, entertaining and funny today. Why do you think his work holds up so well?

ALEAH CHRISTIAN: Neil Simon’s writing is rooted in real people. Even with all the comedy, his characters feel familiar. They are flawed, funny, and trying to figure things out…just like the rest of us. His dialogue is so sharp, but also full of heart. You laugh because it’s funny, but also because you recognize yourself (or someone you know) in these characters. In essence, his work is timeless and relatable on so many levels. 

Rapid Fire with BAREFOOT IN THE PARK director, Lenny West

JHPENTERTAINMENT: I understand this is your third time to direct BAREFOOT IN THE PARK. So, I gotta ask…What keeps you coming back to this particular work?

LENNY WEST:  You are correct!  This is indeed my third time in the director’s chair for this gem of show.  BAREFOOT IN THE PARK is the very first play I ever directed, so it absolutely holds a special place in my heart and that’s certainly part of what keeps me coming back to it.  Getting to check in with Paul, Corie, Mrs. Banks, Mr. Velasco & Harry Pepper every 10-ish years is like getting a warm hug from an old friend.  I think it’s also a terrifically funny script.  Most people will know Neil Simon from The Odd Couple, his most famous play, but I personally think Barefoot in the Park is his best.  It’s story and the circumstances our characters find themselves in, while a bit exaggerated for comic effect of course, are pretty true to life and many people will recognize themselves in it. It’s one of the classic comedies of the American theater, and classics are classics for a reason.  They deserve to be taken out, dusted off and revisited every now and then.  Also, the opportunity just  keeps presenting itself!    

JHPENTERTAINMENT: Having directed the show three times, some might think you simply just plug in the new cast from each company, so what it is about this piece that allows you to find new ideas as a director from production to production?

LENNY WEST: That’s a great question, and it comes down to primarily two things:  First, my perspective and life experience has been different each time, so it’s impossible to not bring a bit of that to the project.  22-year-old-me saw the world and this play very differently from 34-year-old-me who sees things even more differently from (almost!) 45-year-old-me.  I think a great work of art is one that you can revisit over and over and each time it will speak to you in a new way based on where you are on this crazy journey called life.  While the bones of the play obviously stay the same and the truths at the center of the story remain, fresh nuances are revealed each time I come back to the play.  The second thing is the performers I have been fortunate enough to work with each time.  Each actor brings their own experience and interpretation and talent and those things of course will inform how they inhabit their roles  As a director, I learned a long time ago to never ever try to squeeze a performer into a prior interpretation of the role.  It never works!  And what a gift it has been to see three very different groups of individuals bring this universal story to life!  I’ve been incredibly lucky.  

JHPENTERTAINMENT: BAREFOOT IN THE PARK marks your debut with The Keeton. How did directing this show for Keeton come about?

LENNY WEST: This opportunity sort of sought me out, actually.  Nashville theater legend Linda Speir is a dear friend and one of The Keeton’s board members.  She has been nudging me for a few years (sometimes gently, sometimes no so gently!) to come and work at The Keeton in some capacity, but the timing was never quite right and the right project hadn’t presented itself.  Last spring after The Keeton’s new season was announced, Linda nudged again and the time and the project were both right, and one thing led to another and here we are!.  And I’m glad she kept nudging!  I’ve had a great time at The Keeton.  

JHPENTERTAINMENT: The entirety of BAREFOOT IN THE PARK takes place in a relatively small fifth floor New York walkup. What are the challenges and advantages of directing, what is a single set piece?

LENNY WEST: Ordinarily, I’d say that a play with a single set is a huge advantage in that once it’s built and decorated, you’re essentially finished and can move on to making the staging and movement of the actors interesting and visually appealing, which admittedly can be a challenge on a static set.  However, with Barefoot in the Park the conceit is that the first scene takes place the day that Corie & Paul move into their tiny apartment–so essentially an empty room–, and the next scene is four days later after furniture has arrived and after the room has been decorated and brought to full, colorful life.  So, sure, it’s one single set, but there is a MAJOR scene change that must occur.  No spoilers here as to how we accomplish it–to find out, you’ll just have to come see the show!  

JHPENTERTAINMENT: What do you hope audiences remember long after seeing The Keeton’s production of BAREFOOT IN THE PARK?

LENNY WEST: BAREFOOT IN THE PARK is first and foremost a delightful, often laugh-out-loud comedy with a huge heart, so I hope audiences will remember that they (hopefully!) had a great time watching the trials and tribulations of Corie & Paul’s first week of marriage.  But Neil Simon–that old sneaky devil–doesn’t let us off that easily.  The moral of story as I see it is that to make any kind of relationship successful, there must be compromise, there must be give and take, and everyone involved must be willing to take a small step outside of their comfort zone in order to see world from the other person’s perspective.  We shouldn’t only seek to be understood but we must also seek to understand.  We should see and appreciate and celebrate differences and eccentricities in others rather than finding fault with them.  ….and if can do that, you just might find something beautiful.   These things are necessary in order to really connect with another person, and in a world that is increasingly isolated and divided, we need connection now more than ever.  That Neil Simon….he might’ve been on to something, eh?  

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The Keeton’s BAREFOOT IN THE PARK opens Friday, April 11 and continues through Sunday, April 27 with 7pm shows Thursday through Saturday and a 2pm matinee on Sunday. Thursdays are Show Only nights (Show Only tickets are $30). As always, The Keeton’s dinner offering is a perfect compliment to their current show. For BAREFOOT, The Keeton is serving Dinner Salad, Pork Chop with Gravy, Mashed Potatoes, Green Beans, a Rolle and Apple Cobbler with Ice Cream. Dinner and Show tickets are $40 (plus a $2 fee) For Adults and $35 (plus $2 fee) for Children. For a slight uncharge, Salmon can be substituted as the main entree. For groups of 15 or more, The Keeton offers a group rate of $38 (plus $2 fee) per person. CLICK HERE for tickets.

Following BAREFOOT IN THE PARK, The Keeton will host their annual fundraising gala, A Night Under The Stars. Tickets to the event are $60. CLICK HERE for tickets or more information. Following the gala, The Keeton’s current season continues with COMPANY June 13-29. CLICK HERE for tickets and more information.

So you don’t miss out on upcoming shows at The Keeton Dinner Theatre, follow them on Facebook, Twitter and Instagram.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook. In the meantime, #GoSeeTheShow!

Rapid Fire 20Q with director and cast of Nashville Rep’s ‘Sunday in the Park with George’; final performances April 10-13 at TPAC’s Polk Theater

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As someone who’s shared my insights as a reviewer and interviewer for the past couple decades, it’s not often that there’s such a legendary show as SUNDAY IN THE PARK WITH GEORGE that I’ve somehow never seen live on stage, so when I learned Nashville Rep was bringing this classic piece of modern theatre to life at TPAC’s Polk Theater with performances April 4-13, I knew I had to chat with director Jason Spelbring and cast members David Shannon, Christine Dwyer and Nancy Allen for the latest installment of my recurring interview feature, Rapid Fire 20Q. What follows are those conversations.

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Rapid Fire 20Q with director and cast members of Nashville Rep’s SUNDAY IN THE PARK WITH GEORGE

Rapid Fire with David Shannon, George in Nashville Rep’s SUNDAY IN THE PARK WITH GEORGE

JHPENTERTAINMENT: For those who may not be familiar with the show, what’s your one-sentence break-down of the plot of SUNDAY IN THE PARK WITH GEORGE?

DAVID SHANNON: A neurotic artist struggles to paint a perfect Sunday afternoon in the park while dealing with his own self-doubt, and the ever-present fear that his masterpiece might just be a bit too…pointless

JHPENTERTAINMENT: What can you tell me about George?

DAVID SHANNON: George 1.0 is an artist struggling with his own creativity and lack of connection to those around him George 2.0 also struggles to find his individual creativity but is willing to look for it and connect , eventually.

JHPENTERTAINMENT: When the cast announcement included your name, I can’t tell you how excited I was. Having enjoyed a hugely successful career both as a touring solo performer across the US and Europe, you’ve also achieved huge success on the West End stage including roles in the World Premier productions of MISS SAIGON and LES MISERABLES. Ireland, Sweden, London…Nashville? So I gotta ask…exactly how did this latest stop on your worldwide domination come to be?

DAVID SHANNON: My family and I decided we wanted to move back stateside post pandemic and we chose TN as it ticked so many boxes , we’d never even visited before but 4 years ago we took a risk and moved sight unseen and it is the best decision we’ve ever made.

JHPENTERTAINMENT: For a little fun, I’m asking you and your fellow SUNDAY company members…If you could mount an all-new play about your personal favorite piece of art, what would it be and why?

DAVID SHANNON:I’m a sucker for a Turner so it’d have to be THE FIGHTING TEMERAIRE, so much history and change in that painting

JHPENTERTAINMENT: I’m about to chat with your leading lady, so as my final question for you…What’s your favorite aspect of sharing the stage with Christine been thus far?

DAVID SHANNON: Well we seem to gel voice wise quiet effortlessly so when we do get to sing together its a joy and so easy, but honestly we have very similar attitudes to things so we do laugh a lot, maybe a little too much

Rapid Fire with  SUNDAY IN THE PARK WITH GEORGE ’s Dot, Christine Dwyer

JHPENTERTAINMENT: Who is Dot to you?

CHRISTINE DWYER: Dot is everyone’s best friend, biggest supporter, truth teller, and muse. She is seen by the community as one thing, but when it really comes down to it, she is a constant for George. She is smart and kind and resourceful and so strong. She reminds me alot of my late mother in law Janice combined with my mom. And that’s where I draw the inspiration from when playing her. 

JHPENTERTAINMENT: When I spoke with David, I asked him about sharing the stage with you, so turnabout is fair play…how is David as a scene partner?

CHRISTINE DWYER: David is the best. We instantly became buddies when I think these two characters are. Yes they are lovers, but they are best friends. And I instantly felt that connection with him which translates seamlessly onstage. He is a phenomenal actor and takes himself just as seriously and UNseriously as I do. So it has been a great match.

JHPENTERTAINMENT: Having appeared in everything from WICKED to WAITRESS, RENT and more, what’s it like to be performing Sondheim? AND…Do you have a favorite musical moment in the show?

CHRISTINE DWYER: The last Sondheim I performed in was INTO THE WOODS my senior year of high school. So to revisit his material is so special. He is an actor’s writer. Every musical choice and lyric furthers the story and deepens the character. While musical theatre is what I have had success in, I’ve always considered myself an actor first. So getting to do this is so wonderful. There are so many musical moments in the show that I love, but I think my favorite song to sing also has my favorite lyrics and musical moment in the show. It is Marie’s song Children and Art when she says “Mama says ‘Darling, musn’t be blue. It’s not so much do what you like as it is that you like what you do”. I just love that sentiment and the melody is so beautiful. It makes me emotional every time. 

JHPENTERTAINMENT: I gotta tell you when I heard you were stepping into the role of Dot for Nashville Rep’s SUNDAY IN THE PARK WITH GEORGE, I may or may not have misquoted Buddy the Elf and said out loud, “I know her!” Of course you and I originally met years ago when you were appearing as Elphaba in WICKED National Tour and the company did a wonderful fundraiser while here in Nashville. Obviously philanthropy has always been important to you. While researching to chat with you, I discovered you and your husband, Matt DeAngelis founded and oversee THE JANICE JAM, a Breast Cancer Research Foundation charity in honor of Matt’s mother whom you mentioned earlier. What can you tell me about the foundation? AND When is the next fundraiser? 

CHRISTINE DWYER: THE JANICE JAM: BROADWAY FOR BREAST CANCER is a foundation Matt and I started in honor of Janice DeAngelis. She was the biggest theatre fan you know. Everyone’s mom. The best friend. The funniest person. And we are honored to honor her every year. This year, we have moved to a larger venue, Sony Hall in New York City and it will take place on May 5th. We have incredible performers including Kara Lindsay, Jeremy Jordan, Krysta Rodriguez and Academy Award Winner Ariana DeBose. Research saves lives and we are so fortunate to have teamed up with BCRF: The Breast Cancer Research Foundation to raise funds for more research to help those struggling with this disease.

JHPENTERTAINMENT: As witnessed by the two two-part questions above, I could have done all 20 questions with you, but alas my time with you is running short. I’m asking the others in the company this final question, so it’s your turn…If you could turn your favorite painting into a stage show, what would it be and why?

CHRISTINE DWYER: I am going to go to a funny place here. I would turn the painting THE SCREAM into a musical starring Cole Escola and it would be a dark comedy that is completely over the top and ridiculous. Maybe an annual Halloween type show. I don’t know what it would be about…but I can imagine it being an absolute BLAST. 

Rapid Fire with SUNDAY IN THE PARK WITH GEORGE ’s Blair, Nancy Allen

JHPENTERTAINMENT: As indicated in the header above, you play Blair Daniels in SUNDAY IN THE PARK WITH GEORGE, but you also have a duel role as Old Lady. What can you tell me about the challenges of two roles and the duality of the story/stories in the show

NANCY ALLEN: I wouldn’t say it was a challenge, but more of a chance to find both women in me.  My mother died recently and I am channeling much of her later years in Old Woman.  She was sometimes confused as she aged and when she was, it frightened her. When she was frightened, she could be critical and harsh. Yet, when she was lucid, she was dignified, funny, intelligent and one of the most supportive and tolerant people I knew of her generation. I think the Old Lady is similar, she relies on Nurse to help her navigate life and is most happy in the park when it is quiet. My mother also regressed in chaos, but enjoyed peace. She enjoys solitude because she is not reminded that she is aging and losing her memory.  Blair Daniels is less like me, but I do know what it is like to have opinions because you are an expert on a subject. She enjoys being flamboyant, and “larger than life” which we as actors can also enjoy. I like Blair so it was fun to create who she might be. Our wig master gave me a fabulous wig to help embody this character. Both characters encourage George in they own ways – wanting him to create yet not always able to understand his methods or to communicate well. Both have strong personalities which do not instinctively have an urge to nurture; yet they obviously love George and know he is different from other artists – more advanced. They know he sees beyond what other artists see.  

JHPENTERTAINMENT: While perusing your bio in preparation of chatting with you, I loved that seeing the original Broadway production of SUNDAY IN THE PARK WITH GEORGE served as a catalyst for your career in theatre. While I didn’t see it on Broadway (my first Broadway show was Patti LuPone in EVITA, so not too shabby), I do remember the PBS broadcast of SUNDAY IN THE PARK WITH GEORGE. So, I gotta know. What do you remember specifically about the original production and why/how it had such an impact on you?

NANCY ALLEN: I remember seeing this when I was in college. During that time I was beginning to think about what a career in musical theatre performance might look like.  I remember being awed by the set and scenery – how they created the painting and how you could escape or travel to a whole world inside the theatre. I also remember the dynamic portrayal of George on stage by Mandy Patinkin which immediately sparked a 40 year crush on the man; AND seeing his energy, diction, and passion on stage defined what I continue to desire in all theater performers. 

JHPENTERTAINMENT: I’ve been writing about theatre, interviewing cast and reviewing shows for nearly twenty years now. In that time, I’ve seen you in several shows, so I was thrilled when I learned you’d be one of the folks I’d be chatting you up about SUNDAY IN THE PARK WITH GEORGE . For the last decade and a half, when not on stage, you’ve spent your days as a voice instructor at Belmont. What’s the most gratifying aspect of teaching voice?

NANCY ALLEN: I love seeing a student’s face when they accomplish something we have been working on, or when that light goes on in discovery. The first time they actually “feel” their breath support the tone, or the first time they know they sang that belt in the pocket and it was open, gorgeous and effortless. I recently helped a young woman find her head voice. She is a strong belter, but had not accessed her soprano classical sound. When she finally began to understand it she was glowing.  I love it when I have “touted” (to use a word Blair says in our production) their work and they are rewarded with a role or university award. I also have to admit, seeing your student perform in a national tour or on Broadway is a real rush of emotions and just plain fun. 

JHPENTERTAINMENT: If you could develop a musical based on your favorite painting, what would it be and why?

NANCY ALLEN: I have so many favorites – my mother was an artist as was my grandmother.  I have collected contemporary art my whole life. Our first stop when traveling was always the art museum in the city. I loved Magritte’s art as a young woman and think it would be fun to see a musical about the MAN IN THE BOWLER HAT. (IYKYK) And, I own a fun painting called PINK PIANO DOG by Joe Baker. It would be fun to see a musical based on what that dog is thinking. 

Rapid Fire with  SUNDAY IN THE PARK WITH GEORGE director, Jason Spelbring

JHPENTERTAINMENT: Having recently been named Artistic Director of the Nashville Shakespeare Festival, how did you come to direct SUNDAY IN THE PARK WITH GEORGE for Nashville Rep?

JASON SPELBRING: Theatre is a deeply collaborative art form, and Nashville has an incredible community of artists and organizations that support each other. While my primary role is leading the Nashville Shakespeare Festival, I was thrilled when the opportunity arose to direct  SUNDAY IN THE PARK WITH GEORGE  with Nashville Rep. It’s a stunning piece about the creative process, something that resonates deeply with me as both a director and an arts leader. Working with Nashville Rep on this production allows me to bring a fresh perspective to Sondheim’s masterpiece while continuing to foster artistic collaboration in the city. 

JHPENTERTAINMENT: While researching to chat with you, I discovered this isn’t your first Stephen Sondheim/James Lapine musical, having appeared as the Stewart in a production of INTO THE WOODS a few years back. Now you’re helming Nashville Rep’s SUNDAY IN THE PARK WITH GEORGE . How excited are you to bring this beloved piece to Nashville audiences?

JASON SPELBRING: I am very excited and proud to bring this beloved masterpiece to Nashville audiences.  SUNDAY IN THE PARK WITH GEORGE  is a truly iconic musical, and it is always a thrill to see it brought to life for new audiences. Combining Stephen Sondheim’s masterful music and James Lapine’s insightful book creates something profound and unique for everyone. I am also excited for Nashville audiences to see themselves represented in this musical.

JHPENTERTAINMENT: As further research, I recently rewatched the mid-80s PBS broadcast of the original Broadway production of SUNDAY IN THE PARK WITH GEORGE , starring Mandy Patinkin and Bernadette Peters. I was immediately struck by how iconic the set design is for this show. It’s so iconic, in fact, that Tony Strages won the Tony for his original scenic design. You must have addressed paying some sort of homage to the original set design while making it this production’s own with Gary C. Hoff, Nashville Rep’s incredibly talented scenic designer. Can you give me any hints about how you and the creative team approached the set design for SUNDAY IN THE PARK WITH GEORGE ?

JASON SPELBRING: Gary C. Hoff’s work on this production has been extraordinary. With his 25-year legacy at Nashville Rep, Gary crafted a set that feels like a blank canvas—just as George, the artist, brings something new into existence from nothing. The set design perfectly blends iconic elements from the original production and a fresh interpretation that captures the show’s spirit. It’s a beautiful, transformative space that draws the audience into the world of the play.

JHPENTERTAINMENT: If you were to develop another stage production that brings to life a painting by your own personal favorite artist, what painting would it be and why?

JASON SPELBRING: THE EXECUTION OF LADY JANE GREY by Paul Delaroche (1797 – 1856)

THE EXECUTION OF LADY JANE GREY would make a compelling musical because it combines elements of tragedy, complex characters, political intrigue, and the opportunity to explore timeless themes. The painting’s dramatic and historical weight, combined with the expressive potential of musical theater, could create a profoundly moving and memorable experience for audiences.

JHPENTERTAINMENT: What do you hope audiences take with them long after seeing Nashville Rep’s SUNDAY IN THE PARK WITH GEORGE ?

JASON SPELBRING: I hope audiences leave SUNDAY IN THE PARK WITH GEORGE feeling deeply moved by the connection between art, life, and the human experience. This show explores the complexities of creativity, relationships, and legacy—how they intertwine and how we often sacrifice parts of ourselves to pursue our passion. I want people to reflect on their connections to their work, their loved ones, and what they leave behind.

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Marking the close of Nashville Rep’s current season, SUNDAY IN THE PARK WITH GEORGE premiered at TPAC’s Polk Theater on Friday, April 4 and continues through Sunday, April 13. Evening performances are Thursday, Friday and Saturday, April 10-12 at 7:30pm, with matinees Saturday, April 12 and Sunday, April 13 at 2pm. Tickets range in price from $45 to $106. CLICK HERE to purchase tickets or for more information.

Though their official 2024-2025 Season ends with SUNDAY IN THE PARK WITH GEORGE, Nashville Rep continues to bring new and innovative theatre to Music City with their next Ingram New Works entry as they present a staged reading of Cameron L. Mitchell’s REGICIDE: TO KILL A KING, April 25 at Nashville PBS Studios (161 Rains Avenue). As always, tickets to Nashville Rep’s Ingram New Works series are FREE. CLICK HERE to RSVP.

The Rep will then host their 9th ANNUAL BROADWAY BRUNCH on Sunday, August 18 from 10:30am until 2pm at Music City Center. This year’s event will be co-charied by Holli Harrision and Kim Hewell. CLICK HERE for tickets or more information.

Follow a brief hiatus, Nashville Rep will be back with the Nashville-area regional premiere of COME FROM AWAY onstage September 12-21 as the opener of their 2025-2026 Season. CLICK HERE to purchase Season Tickets.

As always, check out Nashville Rep online and follow them on Facebook, X, YouTube and Instagram.If you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook JHPEntertainment on Instagram  and JHPEntertainment on Twitter. Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with ‘KIMBERLY AKIMBO’ stars Carolee Carmello, Jim Hogan, Emily Koch and Darron Hayes as National Tour continues; at TPAC’s Jackson Hall beginning April 8

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KIMBERLY AKIMBO, a musical story of a young woman with a disease that rapidly ages her, who, instead of giving up, decides to live her life to the fullest every day. With book by David Lindsay-Abaire (based on his earlier comedy play of the same name) and music by Jeanine Tesori, the original Broadway run garnered the show eight Tony nominations, taking home five, including Best Musical. When the National Tour was announced, three-time Tony nominee Carolee Carmello was cast in the lead role as 16-year-old Kimberly, alongside five understudies of the original company.

As the cast and crew of KIMBERLY AKIMBO readied themselves for their Nashville debut, with performances at TPAC’s Jackson Hall April 8-13, I recently had the chance to pose a few questions to the show’s lead actress Carolee Carmello and her fellow cast members Jim Hogan, Emily Koch and Darron Hayes for the latest installment of my recurring interview feature Rapid Fire 20Q. What follow are those conversations.

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RAPID FIRE 20Q WITH CAST OF KIMBERLY AKIMBO; AT TPAC APRIL 8-13

RAPID FIRE Q&A WITH JIM HOGAN, BUDDY IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Buddy, the character you play in KIMBERLY AKIMBO?

JIM HOGAN:  Buddy is our protagonist, Kimberly’s, troubled (and loving) father who just can’t seem to get it right despite his best (and worst) efforts.

JHP ENTERTAINMENT: While the tour began in September of last year, you have been part of the KIMBERLY AKIMBO family since late 2022 when you joined the Broadway company as standby for Buddy. In the two years since you’ve been associated with the role, has your approach to the character changed?

JIM HOGAN:  I don’t think I’d say changed as much as I’d say grown.  Being able to play Buddy night after night as opposed to the occasional nature of being a standby has heightened my sense of truth within his words and actions, despite how complicated they can be.  I’m truly grateful to get to step into his Reeboks every night. 

JHP ENTERTAINMENT: Prior to joining this show, you previously toured with WAITRESS and PHANTOM, so tour life has been part of your life for a decade now. What’s your favorite thing about life on the road?

JIM HOGAN: I LOVE touring.  There’s something so special about it, and I hope every performer, both professional and aspiring, gets the chance to do it.  I’d say my favorite part is exploring each city, but specifically trying each city’s unique cuisines. 

JHP ENTERTAINMENT: Speaking of life on the road, in another lifetime, I too spent a couple years traveling from town to town during the original first two seasons of AMERICAN IDOL as part of the production. My main gig was registering hopefuls as they readied auditions for then-judges Randy Jackson, Paul Abdul and Simon Cowell. I bring this up because when I was told I’d be chatting with you for this Rapid Fire 20Q featuring members of the National Tour of KIMBERLY AKIMBO, I immediately recognized your name as being part of the vocal group T3 who appeared during 2021’s Season 16 of AMERICA’s GOT TALENT. So a two-parter…What’s your fondest memory of your time on AGT? AND…What’s going on with T3 now?

JIM HOGAN:  That’s so cool!!  We have a Simon Cowell connection 😅  T.3 had a blast on AGT, I’d say our favorite part was getting to meet and learn from everyone involved: the celebrity judges/host of course, but the artists/performers within the show and those backstage perhaps even more.  It was a very eye-opening and important part of T.3’s creation and a great stepping stone to get us to where we are today!  We are actively releasing new music, our viral cover of Imogen Heap’s “Hide and Seek” will be available on streaming shortly, and we tour all over the country whenever our schedule allows!  We are releasing our biggest tour schedule yet in the coming weeks, so be on the lookout to see T.3 near you in August and September of this year 🙂

JHP ENTERTAINMENT: Back to KIMBERLY AKIMBO, Within the context of the show, even though Buddy is Kimberly’s father, he’s not exactly the ideal dad, and the roles seem a bit reversed at times. What’s your favorite aspect of exploring this dynamic with Carolee Carmello on stage night after night?

JIM HOGAN:  Well first of all, Carolee is incredible in this part and it’s been an honor to act alongside her every night.  As far as Buddy’s complexities go, I have always felt like I know him. For better or for worse, but I think more people are like Buddy than they would care to admit. I think that’s been the biggest thing, is tapping into the parts of myself that maybe I don’t love so much. But that in itself, has been healing.

RAPID FIRE Q&A WITH EMILY KOCH, DEBRA IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Debra, the role you play in KIMBERLY AKIMBO?

EMILY KOCH: Debra is a bold, brash, fabulous woman. She might be involved in some unsavory activities but she knows how to get what she wants by any means necessary. She also, most importantly, adores her niece, Kim and wants her to have the best life she can. I love getting to play someone so sure of themselves, it’s inspiring.

JHP ENTERTAINMENT: Your show bio reveals that Jim Hogan, who plays Buddy, has been your boyfriend in real life for seven years. If my math is mathin’, that means you two began dating while you were both on tour with WAITRESS. Even though I’d love to know the worst, I’ll play nice and ask…What’s the best part of sharing scenes with your actual love interest AND having them on the road with you?

 EMILY KOCH: Your math is mathin’! That is where we met. I’m being totally honest when I say, there really isn’t a worst part. Jim and I have both worked a lot separately and together and both done multiple tours so we just know how to do it well, so, knock on wood, we haven’t had any problems out here. We also just really deeply get along and respect each other’s work. It’s also been fun to play people who don’t like each other in the show. Maybe that’s why we are so happy, we work it all out on the stage!

JHP ENTERTAINMENT: During the Broadway run, you were standby for both Debra and Patti. How excited were you when you learned you’d been cast as Debra for the tour?

EMILY KOCH: I was ecstatic. Being the avid theatre fan that I am, learning you’re gonna lead a David Lindsay-Abaire and Jeanine Tesori musical is like winning the theatre lottery. I have to admit when I got cast on Broadway, I considered my time there as an extended audition for the tour. I just had never loved a show so much and wanted to be a part of it for as long as I could. I was also hoping Jim would get cast and he got the call from him agents about five minutes after me. Needless to say, it was an awesome day for our household. We drank champagne at noon.

 JHP ENTERTAINMENT: From what I hear, there’s a few minor differences as far as staging and such from the Broadway run. Among the changes, Aunt Debra now skates. I gotta know, was skating already among your ‘special skills’ and what all was involved in brushing up on your technique during the rehearsal process of KIMBERLY AKIMBO?

EMILY KOCH: Yes,Debra does skate! I think the reason that change happened is because when I was covering on Broadway, I had to skate as Patti, so they knew I could already do it. Skating was definitely not a special skill of mine, but I do love to watch it and always have. We got to take a few lessons on actual ice for Broadway and Tour which was helpful and fun, and we do a cast “skate call” three times a week so now I think we all feel pretty comfortable out there.

 JHP ENTERTAINMENT: Having previously toured with WAITRESS and WICKED, when you find yourself coming back to cities you’ve previously visited, do you try to revisit spots you enjoyed before, or do you try to scope out new things in now-familiar cities? Oh, and by the way, I hear The Escape Game Nashville in my little neighborhood of Berry Hill is quite fun, so…you’re welcome!

 EMILY KOCH: Thank you so much for the rec! Escape rooms are such a good tour activity! And yes, that’s my favorite thing about tour honestly, is going back to my old haunts in all these awesome cities. They fully transport me to how I felt the last time I was there and I love that feeling. Aside from Memphis, TN, I have played every single city we are going to in this first year and I’m so happy to return to all of them.

RAPID FIRE Q&A WITH DARRON HAYES, MARTIN IN KIMBERLY AKIMBO

JHPENTERTAINMENT: Who is Martin?

DARRON HAYES: Martin is a star to be. He’s one of the teens in show choir who’s in a sticky love square, but knows there’s a beautiful and fulfilling life awaiting him outside of New Jersey.

JHPENTERTAINMENT: Like a number of your tour mates, you were also part of the Broadway cast of KIMBERLY AKIMBO. Has that fact aided in the company feeling like family as you’ve all taken the show on the road?

DARRON HAYES: Yes, it’s been so nice to return to Kimberly Akimbo with familiar faces and relationships. We get to tell this incredible story in a slightly different way with some great new faces as well!

JHPENTERTAINMENT: During your time with the Broadway production, you understudied the roles of Martin, Aaron and Seth. If a bit of internet sleuthing proved useful, it was March of last year that you made your Broadway debut as Martin. What was that moment like AND…how has your interpretation of Martin changed now that he’s yours completely?

DARRON HAYES: My Broadway debut, that happened almost a year ago today, was the most magical night of my life thus far. I’d worked for and hoped and dreamed of this moment my entire life. And when it happened, I thought… Here we go. This is just the beginning. Keep going, grasshopper, and I’m so proud of you! What has changed about me playing Martin full time now, is that I’m allowed to take full ownership of my interpretation, rather than feeling like I need to figure out how I fit in, what can sometimes feel like someone else’s play.

JHPENTERTAINMENT: Alright, when I chatted with Jim Hogan earlier, I asked him a bit about T3 and his experience on AGT. As I confessed to him, I worked on the original AMERICAN IDOL back in the day, so when I discovered you auditioned for IDOL a couple years ago, I knew I had to ask you about that experience. What did you use for your audition song?….AND…Have you and Jim ever compared ‘reality competition tv’ notes?

DARRON HAYES: We haven’t had the chance to compare our experiences yet, but maybe now we will. And I sang All I Do by legend, Stevie Wonder. And my experience with AMERICAN IDOL was interesting. I took it for what it was, met some insanely talented singers, and learned what I could from that unique experience!

JHPENTERTAINMENT: IS there a theme or idea presented in KIMBERLY AKIMBO that you find yourself consciously or unconsciously being more mindful of in your off time?

DARRON HAYES: ABSOLUTELY! As Crazy as Aunt Deb is, she never lied. Life is gonna life, and sometimes you aren’t dealt the best stack of cards. But to me, life is about looking at what you DO have control over. What decisions and choices can I make for a better outcome? Or to be more fulfilled? So the song Better is basically my motto for life.

RAPID FIRE Q&A WITH CAROLEE CARMELLO, KIMBERLY IN KIMBERLY AKIMBO

JHPENTERTAINMENT: OK, before we get into talking about KIMBERLY AKIMBO, I’m just gonna fanboy a bit. I’ve enjoyed your work since your stint as Maple LaMarsh on AMC’s comedy series Remember WENN? What do you remember most about your time on that series?

CAROLEE CARMELLO: CAROLEE CARMELLO:  That show was a dream come true for me! I loved the scripts (by the brilliant Rupert Holmes) and I loved the 40s costumes and hairstyles (despite the fact that I didn’t wear a wig and all that hair spray definitely took a toll on my hair). Plus the cast was so talented!

JHPENTERTAINMENT: Now, on to KIMBERLY AKIMBO…From the start, what do audiences need to know about KIMBERLY, the show…and the character?

CAROLEE CARMELLO: I love the show! So smartly written, so funny, so touching … it really is the kind of musical I enjoy watching because it gives you ALL the feels! And the character I play is so positive, despite all of her many challenges. I learn a lot from Kimberly every night!

JHPENTERTAINMENT: If my research and memory serve me right, you’ve been in something like 16 Broadways shows, received three Tony nominations, and KIMBERLY marks your 7th national tour. Revisiting your incredible body of work, I was reminded of something my now-90 year-old former art teach frequently says, “Art is Life”. In regards to you, that certainly seems true. What’s behind your love of the arts and what keeps you continuing to explore your own creativity?

CAROLEE CARMELLO: Oh gosh, I still love musicals … I think it’s such an amazing way to tell a story. And I think live theater is the best way to experience story telling … sitting in a dark theater with a community of people watching LIVE actors and LIVE musicians bringing a story to life! It brings people together in so many ways … which is vital, especially right now.

JHPENTERTAINMENT: Back to KIMBERLY AKIMBO, If you were faced with circumstances similar to Kimberly’s is there anything you’d do differently or anything you’d lift from Kimberly’s reactions to her circumstances to better your own remaining time?

CAROLEE CARMELLO: I can only hope that I would take on each day the way Kimberly does … she wants an adventure, and she gets it, despite all of her challenges! It’s really inspiring!

JHPENTERTAINMENT: Dang! I could have done all 20 questions with you, but our time is up as I’m about to chat with a couple of your costars, so I’ll end our conversation with this. What do you hope audiences take with them after seeing KIMBERLY AKIMBO?

CAROLEE CARMELLO: I think the message of the show is to enjoy the time we have and the people we have to share it with … nothing else matters!

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The National Tour of KIMBERLY AKIMBO comes to Music City for eight performances beginning Tuesday, April 8 and continuing through Sunday, April 13 at TPAC’s Jackson Hall as part of the current Broadway at TPAC Series. CLICK HERE for tickets or more information.

Following the Music City dates,  KIMBERLY AKIMBO stops in Charlotte, Durham, Boston, Washington DC and more as the current National Tour continues through May of 2026. To keep up with all things KIMBERLY AKIMBO, checkout their Official Site and follow them on Facebook, X, Instagram, Youtube and TikTok.

Next up at TPAC, it’s yet another Tony-winner as MJ: THE MUSICAL, exploring the life and career of music mega-star Michael Jackson closes out the current season of Broadway at TPAC with shows April 29-May 11. CLICK HERE for tickets and more information and be sure and check back right here at JHPENTERTAINMENT.COM as I’ll soon be chatting with members of the cast of MJ prior to their Nashville debut.

You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram  and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!