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Rapid Fire 20Q with ‘KIMBERLY AKIMBO’ stars Carolee Carmello, Jim Hogan, Emily Koch and Darron Hayes as National Tour continues; at TPAC’s Jackson Hall beginning April 8

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KIMBERLY AKIMBO, a musical story of a young woman with a disease that rapidly ages her, who, instead of giving up, decides to live her life to the fullest every day. With book by David Lindsay-Abaire (based on his earlier comedy play of the same name) and music by Jeanine Tesori, the original Broadway run garnered the show eight Tony nominations, taking home five, including Best Musical. When the National Tour was announced, three-time Tony nominee Carolee Carmello was cast in the lead role as 16-year-old Kimberly, alongside five understudies of the original company.

As the cast and crew of KIMBERLY AKIMBO readied themselves for their Nashville debut, with performances at TPAC’s Jackson Hall April 8-13, I recently had the chance to pose a few questions to the show’s lead actress Carolee Carmello and her fellow cast members Jim Hogan, Emily Koch and Darron Hayes for the latest installment of my recurring interview feature Rapid Fire 20Q. What follow are those conversations.

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RAPID FIRE 20Q WITH CAST OF KIMBERLY AKIMBO; AT TPAC APRIL 8-13

RAPID FIRE Q&A WITH JIM HOGAN, BUDDY IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Buddy, the character you play in KIMBERLY AKIMBO?

JIM HOGAN:  Buddy is our protagonist, Kimberly’s, troubled (and loving) father who just can’t seem to get it right despite his best (and worst) efforts.

JHP ENTERTAINMENT: While the tour began in September of last year, you have been part of the KIMBERLY AKIMBO family since late 2022 when you joined the Broadway company as standby for Buddy. In the two years since you’ve been associated with the role, has your approach to the character changed?

JIM HOGAN:  I don’t think I’d say changed as much as I’d say grown.  Being able to play Buddy night after night as opposed to the occasional nature of being a standby has heightened my sense of truth within his words and actions, despite how complicated they can be.  I’m truly grateful to get to step into his Reeboks every night. 

JHP ENTERTAINMENT: Prior to joining this show, you previously toured with WAITRESS and PHANTOM, so tour life has been part of your life for a decade now. What’s your favorite thing about life on the road?

JIM HOGAN: I LOVE touring.  There’s something so special about it, and I hope every performer, both professional and aspiring, gets the chance to do it.  I’d say my favorite part is exploring each city, but specifically trying each city’s unique cuisines. 

JHP ENTERTAINMENT: Speaking of life on the road, in another lifetime, I too spent a couple years traveling from town to town during the original first two seasons of AMERICAN IDOL as part of the production. My main gig was registering hopefuls as they readied auditions for then-judges Randy Jackson, Paul Abdul and Simon Cowell. I bring this up because when I was told I’d be chatting with you for this Rapid Fire 20Q featuring members of the National Tour of KIMBERLY AKIMBO, I immediately recognized your name as being part of the vocal group T3 who appeared during 2021’s Season 16 of AMERICA’s GOT TALENT. So a two-parter…What’s your fondest memory of your time on AGT? AND…What’s going on with T3 now?

JIM HOGAN:  That’s so cool!!  We have a Simon Cowell connection 😅  T.3 had a blast on AGT, I’d say our favorite part was getting to meet and learn from everyone involved: the celebrity judges/host of course, but the artists/performers within the show and those backstage perhaps even more.  It was a very eye-opening and important part of T.3’s creation and a great stepping stone to get us to where we are today!  We are actively releasing new music, our viral cover of Imogen Heap’s “Hide and Seek” will be available on streaming shortly, and we tour all over the country whenever our schedule allows!  We are releasing our biggest tour schedule yet in the coming weeks, so be on the lookout to see T.3 near you in August and September of this year 🙂

JHP ENTERTAINMENT: Back to KIMBERLY AKIMBO, Within the context of the show, even though Buddy is Kimberly’s father, he’s not exactly the ideal dad, and the roles seem a bit reversed at times. What’s your favorite aspect of exploring this dynamic with Carolee Carmello on stage night after night?

JIM HOGAN:  Well first of all, Carolee is incredible in this part and it’s been an honor to act alongside her every night.  As far as Buddy’s complexities go, I have always felt like I know him. For better or for worse, but I think more people are like Buddy than they would care to admit. I think that’s been the biggest thing, is tapping into the parts of myself that maybe I don’t love so much. But that in itself, has been healing.

RAPID FIRE Q&A WITH EMILY KOCH, DEBRA IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Debra, the role you play in KIMBERLY AKIMBO?

EMILY KOCH: Debra is a bold, brash, fabulous woman. She might be involved in some unsavory activities but she knows how to get what she wants by any means necessary. She also, most importantly, adores her niece, Kim and wants her to have the best life she can. I love getting to play someone so sure of themselves, it’s inspiring.

JHP ENTERTAINMENT: Your show bio reveals that Jim Hogan, who plays Buddy, has been your boyfriend in real life for seven years. If my math is mathin’, that means you two began dating while you were both on tour with WAITRESS. Even though I’d love to know the worst, I’ll play nice and ask…What’s the best part of sharing scenes with your actual love interest AND having them on the road with you?

 EMILY KOCH: Your math is mathin’! That is where we met. I’m being totally honest when I say, there really isn’t a worst part. Jim and I have both worked a lot separately and together and both done multiple tours so we just know how to do it well, so, knock on wood, we haven’t had any problems out here. We also just really deeply get along and respect each other’s work. It’s also been fun to play people who don’t like each other in the show. Maybe that’s why we are so happy, we work it all out on the stage!

JHP ENTERTAINMENT: During the Broadway run, you were standby for both Debra and Patti. How excited were you when you learned you’d been cast as Debra for the tour?

EMILY KOCH: I was ecstatic. Being the avid theatre fan that I am, learning you’re gonna lead a David Lindsay-Abaire and Jeanine Tesori musical is like winning the theatre lottery. I have to admit when I got cast on Broadway, I considered my time there as an extended audition for the tour. I just had never loved a show so much and wanted to be a part of it for as long as I could. I was also hoping Jim would get cast and he got the call from him agents about five minutes after me. Needless to say, it was an awesome day for our household. We drank champagne at noon.

 JHP ENTERTAINMENT: From what I hear, there’s a few minor differences as far as staging and such from the Broadway run. Among the changes, Aunt Debra now skates. I gotta know, was skating already among your ‘special skills’ and what all was involved in brushing up on your technique during the rehearsal process of KIMBERLY AKIMBO?

EMILY KOCH: Yes,Debra does skate! I think the reason that change happened is because when I was covering on Broadway, I had to skate as Patti, so they knew I could already do it. Skating was definitely not a special skill of mine, but I do love to watch it and always have. We got to take a few lessons on actual ice for Broadway and Tour which was helpful and fun, and we do a cast “skate call” three times a week so now I think we all feel pretty comfortable out there.

 JHP ENTERTAINMENT: Having previously toured with WAITRESS and WICKED, when you find yourself coming back to cities you’ve previously visited, do you try to revisit spots you enjoyed before, or do you try to scope out new things in now-familiar cities? Oh, and by the way, I hear The Escape Game Nashville in my little neighborhood of Berry Hill is quite fun, so…you’re welcome!

 EMILY KOCH: Thank you so much for the rec! Escape rooms are such a good tour activity! And yes, that’s my favorite thing about tour honestly, is going back to my old haunts in all these awesome cities. They fully transport me to how I felt the last time I was there and I love that feeling. Aside from Memphis, TN, I have played every single city we are going to in this first year and I’m so happy to return to all of them.

RAPID FIRE Q&A WITH DARRON HAYES, MARTIN IN KIMBERLY AKIMBO

JHPENTERTAINMENT: Who is Martin?

DARRON HAYES: Martin is a star to be. He’s one of the teens in show choir who’s in a sticky love square, but knows there’s a beautiful and fulfilling life awaiting him outside of New Jersey.

JHPENTERTAINMENT: Like a number of your tour mates, you were also part of the Broadway cast of KIMBERLY AKIMBO. Has that fact aided in the company feeling like family as you’ve all taken the show on the road?

DARRON HAYES: Yes, it’s been so nice to return to Kimberly Akimbo with familiar faces and relationships. We get to tell this incredible story in a slightly different way with some great new faces as well!

JHPENTERTAINMENT: During your time with the Broadway production, you understudied the roles of Martin, Aaron and Seth. If a bit of internet sleuthing proved useful, it was March of last year that you made your Broadway debut as Martin. What was that moment like AND…how has your interpretation of Martin changed now that he’s yours completely?

DARRON HAYES: My Broadway debut, that happened almost a year ago today, was the most magical night of my life thus far. I’d worked for and hoped and dreamed of this moment my entire life. And when it happened, I thought… Here we go. This is just the beginning. Keep going, grasshopper, and I’m so proud of you! What has changed about me playing Martin full time now, is that I’m allowed to take full ownership of my interpretation, rather than feeling like I need to figure out how I fit in, what can sometimes feel like someone else’s play.

JHPENTERTAINMENT: Alright, when I chatted with Jim Hogan earlier, I asked him a bit about T3 and his experience on AGT. As I confessed to him, I worked on the original AMERICAN IDOL back in the day, so when I discovered you auditioned for IDOL a couple years ago, I knew I had to ask you about that experience. What did you use for your audition song?….AND…Have you and Jim ever compared ‘reality competition tv’ notes?

DARRON HAYES: We haven’t had the chance to compare our experiences yet, but maybe now we will. And I sang All I Do by legend, Stevie Wonder. And my experience with AMERICAN IDOL was interesting. I took it for what it was, met some insanely talented singers, and learned what I could from that unique experience!

JHPENTERTAINMENT: IS there a theme or idea presented in KIMBERLY AKIMBO that you find yourself consciously or unconsciously being more mindful of in your off time?

DARRON HAYES: ABSOLUTELY! As Crazy as Aunt Deb is, she never lied. Life is gonna life, and sometimes you aren’t dealt the best stack of cards. But to me, life is about looking at what you DO have control over. What decisions and choices can I make for a better outcome? Or to be more fulfilled? So the song Better is basically my motto for life.

RAPID FIRE Q&A WITH CAROLEE CARMELLO, KIMBERLY IN KIMBERLY AKIMBO

JHPENTERTAINMENT: OK, before we get into talking about KIMBERLY AKIMBO, I’m just gonna fanboy a bit. I’ve enjoyed your work since your stint as Maple LaMarsh on AMC’s comedy series Remember WENN? What do you remember most about your time on that series?

CAROLEE CARMELLO: CAROLEE CARMELLO:  That show was a dream come true for me! I loved the scripts (by the brilliant Rupert Holmes) and I loved the 40s costumes and hairstyles (despite the fact that I didn’t wear a wig and all that hair spray definitely took a toll on my hair). Plus the cast was so talented!

JHPENTERTAINMENT: Now, on to KIMBERLY AKIMBO…From the start, what do audiences need to know about KIMBERLY, the show…and the character?

CAROLEE CARMELLO: I love the show! So smartly written, so funny, so touching … it really is the kind of musical I enjoy watching because it gives you ALL the feels! And the character I play is so positive, despite all of her many challenges. I learn a lot from Kimberly every night!

JHPENTERTAINMENT: If my research and memory serve me right, you’ve been in something like 16 Broadways shows, received three Tony nominations, and KIMBERLY marks your 7th national tour. Revisiting your incredible body of work, I was reminded of something my now-90 year-old former art teach frequently says, “Art is Life”. In regards to you, that certainly seems true. What’s behind your love of the arts and what keeps you continuing to explore your own creativity?

CAROLEE CARMELLO: Oh gosh, I still love musicals … I think it’s such an amazing way to tell a story. And I think live theater is the best way to experience story telling … sitting in a dark theater with a community of people watching LIVE actors and LIVE musicians bringing a story to life! It brings people together in so many ways … which is vital, especially right now.

JHPENTERTAINMENT: Back to KIMBERLY AKIMBO, If you were faced with circumstances similar to Kimberly’s is there anything you’d do differently or anything you’d lift from Kimberly’s reactions to her circumstances to better your own remaining time?

CAROLEE CARMELLO: I can only hope that I would take on each day the way Kimberly does … she wants an adventure, and she gets it, despite all of her challenges! It’s really inspiring!

JHPENTERTAINMENT: Dang! I could have done all 20 questions with you, but our time is up as I’m about to chat with a couple of your costars, so I’ll end our conversation with this. What do you hope audiences take with them after seeing KIMBERLY AKIMBO?

CAROLEE CARMELLO: I think the message of the show is to enjoy the time we have and the people we have to share it with … nothing else matters!

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The National Tour of KIMBERLY AKIMBO comes to Music City for eight performances beginning Tuesday, April 8 and continuing through Sunday, April 13 at TPAC’s Jackson Hall as part of the current Broadway at TPAC Series. CLICK HERE for tickets or more information.

Following the Music City dates,  KIMBERLY AKIMBO stops in Charlotte, Durham, Boston, Washington DC and more as the current National Tour continues through May of 2026. To keep up with all things KIMBERLY AKIMBO, checkout their Official Site and follow them on Facebook, X, Instagram, Youtube and TikTok.

Next up at TPAC, it’s yet another Tony-winner as MJ: THE MUSICAL, exploring the life and career of music mega-star Michael Jackson closes out the current season of Broadway at TPAC with shows April 29-May 11. CLICK HERE for tickets and more information and be sure and check back right here at JHPENTERTAINMENT.COM as I’ll soon be chatting with members of the cast of MJ prior to their Nashville debut.

You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram  and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with playwright and cast of ‘The Sparkley Clean Funeral Singers’; at Darkhorse Theatre beginning March 13

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A musical about a failed country music duo who’ve returned to their small town, work at the family dry cleaning business and return to music by singing personalized songs at funerals…I’m in! Written by Lori Fischer with tunes by Fischer and her songwriting partner Don Chaffer, THE SPARKLEY CLEAN FUNERAL SINGERS opens Thursday, March 13 at Darkhorse Theatre (4610 Charlotte Ave, Nashville, TN 37209) and continues through Saturday, March 22. Earlier this week, as the cast and crew prepared for opening night, I had the chance to chat with Fischer and her costars Lauren Braddock Havey, Robert Coles and Alan Lee for the latest installment of my recurring interview feature, Rapid Fire 20Q. Those conversations follow.

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RAPID FIRE 20Q WITH PLAYWRIGHT AND CAST OF THE SPARKLEY CLEAN FUNERAL SINGERS

RAPID FIRE WITH THE SPARKLEY CLEAN FUNERAL SINGERS’ JUNIE LASHLEY, ACTRESS AND PLAYWRIGHT, LORI FISHCHER

JHPENTERTAINMENT: What can you tell me about the plot of your musical, THE SPARKLEY CLEAN FUNERAL SINGERS?

LORI FISCHER: THE SPARKLEY CLEAN FUNERAL SINGERS is about two country singing sisters who had a record deal, but then lost it when the lead singing sister crashes their tour bus. The backup singing sister, however, is not done with the singing dream. So, she gets them a gig as funeral singers, hoping it will be their comeback.

The show is also about reconciliation and revolves around the Lashley family and the mother that left them long ago.

JHPENTERTAINMENT: While SPARKLEY debuted over a decade ago in New York, and among its previous mountings, was presented at Cumberland County Playhouse a few years back, this marks the show’s Nashville debut. Has the show changed much since its original staging?

LORI FISCHER: Yes! The script went through massive changes after its debut at Capitol Repertory Theatre. Post first show, SPARKLEY was then workshopped at Florida Studio Theater where, once again, major script and music changes occurred. By the time the show was produced at the Cumberland County Playhouse, the script and songs were pretty set. Although, even during that production, more changes occurred. After CCP, the show was set and is now published by Concord Theatricals.

JHPENTERTAINMENT: Considering your Dad is legendary songwriter, Bobby Fischer, I’d imagine the songwriting aspect came second-hand to you. How easily did the songs fall into place for SPARKLEY?

LORI FISCHER: Some of the songs came easily. Don and I wrote Big Time Plans and I don’t think we changed one lyric. Other songs though, took quite awhile though. I think we went through three different opening numbers before landing on Honky Without the Tonky. 

JHPENTERTAINMENT: Among your co-stars is our mutual friend Lauren Braddock Havey. You two actually did a staged reading of this show about a year ago, right? How much fun are you having sharing the stage with Lauren in SPARKLEY?

LORI FISCHER: I adore Lauren and working with her is a dream-come-true. She brings so much heart and excellence to the Lashley role! 

JHPENTERTAINMENT: As not only a star of the show, but also the playwright, what do you hope audiences take with them long after seeing the show?

LORI FISCHER: Laughter. We’re living in divisive, difficult times. But laughter can bring us together. Laughter soothes the soul and theater in general creates heightened empathy.

RAPID FIRE WITH THE SPARKLEY CLEAN FUNERAL SINGERS’ LASHLEY  LASHLEY, LAUREN BRADDOCK HAVEY

JHPENTERTAINMENT: When I heard you were part of this cast, I knew I had to chat with you! What can you tell me about Lashley Lashley, the character you play in THE SPARKLEY CLEAN FUNERAL SINGERS?
LAUREN BRADDOCK HAVEY: So great to chat with YOU Jonathan! Oh my gosh, Lashley Lee Lashley, what a dream to play. This is my third go round with a character of Lori’s that she has entrusted me with. I love them all-they are all so rich and Lashley is no exception and probably my favorite. What actress wouldn’t love playing an alcoholic country singer with ADHD?! And if anyone says it’s typecasting I’ll punch ‘em haha! Truly a blast to let loose with her and lean into her naughty behavior. She and I do have a similar mother issue in common interestingly in a coincidental art immitating life kind of way. Lashley to me is kind of like an M n M, hard on the outside but soft and sweet on the inside.
JHPENTERTAINMENT: When I chatted with Lori, I mentioned her dad being a well-known songwriter. Of course your dad is Bobby Braddock, who penned hits for everyone from George Jones and Tammy Wynette to Nancy Sinatra. Having grown up around music icons, I gotta know, have you gathered inspiration for Lashley Lashley from anyone in particular?
LAUREN BRADDOCK HAVEY: Great question! Yes I have! I have definitely given some thought to who some of her musical hero’s might have been and she also shares some personality traits with some artists I have known but I’d rather people guess who! She’s definitely a composite of some of the bigger than life artists I have had the good fortune to have gotten to know.
JHPENTERTAINMENT: Speaking of fathers, Alan Lee play’s Junie and Lashley’s father, Lyle Lashley. What’s Alan like as a scene partner?
LAUREN BRADDOCK HAVEY: Alan is such a warm, committed and generous scene mate. When he calls me “Peanut” I truly feel our shared history and can picture little Lashley and Junie at his knee. It’s such a joy to get to work with him!
JHPENTERTAINMENT: Do you have a favorite musical moment in the show?
LAUREN BRADDOCK HAVEY: Ah man, there are so many gems it’s kind of hard to choose just one! The sisterhood moments are fun and special, doing No Impulse Control with Robbie is a hoot and All That You Can Eat Liver and Onions is an absolute blast to perform.
JHPENTERTAINMENT: What can you tell me about Lashley Lashley’s look for the show?
LAUREN BRADDOCK HAVEY: I’d call Lashley’s look in this show a bit “country tarty chic.” A bit of big hair and big lashes. She raided my closet and is hoarding my lavender Luccasse boots. She enjoys some glitz some glamour and of course…SPARKLE! 

RAPID FIRE WITH THE SPARKLEY CLEAN FUNERAL SINGERS’ PASTOR PHIL, ROBERT COLES

JHPENTERTAINMENT: What can you tell me about Pastor Phil, the character you play in THE SPARKLEY CLEAN FUNERAL SINGERS?

ROBERT COLES: Pastor Phil is a kind-hearted preacher, but he’s not perfect. He has a bit of a gambling addiction and sometimes lets his impulses get the better of him. He’s a huge fan of the Lashley Sisters and finds himself star-struck when they come home from their tour and suddenly need a new opportunity. I’ve really loved taking on this role and giving him some heart. He provides some comedic relief throughout the show, but at his core, he loves his wife, his faith, and his congregation. 

JHPENTERTAINMENT: How did you come to be involved in this show?

ROBERT COLES: Lori and I have been friends for years. We met doing a playwriting festival back in 2019 and have kept in touch. When this opportunity came along, she reached out to me to submit an audition and I jumped at it! I’ve loved working with this incredibly talented cast, including one of my acting heros, Alan Lee. 

JHPENTERTAINMENT: As Pastor Phil, you’re a huge Lashley Sisters fan. You’re a playwright yourself, so I was wondering…IF you were to write a show about your favorite music duo who would it be about?

ROBERT COLES: That’s a great question! I’d love to write a show about The White Stripes. Think about the music! And the storytelling! They’ve got such an interesting dynamic and vocal style that I think it would be a real winning combo. 

JHPENTERTAINMENT: I understand David Hemsley Caldwell is directing the show. What’s your favorite aspect of David’s directing style?

ROBERT COLES: I like how David lets us unfold the characters naturally. He has allowed us to make some choices when it comes to characterization, and that’s been a fun process. We’ve gotten close during this process, and I think that’s showing on stage every night. 

JHPENTERTAINMENT: Lately you’ve been one of the busiest guys in the Nashville theatre scene, so I gotta ask…what’s next for you?

ROBERT COLES: I don’t like downtime! Next, I’m performing as Letterwriter #3 in Women In Theatre Nashville’s production of TINY BEAUTIFUL THINGS at the Darkhorse March 28 and 29! After that, I’m focusing on two of my shows that are headed to the Next Step Theatre Festival in New York City, opening Off-Broadway at the end of May. I’m also currently directing THE SOUND INSIDE, opening in late June! I love to stay busy!

RAPID FIRE WITH THE SPARKLEY CLEAN FUNERAL SINGERS’ LYLE LASHLEY, ALAN LEE

JHPENTERTAINMENT: Who is Lyle Lashley to you?

ALAN LEE: Lyle is a dear soul who has kept his hurt bottled up for many years in an attempt to protect his daughters and give them a happy, fulfilled life.He loves them dearly, and that is not diminished by his impairment.

JHPENTERTAINMENT: The character description for Lyle reveals that like his daughters, he has Alzheimer’s. Not exactly what you think of when you think of musical comedy. So I gotta ask, What’s been the biggest challenge AND the biggest reward of approaching such a serious illness with humor and heart?

ALAN LEE: Lyle’s dementia is near constant, but he is given a few lucid episodes. My challenge with him was to make him, at his core, the same loving father to his daughters. The more diminished he is, the closer he becomes to the person who he is at his core. Someone who is loving and giving, so that the audience can see that his soul is the same whether he is lucid or trapped in dementia. He can get frustrated, but it is always with himself, never his girls. I seek to show that his sacrifices for their welfare are, in his mind, all justified.

JHPENTERTAINMENT: I’m sure you know this already, but I’ve been a fan of yours since the days of The Boiler Room Theatre. The Darkhorse Theatre reminds me a lot of Boiler Room, in that both venues provide a more intimate theatrical experience. Does the venue or theatre company where a show will be mounted ever influence your interest in auditioning for a role?

ALAN LEE: Thank you, Jonathan. Yes, the venue has a definite bearing on how the audience will receive a work. The Darkhorse, like the Boiler Room, allows a more intimate connection with the audience emotionally, and that pays off with a musical like this. I think the Darkhorse is a great venue for this work.

JHPENTERTAINMENT: With THE SPARKLEY CLEAN FUNERAL SINGERS you’ve had the playwright right there in the mix as Lori is playing one of your character’s two daughters. Have there been times during the rehearsal process that she’s offered insight into the character you’re playing, having written the role?

ALAN LEE: Having Lori both as author and scene partner has been a rich experience. She is the ultimate resource and has been an unfailingly positive influence on my work in finding and playing Lyle. 

JHPENTERTAINMENT: Channeling your character, what would Lyle say to those considering seeing THE SPARKLEY CLEAN FUNERAL SINGERS during its Darkhorse Theatre run?

ALAN LEE: “I’m as proud of these girls as I can be and know that if you come see us you will be as taken with them as I am.” 

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Presented by Art4Art’s Sake Productions, THE SPARKLEY CLEAN FUNERAL SINGERS opens at Darkhorse Theatre March 13 and continues through March 22. Performances are as follows: 7:30pm performances March 13-15, as well as March 19-22. There are also matinee performances March 15, 16 and 22. Tickets are $20 plus a $3.18 handling fee. Seating is General Admission. CLICK HERE for tickets. For the latest from Art4Art’s Sake Productions, CLICK HERE.

Next up at Darkhorse Theatre, WIT (Women in Theatre) will present Tiny Beautiful Things. Based on the book by Cheryl Strayed and adapted for the stage by Nia Vardalos, WIT’s production will be directed by Erin Grace Bailey and will take to the stage at Darkhorse March 28 and 29. CLICK HERE for more.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram  and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire Q&A with ‘HADESTOWN’ stars Nickolaus Colón and Namisa Mdlalose Bizana; at TPAC March 7-9

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HADESTOWN, often described as a Broadway folk opera, is singer/songwriter/playwright Anaïs Mitchell’s Tony and Grammy-winning musical retelling of Greek myths involving Orpheus, Eurydice, Hades, Persephone, Hermes and The Fates. When I heard HADESTOWN would be playing a limited weekend run at TPAC’s Jackson Hall Friday, March 7 thru Sunday, March 9, I knew I had to chat with some of the company of the show’s current tour for the latest installment of my recurring interview feature, Rapid Fire Q&A.

To that end, what follows are my conversations with HADESTOWN’s Hades and Persephone, Nickolaus Colón and Namisa Mdlalose Bizana:

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RAPID FIRE Q&A WITH HADESTOWN STARS NICKOLAUS COLÓN AND NAMISA MDLALOSE BIZANA; NATIONAL TOUR AT TPAC BEGINNING MARCH 7

RAPID FIRE Q&A WITH NAMISA MDLALOSE BIZANA, PERSEPHONE IN HADESTOWN

JHPENTERTAINMENT: For the uninitiated, what is HADESTOWN about?

NAMISA MDLALOSE BIZANA: It’s about two intertwined love stories between Orpheus and Eurydice, and the gods Hades and Persephone. When the story begins Hades and Persephone are misaligned in their relationship which has consequences for the mortal world. In this discord Orpheus and Eurydice fall in love and then are faced with having to make choices based on love or survival. 

JHPENTERTAINMENT: What can you tell me about Persephone?

NAMISA MDLALOSE BIZANA: She’s a complex character with many layers to her. At face value she’s fun and charismatic but she has so much more to her. She quite literally holds light and darkness within her and must wade through the complexity that comes with it. 

JHPENTERTAINMENT: This tour of HADESTOWN began in October of last year. You’ve been with the company since. Are you still discovering nuances of the character?

NAMISA MDLALOSE BIZANA: Of course. We’re playing gods. And by nature, there are endless possibilities.  

JHPENTERTAINMENT: What’s your favorite aspect of tour life?

NAMISA MDLALOSE BIZANA: Getting to meet people from all over the US. Getting to talk to audiences and schools. And of course, the food! We’ve just come from Dallas and of course I had to try some Texan BBQ and it’s everything I thought it would be!

JHPENTERTAINMENT: Speaking of touring…any plans to tour The Parthenon while HADESTOWN sets up shop in Nashville? After all, we are the Athens of the South!

NAMISA MDLALOSE BIZANA: It’s definitely on my list!

RAPID FIRE Q&A WITH NICKOLAUS COLÓN, HADES IN HADESTOWN

JHPENTERTAINMENT: How familiar were you with the story of Hades and Persephone prior to taking on the role of Hades of the current tour of HADESTOWN?

NICKOLAUS COLÓN: Besides what I’ve seen of Hades depicted in movies and shows I hadn’t really had the exposure to the proper myths. I wish I had sooner because they are incredible to read about.

JHPENTERTAINMENT: In spite of connotations stirred simply by association of Hades and the underworld he rules, Hades, according to original mythos, is strong but rather passive and ultimately caring. What trait of Hades, as depicted in HADESTOWN, might you hope to mimic in your own life?

NICKOLAUS COLÓN: The greatest gift I’ve gotten from Hades has been a boost to my confidence. Confidence is power. To be able to hold myself to my full height when for so many years I’ve lowered myself to make others feel safe around me has been such a gift. I’ve always been confident in my abilities but ever since I put on the suit I’ve started to stand taller off the stage.

JHPENTERTAINMENT: As Hades, you not only rule the underworld, but you’re also betrothed to Namisa Mdlalose Bizana’s Persephone. What is your favorite thing about sharing the stage with her?

NICKOLAUS COLÓN: Namisa has been an absolute blessing of a scene partner. From the moment I met her and she asked if we could just take a breath together before our final callback, I knew she was my Persephone. Even on days when tour is hard, I can always count on her to be there with me on that stage and to make me laugh.

JHPENTERTAINMENT: Do you have a favorite musical moment in the show, whether it be yours or one that you just enjoy witnessing as a member of the company night at night?

NICKOLAUS COLÓN: Favorite musical moment for me would be during His Kiss, the Riot before I speak. The band and Fates watch as I slowly make my way around the stage to grab my stool and all the while they are fueling all the rage, fear, doubt, indecision, conflict that I am going through in that moment. Music is a powerful tool for storytelling.

JHPENTERTAINMENT: What do you hope audiences come away remembering long after their visit to HADESTOWN?

NICKOLAUS COLÓN: I hope they leave and have a core memory of the time a room of 3000 people for 2 hours were able to put aside their differences and take the ride of truly investing in these two mythical love stories.

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The current tour of HADESTOWN plays TPAC’s Jackson Hall with five performances over the three day period of Friday, March 7 thru Sunday, March 9. Friday and Saturday evening performances are at 7:30pm with matinees Saturday at 2pm & Sunday at 1pm and a final Music City performance Sunday evening at 6:30pm. Ticket prices start at $48.30. CLICK HERE for tickets or more information. 

Not in Nashville? Be sure and check out HADESTOWN on Tour’s Official Site for upcoming cities including Johnson City, TN, Omaha, NE, Oxford, AL, Pensacola, FL, The Villages, FL, Columbia , SC and more as the tour continues. 

Among the many entertainment options coming to TPAC following HADESTOWN, TPAC’s HCA Healthcare/TriStar Heath Broadway at TPAC in partnership with Nissan continues next with the return of MAMMA MIA, on stage at TPAC’s Jackson Hall March 18-23. CLICK HERE for tickets. 

You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram  and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with cast of Nashville Rep’s ‘A Christmas Carol’, returning for a second holiday season at TPAC’s Polk Theater thru December 22

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When Nashville Repertory Theatre debuted Micah-Shane Brewer’s adaptation of Charles Dickens’ A Christmas Carol last holiday season, I made the not-so difficult prediction in my review that the production was easily poised to become an instant tradition. Well, I was right. Returning to TPAC’s Polk Theater for a second year in a row, Nashville Rep’s A Christmas Carol is back. Last year I had the chance to chat with Brewer and the actors playing the Ghosts. This year for the latest installment of my recurring interview feature, Rapid Fire 20Q, I thought it would be fun to chat with a few more members of the cast including Matthew Carlton, who plays Ebenezer Scrooge, Eric Pasto-Crosby, who’s cast as Bob Cratchit and the dynamic duo of Denice Hicks and Galen Fott, returning again this year as The Fezziwigs. So get yourself a plateful of your favorite Christmas sweet treats and check out the conversations below.

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Rapid Fire 20Q with Cast Members of Nashville Rep’s A Christmas Carol

Rapid Fire with Matthew Carlton, Scrooge in Nashville Rep’s A Christmas Carol

JHPENTERTAINMENT: When I reviewed the premiere production of Nashville Repertory Theatre’s A Christmas Carol last holiday season, my headline foretold this retelling just might become a holiday tradition, and here you are, reprising your role of Scrooge in Micah-Shane Brewer’s presentation once again. How excited are you to step back into this role?

MATTHEW CARLTON: A Christmas Carol is just about my favorite story to share and I’ve played many of the characters. After taking on the mantle, Scrooge has become a wonderful, complex, challenging and most rewarding role.

JHPENTERTAINMENT: Not only are you returning, but from the looks of things, so is the majority of the cast. What’s it like to be part of a retuning troupe of fellow actors?

MATTHEW CARLTON: Comfort and joy!

JHPENTERTAINMENT: In my aforementioned review of the show’s previous run, I ranked you right alongside Sir Michael Caine among my favorite Scrooges. YES, I guess It’s become passé to mention Caine’s performance in The Muppet’s Christmas Carol, but I don’t care…it’s brilliant. SO, I gotta ask…yourself excluded, who’s your favorite Scrooge?

MATTHEW CARLTON: That is high and humbling company. I study every performance  on film, I can find. But I keep going back to Sims, for his fully rounded take. (Love Magoo though, too).

JHPENTERTAINMENT: Since this is a ‘Holiday Edition’ of my Rapid Fire interview feature, these last two remain questions are simply either/or. Which song do you think is played more at Christmas…Mariah Carey’s All I Want for Christmas OR Wham’s This Christmas? 

MATTHEW CARLTON: AIWFC. BTW, former local, Travis Harmon, is Santa on her tour this year.

JHPENTERTAINMENT: Mulled Wine or Spiked Hot Chocolate?

MATTHEW CARLTON: CHOCOLATE!

Rapid Fire with Eric Pasto-Crosby, Bob Cratchit in Nashville Rep’s A Christmas Carol

JHPENTERTAINMENT: What can you tell me about Bob Cratchit, the role you’re reprising for a second year in Nashville Rep’s A Christmas Carol? 

ERIC PASTO-CROSBY: Bob Cratchit, in my opinion, and in this year versus last year, is more of the standard of parent that people want to be. He cares, even though he’s aware of the situation to a certain degree, but he still thinks the positive in everyone. 

JHPENTERTAINMENT: While the majority of the cast is returning, there’s a few new faces among the company, including Alicia Haymer, who’s playing Cratchit’s wife, Elizabeth. What’s the best aspect of having Alicia as your scene partner?

ERIC PASTO-CROSBY: One of the things I love about working with Alicia is her warmth and her acceptance of whatever you bring to the scene. 

JHPENTERTAINMENT: Dickens’ A Christmas Carol was written 181 years ago. Why is it still among the most beloved holiday stories?

ERIC PASTO-CROSBY:  Not only have I had the privilege of two years in a row being in a production of a Christmas Carol, but I also like to read it every Christmas and I watch pretty much every movie version that I can find. I believe it’s a classic because it has lessons that we all still need to learn. And it has such a heartwarming story that you can possibly fix even some of the worst situations.  

JHPENTERTAINMENT: If you weren’t playing Cratchit, what other roles might you enjoy in A Christmas Carol?

ERIC PASTO-CROSBY: I would love to play some of the ghost, particularly Jacob Marley because in the full text, he has some amazing lines and I just think that would be fun. Also, I would get to fly. One day I’d like to be Scrooge.  

JHPENTERTAINMENT: Is there a particular Christmas, or a Holiday tradition that you recall from your childhood?

ERIC PASTO-CROSBY: A holiday tradition that my family has done because my Dad was an emergency room doctor…We always had Christmas with my family on Christmas Eve instead of Christmas Day. I had Christmas Day to do whatever I wanted to do and we would do a little bit then. These days that works out great because we have Christmas with my family on Christmas Eve and then my wife’s family on Christmas Day and my family on Christmas Day. So my son basically ends up with three or four Christmases depending on how much family is in town and I think that’s lovely giving each family their own separate holiday.

Rapid Fire with Denice Hicks, Mrs. Fezziwig in Nashville Rep’s A Christmas Carol

JHPENTERTAINMENT: When I reviewed last year’s production, I indicated that you and your co-star Galen Fott as The Fezziwigs “bubble and giggle” about. How would you describe Mrs. Fezziwig and the way you’re approaching the role?

DENICE HICKS: Mrs. Fezziwig is married to the most loving, kind, playful, and hard working man imaginable. They run a reputable business and serve their community and when it’s time to party they have the best time. She sees the good in everyone and is ever grateful for her good life. 

JHPENTERTAINMENT: On the subject of Galen Fott. How much fun are you having being back as his on-stage spouse?

DENICE HICKS: Galen IS Mr. Fezziwig to me! Kind, playful, creative and oh so talented. I feel very fortunate to be working next to him again. Last summer we played brother and sister in As You Like It and now we get to be married again. Pure joy. 

JHPENTERTAINMENT: When I chatted with Matthew Carlton, your show’s Scrooge, I mentioned my favorite A Christmas Carol film adaptation…The Muppets. A highlight of that version is Fozzie and his Mom as The Fozziwigs. Do you have a favorite film version of A Christmas Carol yourself?

DENICE HICKS: I love Alastair Sim as Scrooge in the 1951 film, but Albert Finney in the 1970 musical is my heart’s favorite. 

JHPENTERTAINMENT: For your last two questions, a little Holliday-themed THIS or THAT…Which do you like better, Peppermint Bark OR Little Debbie Christmas Tree Cakes?

DENICE HICKS: I could eat a whole pound of peppermint bark! 

JHPENTERTAINMENT: A Charlie Brown Christmas OR How The Grinch Stole Christmas?

DENICE HICKS: Hearing Boris Karloff reading The Grinch is a must for every Christmas, as is hearing David Sedaris reading The Santaland Diaries.

Rapid Fire with Galen Fottt, Mr. Fezziwig in Nashville Rep’s A Christmas Carol

JHPENTERTAINMENT: How would you describe Mr. Fezziwig, the character you play in A Christmas Carol?

GALEN FOTT: Well, Dickens describes him physically as “an old gentleman in a Welch wig”, a “Welch wig” actually being a woolen cap. I’m definitely one year closer to being an “old gentleman” than I was last year! But I would add that Fezziwig is jovial, high-spirited, generous, and big-hearted. I think he’s there to serve as a good example of how a man might behave towards his fellow men, an example that Scrooge unfortunately fails to follow as he moves through life.

JHPENTERTAINMENT: In addition to Mr. Fezziwig, you also are seen throughout the show during the caroling interludes. To that end, the show is peppered with a mix of Old English Carols and a few new, but perfectly periodesque tunes written especially for this retelling. Of the musical moments, do you have a particular favorite song or piece of lyrics?

GALEN FOTT: Well, although I don’t sing it, I love the little blessing that the Cratchits sing, which sounds for all the world like an old traditional tune, but which was actually written by Micah-Shane! Of what I get to sing and play, probably Greensleeves is my fave.

JHPENTERTAINMENT: When I chatted with your Fezziwig wife, Denice Hicks, I asked her about sharing the stage with you, so turnabout is fair play…what’s it like having Denice as a scene partner in this show?

GALEN FOTT: This is my sixth opportunity to work with the incomparable Denice Hicks, if you count her one-night-only appearance as our guest “Professor Willard” in the Rep’s Our Town. We also just played the two sibling Dukes in Nashville Shakespeare Festival’s As You Like It. Denice is eternally “in the moment” onstage, always listening, and able to adjust her performance to any unexpected nuances that might occur. She’s the best, and a real Nashville theatrical treasure.

JHPENTERTAINMENT: What’s one item you hope you never receive as a gift again?

GALEN FOTT: Nothing is coming to mind as far as a bad present I personally have received. But as a father, I must take this opportunity to talk about Slimecano. This was a Hot Wheels playset, and truly one of the worst toys ever made. It was a bunch of plastic pieces that snapped together haphazardly to create a sort of obstacle course for Hot Wheels. The major attraction was a plastic volcano that would frequently erupt with an orange slime that gummed up your Hot Wheels and permanently stained everything it came in contact with. The Amazon page for Slimecano was a masterpiece of unintentional comedy, full of people’s furious complaints about the toy. The phrase “Bah Humbug” could have been invented for Slimecano.

JHPENTERTAINMENT: Long after Scrooge sees the error of his ways and audiences return to their warm homes after seeing A Christmas Carol, what’s something you think they’ll remember from this production of the holiday classic?

GALEN FOTT: I’m very proud of this production. I think Micah-Shane did a wonderful job of preserving the heart of Dickens’ tale while translating it into the medium of theatre. It’s faithful in all the best ways. There’s plenty of theatre magic in our production; I mean, people fly across the stage! But in the end, I think people will remember exactly what Dickens intended them to. His message of generosity and compassion and empathy will stay in their minds long after the curtain comes down.

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Nashville Rep’s A Christmas Carol runs thru December 22 with matinee performances Saturdays and Sundays at 2pm and evening performances at 7:30pm, with an additional Thursday evening performance December 19. Tickets range in price from $58.50 to $96. CLICK HERE to purchase tickets or for more information.

As always, check out Nashville Rep online and follow them on Facebook, X, YouTube and Instagram.

If you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook JHPEntertainment on Instagram  and JHPEntertainment on Twitter. Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with Director Jef Ellis and Cast of ‘Beautiful: the Carole King Musical’; at Center for the Arts in Murfreesboro November 8-24

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When I heard that Jef Ellis was directing BEAUTIFUL: The CAROLE KING MUSICAL Nov. 8-24 at Center for the Arts (110 West College Street, Murfreesboro, TN 37130), I knew I wanted to chat with Ellis and members of his cast for the latest installment of my recurring interview feature. Having seen the National Tour of the show back in 2017, and being somewhat familiar with Carole King’s contributions to the world of music, thanks to my favorite Aunt, I was truly drawn in from the start. Not only is the music one of those “soundtracks of our lives” as the saying goes, but the story is actually interesting.

Obvious reasons aside, I also knew I wanted to feature Ellis and company because just as King has made innumerable contributions to music, Ellis is himself legendary within the Tennessee theatre community. With the announcement that Ellis was helming the project, came the news that this will be the last time Ellis directs a show. After devoting his life and life’s work to lifting up the Middle Tennessee theatre community as a director, critic and all-round patron saint of the performing arts, Ellis has recently made the difficult decision to step away from active duty within the theatre world to focus some much-deserved attention on himself and his health. In light of that news, I wanted to feature Ellis and the cast of BEAUTIFUL for my latest Rapid Fire 20Q. What follows are those conversations.

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Rapid Fire 20Q with director and cast of BEAUTIFUL: THE CAROLE KING MUSICAL

Rapid Fire with BEAUTIFUL: THE CAROLE KING MUSICAL director, Jef Ellis

JHPENTERTAINMENT: How did directing BEAUTIFUL: THE CAROLE KING MUSICAL come about?

JEF ELLIS: I have to give credit to my friend Allison Hall (who was my musical director for both SINGIN’ IN THE RAIN and for LITTLE WOMEN), who mentioned in the course of a conversation that Center for the Arts had announced their 2024 season and if I had any desire to direct again. I really had no plans to direct anything at that time, but when I saw BEAUTIFUL on their season, I knew I would throw my hat in the ring. It’s probably my favorite of all the so-called “jukebox musicals” due to my deep respect for Carole King and my love, in particular, for her Tapestry album.

 JHPENTERTAINMENT: What’s your earliest memory of truly grasping what an iconic songwriter Carole King is?

JEF ELLIS: When I turned 13, my big sister Charlotte gave me Tapestry for my birthday – it was my first-ever album (heretofore I had only owned 45s) and I played it all the time. It remains my favorite album of all-time and cemented my fanatical love of everything written by Carole King. In fact, when I was a senior in high school, I wrote a musical based on her 1974 album Wrap Around Joy, which has never been produced (did I mention my script was awful?). I’ve followed her career since I was 13 and as I have discovered more and more about her, I have realized how much there is to admire about Carole King.

One of my favorite Carole King-centric memories is when she was a Kennedy Center Honoree in 2023. During the telecast, you could see how absolutely thrilled she was to be there and how her delight was apparent when each performer came onstage to perform for her. I’ve never witnessed a Kennedy Center Honoree as exhilarating as her in the audience!

 

JHPENTERTAINMENT: Is there a scene or song in the musical that speaks to you on a personal level?

JEF ELLIS: There are two moments in the show that make me more emotional than others: (1) During the performance of You’ve Got A Friend, I am taken back to my childhood home, listening to that song all through high school, knowing that someday I would find my people who would elicit in my own heart in that spirit of camaraderie and belonging expressed in the song. (2) The climactic performance of Beautiful in the show, part of Carole’s 1971 concert at Carnegie Hall, is an electrifying moment that every audience member will share in each performance. Emily Summer’s performance is breathtaking.

And it’s not a song, but there is a scene backstage at Carnegie Hall that is heartbreakingly genuine and never fails to land in my heart – Ross Canales delivers an emotional wallop you’ll think about for days to come.

JHPENTERTAINMENT: As he is with most productions at Center for the Arts’ Royce Phillips is music director. How has working with Royce been during the rehearsal process for BEAUTIFUL?

JEF ELLIS: Royce and I previously worked together on THE SECRET GARDEN, so even before I submitted my proposal to direct BEAUTIFUL, he was the first person I asked to join my production team. I knew he would be respectful of Carole and her music, and of Gerry Goffin, Cynthia Weil and Barry Mann and he would honor their legacies and the legacies of all the tremendous musical performers to whom we pay tribute in the show. Royce is a great collaborator and he helps every performer achieve their very best, which is our goal in bringing BEAUTIFUL to life.      

JHPENTERTAINMENT: I’m about to chat with three of your lead actors, Emily Summers, Kelly Cline and Ross Canales. What can you tell me about these three talented individuals?

JEF ELLIS: I first saw Emily in Circle Players’ IF/THEN and was gobsmacked by her talent and her unerring ability to be totally authentic and believable onstage. Subsequently, I’ve seen her take on other characters with the same intensity. I think I knew she should play Carole King a long time ago and she provides the very heart of our production. I am honored to direct her in my final show.

Kelly walked into auditions and performed her song and Royce and I looked at each other and said, “I think we have our Cynthia!” She has so much stage presence and absolutely commands you to watch her – and she is such a lovely presence in any room, with so much grace radiating from her. She has a perfectly droll sense of humor and her comic timing is impeccable.

I first saw Ross earlier this year in IS Productions’ CLOSER and I was impressed by his ability to play a challenging character with such focus (at that first introduction, I was seating maybe a foot away from him in his initial appearance onstage) and such an amazing range. When he came in to claim the role of Gerry Goffin, he possessed everything necessary to bring Gerry to life with a complete understanding of his character’s dramatic arc. He also possesses that indefinable quality all actors strive for: you believe everything he says onstage.

Rapid Fire with Kelly Cline, Cynthia Weil in BEAUTIFUL: THE CAROLE KING MUSICAL

JHPENTERTAINMENT: Who is Cynthia Weil to you?

KELLY CLINE: Confident. Timeless. Sharp-Witted. Loyal friend. I feel so honored to have the opportunity to portray such a strong, confident character who was such a pioneer for women in the music industry. The songs she wrote in partnership with her husband, Barry Mann, have shaped our American Songbook. What a legacy she’s left us all. 

JHPENTERTAINMENT: This show marks director Jef Ellis’ self-proclaimed ’Swan Song’ as a director after decades of not only presenting memorable theatrical productions but of course also covering theatre as a critic. Were you aware of Jef’s status in the theatrical community prior to auditioning? AND…What’s been the most beautiful aspect of working with Jef during BEAUTIFUL?

KELLY CLINE: Prior to auditioning I didn’t know Jef, but quickly learned about him as I was preparing to audition. What an incredible opportunity to be cast by him – especially in a show that is the grand finale to such a fantastic career. I’m truly honored. Jef is a passionate director – what a gift it is to be in the room with someone who cares so deeply about creating beautiful work onstage. He encourages us to remember the magic of theatre, and how transformative and transportive the craft is. In addition, Jef challenges you as the actor to continue to find instincts, intentionality, and aspects of your character throughout the rehearsal process. I’ve loved working with him!

JHPENTERTAINMENT: A bit of a subplot of BEAUTIFUL presents the initial competitive nature of Carole King’s relationship with Cynthia Weil. In real life, as in the show, their relationship eventually morphed into a close friendship. To that end, how is Emily Summers, this production’s Carole King, as a scene partner?

KELLY CLINE: Oh my word! How long do you have? What a talent. I count myself so lucky to share the stage with Emily. The scenes we have together are some of my favorites in the entire show. She’s incredibly generous as a scene partner – what she brings to every moment is so natural and authentic. There’s such an ease in doing scenes with her. Additionally, I think the friendship our characters develop onstage has a lot to do with the friendship we’ve been able to cultivate off the stage. If I ever get the opportunity to work with her again, I’d say “Yes” in a heartbeat! 

JHPENTERTAINMENT: When I saw the National Tour of BEAUTIFUL a few years back, I was surprised my favorite Cynthia Weil song, I’m Gonna Be Strong isn’t part of the show (of course it’s NOT the Cynthia Weil story per se, but still). The song, originally recorded by Frankie Laine in 1963, but familiar to me because of Cyndi Lauper’s 1980 cover. While preparing to portray Cynthia Weil, have you discovered any songs she wrote that you particularly enjoy?

KELLY CLINE: Dolly Parton’s Here You Come Again is a song I grew up listening to, but I had no idea Cynthia Weil had a hand in writing it! That was a fun discovery and connection point. 

JHPENTERTAINMENT: This show is jam-packed with not only tunes written by King and Weil, but a number of other hits from 60s/early 70s era. Is there a musical moment, whether it be yours or that of one of your co-stars that you particularly enjoy?

KELLY CLINE: Oh goodness, forgive me but I can’t pick just one! Every time our amazingly, talented ensemble sings You’ve Lost That Loving Feeling I have to stop and take it in. They do this timeless song justice and are just so fun to listen to– I think Barry and Cynthia would be proud. When Aaron Johnson (our Barry Mann) sings We Gotta Get Out of This Place it’s going to tear the roof off the theatre. Aaron makes rock n’ roll look easy and has one of the most sensational voices. Lastly, You’ve Got a Friend will forever be one of my favorite moments in the show. This song is all heart and I love sharing it with Emily and Aaron. It’s a moment I look forward to every time we do the show.

Rapid Fire with Ross Canales, Jerry Goffin in BEAUTIFUL: THE CAROLE KING MUSICAL

JHPENTERTAINMENT: Before seeing the show, is there anything audiences might need to know about Gerry Goffin, the role you play in BEAUTIFUL: THE CAROLE KING MUSICAL?

ROSS CANALES: Gerry Goffin is a lovable, yet complicated, and troubled individual. All he wants is to get the most out of his life and to seize opportunities as they come. He unfortunately has a hard time maintaining a good moral compass in his pursuit of life fulfillment. 

JHPENTERTAINMENT: Alongside Carole King, Gerry Goffin wrote some of the most beautiful songs of their era. Do you have a favorite that you get to sing alongside your Carole, Emily Summers?

ROSS CANALES: One of my favorites from the show is Some Kind of Wonderful. In the show Gerry and Carole only sing part of the song, but they sing it in a very heartfelt part of the show. It is sung as a conversation between two lovers that finishes with beautiful harmonies. 

JHPENTERTAINMENT: As Gerry, you’re tasked with some of the show’s more dramatic moments. How do you mentally prepare for these scenes and what helps you come back out of them to a more peaceful mindset?

ROSS CANALES: Gerry definitely has some dark places he reaches in his life. Preparing for those moments, I tend to need silent reflection of prior events in my life that can bring out similar emotions. I try to focus on my senses in those moments. What I heard, what it physically felt like, what I might have smelled, or saw in the moment. The more I can feel those senses again, the better I can portray those emotions and connect to the audience. Coming out of it is easy when you have such an amazing, fun, and supportive cast that can make you smile. All the inside jokes and laughs you have during the rehearsal process carry over in the performances and create easy avenues to make lighthearted jokes when they are needed. 

JHPENTERTAINMENT: BEAUTIFUL marks Jef Ellis’ self-announced final directorial effort. What do you admire most about Jef’s directing style?

ROSS CANALES: With Jef being one of the biggest theater lovers I know and a critic for decades he has a unique perspective of where a show could be lacking. Being able to identify those missing elements early gives him the ability to change what is needed. That could be something as small as where actors are placed on stage, to an emotional feel of a scene. An average theater goer might not be able to identify those elements, but they can feel the difference between a performance that has taken care of the lack and ones that haven’t. I admire Jef’s ability to spot those elements and find a change to make the performance better. 

JHPENTERTAINMENT: Carole King has always recognized the importance of Gerry Goffin’s presence in her early life, both professionally and personally. Is there someone who has been in your corner since the beginning and what does that sort of support mean to you?

ROSS CANALES: I took 10 years off of theater during college and started back in summer of 2022. My wife Zoe has been along for the ride since my comeback to theater. She has observed the commitment, hard work, and dedication it takes to be in a show. Although the time away from home is difficult, as most people in relationships can understand, the support she gives is truly heartwarming. I can’t express my gratitude for her understanding and love through the process. She keeps me grounded and gives me encouragement when rehearsals get tough. She means the world to me! I couldn’t follow my pursuit of acting without her. 

Rapid Fire with Emily Summers, Carole King in BEAUTIFUL: THE CAROLE KING MUSICAL

JHPENTERTAINMENT: You, like Carole King, are a singer/songwriter. Has that helped you tap into how you’re playing the famed songwriter in BEAUTIFUL: THE CAROLE KING MUSICAL?

EMILY SUMMERS: Absolutely. I remember being sixteen with all that passion and drive, when all I wanted to do with my spare time was sit in my room with my guitar and write songs. There’s a moment in the show when Carole says, “When I hear a good song, I feel like someone understands me. […] I want to do that for people!” I feel that line deeply.

JHPENTERTAINMENT: Continuing on that built-in kinship with Carole, is there a scene to which you particularly relate?

EMILY SUMMERS: Without giving away any spoilers, there’s a scene in act two in which Carole’s heart is especially broken. She goes to the piano and sings a verse of an old song, with lyrics that are fitting and poignant for the pain she’s feeling. There’s a real catharsis that comes from putting all your emotion into a song like that. I’m always moved by that scene, and I pull emotion from similar moments of heartbreak I’ve experienced in my own life.

JHPENTERTAINMENT: Does portraying a real-life person, as opposed to a fully fictional character influence your performance?

EMILY SUMMERS: It’s definitely a challenge. I want to honor Carole in my performance and avoid putting too much of my own spin on the character. Typically when I have trouble connecting with part of a script, I step back and ask myself, “How would I say this in the context of my real life?” This time, I’m watching interviews, studying her cadence and her mannerisms, and asking myself, “How might Carole say this in the context of her life?”

JHPENTERTAINMENT: On the subject of icons, there’s been much buzz about the Middle Tennessee theatre community surrounding the fact that this show will mark Jef Ellis’ final directorial effort. How has your experience with Jef as a director been thus far?

EMILY SUMMERS: It has been a joyful experience! Jef has so much passion, and he’s putting his whole heart into this show. That’s motivating, not only because I want him to be proud of his directorial swan song but also because he is so endeared toward this story and this music, and that sentiment is contagious. 

JHPENTERTAINMENT: What do you hope audiences take with them after seeing BEAUTIFUL: THE CAROLE KING MUSICAL?

EMILY SUMMERS: By the end of the show, audiences undoubtedly will have learned something about Carole’s life and the story of how she became the legend she is. And while that story is moving and important, more than that, I hope audiences leave with a new appreciation for who she is. I hope my performance does justice to her heart, her humility, and the guts it must have taken to achieve so much, at such a young age, as a woman in an industry ruled by men. 

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BEAUTIFUL: THE CAROLE KING MUSICAL opens at Center for the Arts on Friday, November 7 and continues weekends through Sunday, November 24. Friday and Saturday evening performances are at 7:30p.m. Saturday and Sunday matinees are at 2p.m. Tickets are $22 for Adults ($20 for Seniors/Military/Students/Children). CLICK HERE to purchase tickets. To follow Center for the Arts, check them out at their Official Site or follow them on Facebook, Instagram, X and TikTok.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, follow us on Facebook, Insta and X.

Rapid Fire Q&A With Stars of The Other Me Theater Company’s ‘Visiting Mr. Green’; Opening Thursday, November 7 at Playhouse 615

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A few months ago I attended a performance of a play presented by The Other Me Theater Company, the show served as a relaunch of sorts for the theatre company whose mission as their site suggests, is to present thought-provoking theater performances. With their latest production, playwright Jeff Baron’s NYC Drama League-nominated Visiting Mr. Green, The Other Me Theatre Company appears to be once again rising to the challenge. With Bowd Beal as director, Visiting Mr. Green opens Thursday, November 7 at Playhouse 615 (11920 Lebanon Road, Mt. Juliet, TN 37122) and continuing through Saturday, November 16. A two-person dramatic work examining the commonalities we share in spite of our initial perceived differences, Visiting Mr. Green features Bryan Kratoska and RJ Comer As the two actors readied for opening night, I recently had the chance to chat with them for the latest in my recurring interview feature, Rapid Fire Q&A. What follows are those conversations.

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Rapid Fire Q&A with the stars of The Other Me Theater Company’s Visiting Mr. Green

Rapid Fire with Bryan Kratoska, Ross Gardiner in Visiting Mr. Green

JHPENTERTAINMENT: What can you tell me about Ross Gardiner, the character you play in Visiting Mr. Green?

BRYAN KRATOSKA: Ross is a young man learning to slow down and appreciate others, along with learning to be okay with himself along the way.

JHPENTERTAINMENT: While I had heard of the play, I gotta be honest, I was mostly unfamiliar with it prior to doing a little research in preparation of chatting with you and your costar. From what I’ve ascertained, in the broadest sense possible, it seems to be somewhere between Tuesdays with Morrie and The Odd Couple. Is that a fair assessment? AND…How might you more accurately describe what transpires during the play?

BRYAN KRATOSKA: While I don’t know Tuesdays With Morrie, I do know The Odd Couple. I would say it’s within reason to say this show is close/adjacent to The Odd Couple. This is a story of two men learning to live with both each other, and to learn to live with themselves and/or their mistakes.

JHPENTERTAINMENT: How did you come to be part of this production?

BRYAN KRATOSKA: I assistant directed Bowd Beal last year around this time in A Tuna Christmas over at Pull-Tight Players. He did a wonderful job and was a lot of fun to work with and learn from on my end. So when he called and asked if I would like to read the part with RJ, I had to at least give it a shot, and I am glad I did.

JHPENTERTAINMENT: Is there a line or a scene in the show that you particularly look forward to each time it comes up in the script?

BRYAN KRATOSKA: Act 2 Scene 1. It’s tough, and I can’t say more than that without spoilers!

JHPENTERTAINMENT: As mentioned, Bowd Beal is the show’s director. While I’ve known of him for a while, it was only recently that we met when he starred in The Other Me Theatre Company’s most recent production, The Sunset Limited. What’s been your favorite aspect of exploring these characters under Beal’s direction?

BRYAN KRATOSKA: Bowd is great at developing characters. Anyone who had the chance to see him and Chad Stem in A Tuna Christmas would know that. So combining his creative mind when it comes to building characters and the fact that he has played Ross in the past, it’s led to many in-depth conversations regarding Ross and this world. He’s also pushed me outside of my own box in a lot of ways. I typically act in musicals, so this has been a real treat to take part in and play/build Ross under his direction.

Rapid Fire with RJ Comer, Mr. Green in Visiting Mr. Green

JHPENTERTAINMENT: In researching to chat with you and your co-star, I discovered this play has not only been around since 1996, it has played in more than 50 countries world-wide. In spite of that popularity, the last time a Tennessee audience was privy to a production, was nearly fifteen years ago when a company just outside Memphis presented it. That said, The Other Me Theater Company’s presentation will undoubtedly mark many audience members’ introduction to the piece. Does being part of a show that is largely unfamiliar to the majority of its audience lend a certain freedom to the way you present the character and make it your own?

RJ COMER:  First, thank you for your interest in our production of Visiting Mr. Green and for your editorial support for live theater in this area. When it comes to playing Mr. Green, the long shadow on any actor is Eli Wallach who originated the role. But I approach my responsibility as an actor the same whether the part (or the play) is new to the audience or is very familiar to them. My job, as an actor and interpretive artist, is to find the truth of the character as revealed in the script, consistent with the director’s vision, and inhabit that truth in every way. So no, doing a part or play that is unfamiliar to an audience is no more liberating than doing one they’ve seen many times. I will say this though: it is more fulfilling, more fun, and I think more worthwhile. Live theater is a unique and powerful way to communicate and illuminate through art. So I applaud any company that produces work that middle TN audiences have not seen before. I’m equally excited about Franklin Theatrical Fellowship’s upcoming production of Goodnight Oscar (the first production of this Tony-winner since it left Broadway) and was super pleased to see Bradley Moore bring the world premiere of Lithium and Xanax to this market at The Darkhorse.  

JHPENTERTAINMENT: As I mentioned when I chatted with Bryan, I recently saw your director Bowd Beal appear onstage in The Other Me Theatre Company’s The Sunset Limited. That production marking the theatre company’s reemergence after a few years. How excited are you to be part of the rebirth of this thought-provoking theatre company?

RJ COMER: I’m stoked! I’m always excited to contribute to any company (new or established, professional or community) that seeks to elevate the offerings beyond the familiar, the safe, and the silly. Make no mistake, Mr. Green is full of LOL moments as well as charming and dramatic surprises – it isn’t an interpretive think-piece – but it transcends the identities and circumstances of the characters to address universally applicable questions about love, family, and identity. Yeah, I’m very pleased to be performing for a company committed to that kind of work.        

JHPENTERTAINMENT: I understand Bowd is not only directing, but also serves as the set designer for Visiting Mr. Green. Is there a detail in the set that you enjoy that you hope the audience might take note of?

RJ COMER: Our director, Bowd Beal, designed and built the set. It’s a typical middle-class apartment in New York, now a little run down, dim, and messy from neglect. But there are two seemingly inconsequential moments when more light appears. I hope the audience spots and appreciates the metaphor of the light in those moments. After all, this is a play about opening one’s heart, and I love it when the set in small ways does more than merely frame the action, but also helps tell the story in subtle ways.

JHPENTERTAINMENT: In 2018, two decades after Visiting Mr. Green’s debut, playwright Jeff Baron presented a sequel, So This is My Family: Mr. Green Part 2. IF The Other Me were to take on this sequel in the future, would you consider revisiting the role?

RJ COMER: Ha! Well, that depends on two things: first, whether I like the script – which I haven’t read; and second, whether our production of Visiting Mr. Green attracts and wins the hearts of this audience. I just encourage everyone to come to see this play. Then, if they like it as much as I think they will, we can talk about doing the sequel.

JHPENTERTAINMENT: What do you hope audiences will take with them long after Visiting Mr. Green?

RJ COMER: I hope the audience will be mindful that while strongly held beliefs and convictions provide structure and certainty – thereby providing security and comfort in an uncertain world – they can also lead to absurd and tragic results when not tempered by love. Love allows us to maintain the integrity of our beliefs while making room in our hearts for those who may not share them.   

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The Other Me Theater Company’s Visiting Mr. Green debuts at Playhouse 615 with 7:30pm performances Thursdays-Saturdays November 7-9 & 14-16 and a 2:30pm matinee midway through the run on Sunday, November 10. Tickets are General Admission $17/Adults and $15/Seniors. CLICK HERE to purchase tickets. To keep up with what’s next as The Other Me Theater Company continues to emerge as one of the area’s theaters to watch, check them out at their Official Site where you can Subscribe to their email list for future updates. You can also follow them Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, follow us on Facebook, Insta and X.

Rapid Fire 20Q with director and cast of Women In Theatre Nashville’s production of ‘What the Constitution Means to Me’; on stage at Darkhorse Theatre November 8-16

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Founded just last year, Women in Theatre Nashville has quickly gained momentum as a much-needed outlet presenting theatre that showcases important stories by and about and concerning women as well as offering Master Classes lead by some of Nashville’s most prominent and respected female members of Tennessee theatre community. WIT’s Board President, Stephanie Dillard reached out me to see if I’d be interested in chatting with the director and cast of their upcoming November 8-16 presentation of playwright Heidi Schreck’s engaging, entertaining and educational What the Constitution Means to Me, it was of course an immediate yes. Not only because I absolutely love this piece after having seen the National Tour back in 2022, but also because I knew Abby Waddoups was helming the production as the show’s director. The cast is lead by activist and actress Lindsey Patrick-Wright in the lead role, alongside her child, Pippy Patrick-Wesson as the young debater and features Thomas Wehby, who recently returned to Middle Tennessee after living in Washington D.C. What follows are my conversations with them all.

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Rapid Fire 20Q with director and cast of WIT’s What the Constitution Means to Me

Rapid Fire with What the Constitution Means to Me director, Abby Waddoups

JHPENTERTAINMENT: Before we get into talking about the show, What does Women In Theatre Nashville mean to you?

ABBY WADDOUPS: This has been a wonderful experience working with WIT! “Women in Theatre was founded in 2023 to showcase the incredible talent, stories and voices of women in the performing arts.” Their mission is to “…empower women of all ages and backgrounds, and experience levels to write, direct, perform, and collaborate in a dynamic and supportive environment” Stephanie and the rest of the board and production crew are doing just that. They have been very supportive through this whole process and completed every little ask. I feel like my whole life has been spent doing male dominated activities and working in industries at the time period when I did them; such as skateboarding, playing guitar, being in bands, riding a motorcycle, going to Film School, being a theatre tech in set construction specifically, etc. I have worked as a stage hand and heard completely inappropriate and sexist comments from the tech guys who spend all their time on the road and seem to have lost touch with reality. A lot has changed over the years in most of the traditional male dominated areas, but it is nice for WIT to provide a platform and outlet for more women to feel encouraged and safe to pursue theatre, and to tell their stories. Being a woman who does anything out of the ordinary makes you a role model of sorts. It  inspires young girls and women to see a woman in these roles and encourages them to step out and try something they’ve always wanted to do. This helps to change the mind of everyone around you to be more accepting of women in those roles.

JHPENTERTAINMENT: How did you come to direct What the Constitution Means to Me?

ABBY WADDOUPS: WIT was advertising a need for directors last season and I interviewed with them then. Fast forward a few months ago and Stephanie contacted me hoping I was available for this November time frame. They asked if I had any scripts in mind, but ultimately sent me two scripts to read. Within a few pages I knew this was the show to do!

JHPENTERTAINMENT: When I saw you recently I shared with you that I had seen the Nation Tour of What the Constitution Means to Me a couple years ago. I remember the staging being pretty straight-forward. To that end, what’s been the biggest challenge as the show’s director?

ABBY WADDOUPS: Getting the right actors in place for this very small cast was a high priority in order to have nuances and keep an audience captive. It is so well written, so I want it to be true to the work. It’s very different doing a piece synonymous with the writer being the original actor and then having an actor portray adult Heidi, young Heidi, and then themselves for the debate. Adding Levels and making sure the light hearted moments stay light hearted amongst the very serious topics is a challenge. Pacing is very important, too. Because it is such a small cast, using the full stage is considered to connect with all sides of the audience.

JHPENTERTAINMENT: WIT’s What the Constitution Means to Me previews one day after the Presidential Election, and Opens just days after. Has that fact loomed large as you and the cast prepare for the show? 

ABBY WADDOUPS: We don’t know if we will be celebrating, or not, come opening. Obviously the audience and the tone of the show will be affected with the outcome of the election if we are scared of losing more of our rights. I also completely trust our lead actors to uphold the show’s integrity while keeping it relevant in our time period. At the end of the debate in Act II of the show, the audience judges to keep or abolish the constitution. During the run statistically Keep reigned over Abolish, so we wonder how might the turmoil surrounding this specific election change that?

JHPENTERTAINMENT: I’m about to chat with your cast, so before I do that, Can you describe each of your three actors using one word for each of them?

ABBY WADDOUPS:

Lindsey- tenacious 

Thomas- skilled 

Pippy- a fighter 

Rapid Fire with What the Constitution Means to Me lead, Lindsey Patrick-Wright

JHPENTERTAINMENT: How did you come to star in WIT’s What the Constitution Means to Me?

LINDSEY PATRICK-WRIGHT: I’ve been following WIT since their exciting inception. I think they are such an important voice here in Middle Tennessee theater so when I saw that THIS play was their next show, I absolutely HAD to audition. 

JHPENTERTAINMENT: How familiar were you with the piece prior to taking on the role? 

LINDSEY PATRICK-WRIGHT: I saw the show when it came to TPAC and revisited it before the audition by watching the version available online starring the playwright, Heidi Schreck. I feel like every time I watched and even now, rehearsing it, every single time I open myself up to this work, I learn something new about our country and this document: sometimes disappointing, sometimes inspiring. 

JHPENTERTAINMENT: What’s the biggest challenge/reward of presenting a character based on someone’s actual experiences?

LINDSEY PATRICK-WRIGHT: Knowing that Heidi Schreck poured her entire life into this play makes me want to do her proud with my performance. But also, when I get into her stories, her joy, her outrage, and her HOPE, it feels just as personal to myself. It feels as if this play was written for me for this time. 

JHPENTERTAINMENT: It’s not often an actress has the chance to play a role that seems so tailor-made, but as a real-life advocate and self-described “local loudmouth at school board meetings” (God, I love that descriptor from your bio) you find yourself addressing many of the themes presented in the show in your daily life. So it seems you’re perfectly cast. How important is this show to you?

LINDSEY PATRICK-WRIGHT: I don’t want to be too hyperbolic here, but this play is everything to me right now. I think it’s message is so important, that even though I knew it would limit my ability to volunteer during an incredibly important time in our state’s and nation’s history, but when an opportunity like this come along, you have to tip your hat at the Universe and say “well played”. And I’m happy to report that I’m still volunteering every free moment I have to get compassionate women elected to the TN House, TN Senate, US congress and Senate and of course, our first female president of the United States! 

JHPENTERTAINMENT: I’m about to chat with your child, Pip, who appears as a young debater in the show. 1) How excited are you to share the stage with them? AND 2) What advice have you offered Pippy as far as acting is concerned?

LINDSEY PATRICK-WRIGHT: 1) As a parent, you desperately want your child to be happy and safe. But there is always a part of you that hopes that, along that journey, maybe your interests overlap. I took a 20 year break from acting and it was Pippy’s new hobby: theatre that got me back in the game. So being able to share a stage with them is a dream come true. 2) Just as this role feels tailor-made for me, the debater feels tailor-made for Pippy, so they haven’t needed a lot of advice! Except maybe “slow down” especially when they are really fired up about what they are talking about, they speak at an impressive rate of speed – something I’ve gotten used to at home, but I want the audience to be able to digest their points and their performance. And of course, “have fun” something that has been easy for both of us with this great cast and crew.  

Rapid Fire with What the Constitution Means to Me young actor Pippy Patrick-Wesson

JHPENTERTAINMENT: Alright, I just gotta start by asking…What’s it like to have the cool Mom?

PIPPY PATRICK-WESSON: It’s super cool! I’m really proud of her for doing all this good for our community! Like, the school board video that went viral. I’m proud of her for going up there and speaking up.

JHPENTERTAINMENT: What do we need to know about your role in What the Constitution Means to Me?

PIPPY PATRICK-WESSON:  I am (somewhat) playing myself, a 14 year old who loves debate! I come out in Act Two to debate with Heidi/Mommy. Of course, It’s a little different since this debate is scripted.

JHPENTERTAINMENT: While you’ve acted in school productions and a few children’s theatre shows, this marks your first time appearing on stage in a regional company’s show. What’s it been like thus far?

PIPPY PATRICK-WESSON: It’s been very fun!  It’s the first time I’ve been on stage with adults, so it’s been a little different from my previous work. Being onstage with my Mommy has helped me a lot. I love though that I feel like an equal peer in either group.

JHPENTERTAINMENT: While this may be your first regional show, something tells me it’s not the first time you’ve debated with your co-star. Just between us…who usually wins a debate at home, You, or your Mom?

PIPPY PATRICK-WESSON: Honestly depends on the debate and what is at stake (but usually my mom). Sometimes we have to use Google to settle our debates…which usually means I look something up and find out I was wrong. 🙂

JHPENTERTAINMENT: Not gonna lie, I’m not exactly what you’d call a history buff, so admittedly, I knew very little about the Constitution before seeing the show during its National Tour a few years ago. What’s your favorite fun fact about the Constitution that you’ve learned during the process of preparing for the show?

PIPPY PATRICK-WESSON: Well, this did prompt me to investigate the last time an amendment was made to the constitution. I kind of assumed it had been amended relatively recently, but it turns out, it was 1992, before that 1971!

Rapid Fire with What the Constitution Means to Me actor, Thomas Wehby

JHPENTERTAINMENT: Your bio mentions Political Science and improv, an interesting skillset and variety of interests. indeed. I’m guessing that translates to this show being the best of both worlds?

Rapid Fire with What the Constitution Means to Me’s Thomas Wehby

JHPENTERTAINMENT: Your bio mentions Political Science and improv, an interesting skillset and variety of interests. indeed. I’m guessing that translates to this show being the best of both worlds?

THOMAS WEHBY: Absolutely! When I decided to pursue a BA in Political Science and Theatre, I didn’t necessarily see them as a natural pairing—except maybe in a tongue-in-cheek sense, as in “the drama and dark comedy that is American politics.” Over time, though, I’ve realized that both fields center on understanding different perspectives and the power of storytelling. In politics, my favorite moments were knocking on doors and giving voters the space to speak their minds and be heard. In theatre and improv, my favorite parts have been both telling scripted, impactful stories that hopefully invoke a desire for change and also improvising moments that help people laugh at some of the more challenging parts of the political news cycle, such as with my presidential impressions. So, doing What the Constitution Means to Me, feels amazing, as it brings these interests together in a more structured way to tell such an important and timely story.

 

JHPENTERTAINMENT: How did you come to be part of WIT’s production of What the Constitution Means to Me?

THOMAS WEHBY: After moving back to Middle Tennessee from Washington, DC, I felt it was time to get back on stage. I came across a casting call for What the Constitution Means to Me on Facebook, and it immediately sparked my interest. A friend had seen the show and thought, knowing my interests, that I’d really connect with it. Reading WIT’s mission, I loved their vision and knew this would be a meaningful story to tell with a fantastic group of people. So, I decided to go for it and auditioned.

 

JHPENTERTAINMENT: When I saw What the Constitution Means to Me during it’s National Tour, the role of the Legionnaire provided some of the show’s most light-hearted moments, simply by his presence. As directed by Abby Waddoups, does the same hold true for your performance in the role?

THOMAS WEHBY: Yes, Abby has brought out some wonderful moments of levity in the role of the Legionnaire, and it definitely adds a unique presence to the story. I think audiences will appreciate the humor and subtle shifts that the character brings without taking away from the more serious themes. I won’t say too much, though—it’s one of those elements that’s best experienced live!

JHPENTERTAINMENT: What’s been your favorite aspect of appearing alongside Lindsey and Pippy in this show thus far?

THOMAS WEHBY: My favorite aspect, beyond the positivity Lindsey and Pippy bring to the rehearsal room, has been how much I’ve learned from them. We’ve created a space where we’re comfortable discussing the show’s themes and how they resonate with election season. Their insights and openness have enriched my experience and deepened our connection as a cast- I really think it shows on stage.

JHPENTERTAINMENT: What do you hope audiences come away contemplating after having seen WIT’s presentation of What the Constitution Means to Me?

THOMAS WEHBY: I hope audiences leave reflecting on the personal connections we all have to the Constitution and how it impacts our daily lives. This show brings forward questions about rights, justice, and who the Constitution truly serves—ideas that are incredibly relevant right now. I’d love for people to come away asking themselves not only what the Constitution means to them personally, but also what it could mean for a more inclusive future. If our performance sparks even a small part of that reflection, I think we’ve accomplished something meaningful.

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WIT’s What the Constitution Means to Me debuts at Darkhorse Theatre (4610 Charlotte Ave, Nashville, TN 37209) with an invited preview performance Wednesday, November 6 and opens to the public Friday, November 8. The Show runs weekends November 8-16 with shows Fridays and Saturdays at 7:30p.m., Thursday, November 14 at 7:30p.m. and Sunday matinees at 2:30p.m. On Sunday, November 10, the performance will be followed by brief lecture from Williamson County Democratic Party executive committee member and local attorney, Amanda L. Bradley speaking about recent changes to Tennessee laws and women’s rights. Bradley’s lecture will be followed by a Q&A with the audience. Tickets to all performances of What the Constitution Means to Me are $24. All seating is General Admission. CLICK HERE for tickets or more information. Be sure and check out WIT’s Official Site and follow them on Facebook, Instagram and YouTube.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, follow us on Facebook, Insta and Twitter.

Rapid Fire 20Q With Cast of Playhouse 615’s ‘Dracula: a Comedy of Terrors’; onstage through November 3

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The cast of Playhouse 615’s ‘Dracula: a Comedy of Terrors’ (l to r: Jeremy James Carmichael, Robert Coles, Katie Fraley, Jonathon Joyner and Beth Henderson) on stage through November 3.

Following last weekends SOLD-OUT opening performances, Playhouse 615’s Dracula: a Comedy of Terrors is back this weekend and next, October 25-27 and November 1-3, to glamour audiences with a bloody hilarious reimagining of the Bram Stoker classic. After having seen the off-Broadway premiere just last year, Playhouse 615’s Ann Street Cavanagh quickly snagged the rights to present the Tennessee debut for this Halloween season. As the cast prepared for the remainder of the run, I had the chance to chat with each of them for the latest installment of my recurring interview feature, Rapid Fire 20Q.

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Rapid Fire 20Q with the entire cast of Playhouse 615’s Dracula: a Comedy of Terrors

Rapid Fire with Robert Coles, Mina and others in Dracula: a Comedy of Terrors

JHPENTERTAINMENT: First of all, your Mina and Dr. Van Helsing are absolute scene stealers. I honestly didn’t think I would enjoy you in these roles so much. What’s been the most challenging aspect of playing these two lovely ladies?

ROBERT COLES: Thank you! These roles have been so much fun to play. They’re so different and I’ve loved creating them. For me, they’re polar opposites. Mina is written as a horny misfit and Dr. Van Helsing is composed and serious. So, making the switch between these two (sometimes within a few seconds) is challenging. And, with them having such drastically different accents, one scene in particular where they have a full on conversation with each other is absolutely crazy! But, Ann and I worked closely on building the characters and how we wanted them to sound, their physicalities, and different traits to put into them to make them so different. Partner that with costumes and wigs, and they come together quite nicely!

JHPENTERTAINMENT: As Mina, you reminded me a bit of Bette Davis in Whatever Happened to Baby Jane, and I was there for it! What went into developing your characterization of that role?

ROBERT COLES: Oh, Mina! I just love her. She has tender moments where you really start to feel for her, then she does things so cooky and crazy that you’re back to, “Aww. Bless your heart…” For her, I just wanted to amp up the crazy and horny. I put a lot into her physical traits and how she walks, talks, and moves. Her laugh and grunts are also a favorite aspect of the character. This cast has been a dream to work with and they put up with all my crazy! Truly no two nights with Mina are the same. I feed so much off the audience’s energy, too!

JHPENTERTAINMENT: Can we just talk about the oversized hair bow? I love that it just kept falling into your face and without missing a beat, you repositioned it and went on. Who’s idea what it to have you wear it?

ROBERT COLES: That bow is the bane of my existence, but I LOVE that the audience reacts to it so much! Ann always wanted that giant bow to be sitting on the side of my head, but you throw it on top of a wig and add in a gallon of sweat (seriously, we’re running marathons during this show!) and it just won’t stay on! My favorite moment during the show opening night was when I finally got so tired of it that I just threw it into the audience! 

JHPENTERTAINMENT: Ann Street-Kavanagh is directing Dracula. Recently, you’ve worked with her as a co-star during Sordid Lives, as playwright and cast member for Aunt Sally’s Wild Ride and now as director and cast member in Dracula. How does the fact that you both are as adept on stage as behind the scenes affect your working relationship?

ROBERT COLES: Ann is an actor’s director. She comes into rehearsals knowing exactly what she wants, but allows us to play with the scene and characters and make them our own. I love her passion for this show, and for directing. She was so funny during this process and so many of our little bits were straight from her zany brain! Fun Fact: I have actually directed Ann TWICE as well! I think we have a mutual respect for each other and our crafts and it really created a harmonious relationship. When you add in this incredible cast (I mean, come ON, I’m acting with Jeremy James Carmichael, Beth Henderson, Katie Fraley, and newcomer Jonny Joyner for goodness sakes!), magic happens. We’ve become a family… Truly. This is one show I don’t want to end. Thank you, Ann, for this opportunity. It’s blessed my life in so many ways.

Rapid Fire with Beth Henderson, Renfield and others in Dracula: a Comedy of Terrors

JHPENTERTAINMENT: As I mentioned after having seen opening night of Dracula, you, along with Robert Coles, steal every scene you’re in. Was absolutely going for it and pushing the boundaries of comedy something you were initially comfortable doing or did it take a bit of coaxing from your director Ann Street Cavanagh?

BETH HENDERSON: I was all in from the audition forward. When it comes to comedy, you’re more likely to have to reign me in than push me out there.

JHPENTERTAINMENT: Thanks to Nick Cage’s recent Renfield film, I suspect more audience members might be a bit more familiar with the character. But your interpretation is anything but a carbon copy of latest big screen version. The distinct way in which your Renfield speaks gave me and several folks around me in the audience a serious case of the giggles. What went into presenting Renfield the way you do?

BETH HENDERSON: The script describes Renfield as someone with salivary issues. I think that was the key to finding the character for me. Once I figured out how to do a very slobbery cockney-like accent, the rest just fell in place. 

JHPENTERTAINMENT: In addition to Renfield, you play Dr. Westfeldt. There’s a particularly fast-paced scene in which you play both, onstage at the same time. What’s your secret to keeping straight whose line you’re delivering and when?

BETH HENDERSON: Ha! Keeping the lines straight is the easy part of that scene. It’s the wig and pipe exchange while spinning that I will never perfect.

JHPENTERTAINMENT: One thing I noticed during the opening night performance was that the audience was laughing so hard there were instances we missed what I’m sure where some equally guffaw-inducing lines. To that end, how imports is audience reaction to the energy of the cast when performing comedy?

BETH HENDERSON: The audience reaction is everything! We had rehearsed the show so much that we weren’t even sure it was funny anymore. The laughter creates this energetic buzz that kind of gives you a high as an actor. 

Rapid Fire with Katie Fraley, Lucy and others in Dracula: a Comedy of Terrors

JHPENTERTAINMENT: What do we need to know about Lucy, one of the characters you play in Dracula?

KATIE FRALEY: Lucy is a woman ahead of her time. She is not only strong and courageous, but she is unwilling to hide her true self. Lucy is also fiercely devoted to her loved ones, especially her sister Mina, so much of her fighting spirit shines through in her relationships. She maintains her independence as best she can, even though the people around her have not quite caught up to her progressive ideas. Her father, for example, still views her as a frail future housewife who needs protection. Many of Dr. Westfeldt’s comments speak to the general attitude toward women during this time. One of the things Lucy craves the most is an intellectual equal who celebrates her free spirit. I think this is where some of the conflict appears for her in the story. Because her fiancé, Jonathan, is so timid and unsure, Dracula appears as the first bold personality she has encountered for ages. It makes sense why she is drawn to him. Ultimately, these forces pull Lucy in many different directions, but whatever happens, you can be sure that she will follow her heart and intuition authentically. 

JHPENTERTAINMENT: Jeremy was the first to break character on opening night. In that same vein (see what I did there?) During the rehearsals, who had you all laughing the most with their outlandish behavior?

KATIE FRALEY: Oh gosh, we couldn’t go two minutes in any rehearsal or show without cracking up one another. This is the funniest and most caring cast I have ever worked with. I have to say though, that Robby constantly makes me howl with laughter. We have such similar (and random) senses of humor that we’ll frequently make jokes at the same time or say what the other is thinking. One of my favorite things about him is that he is so quick-witted. He finds the joke in everything and presents it perfectly. His incredible comedic timing is evident both on and off stage. Any time he does an accent it sends the whole cast into a fit. I still have to keep myself from cracking when he says “wampire.” Robby is such a great physical comedian too and uses this to fully embody each character. It’s hard to keep quiet backstage because even during shows, he is doing something to make us all laugh. Every cast member has made me break character one time or another. Keeping a straight face is an impossible task.

JHPENTERTAINMENT: In addition to Lucy, you also play a couple other roles, including the carriage driver and the elderly housekeeper. For the most part, your characters are the “straight men” to the more outlandish comic antics of some of the others. What’s the most challenging aspect of playing it straight in such an uproarious comedy?

KATIE FRALEY: Honestly the hardest part about playing these other characters is the quick changes! But in terms of playing it straight, it is definitely challenging to present exposition without as much response from the audience. These other characters are often smaller parts meant to drive the plot, so they don’t get as much character development or as many of the killer comedic lines as the main characters we each play. In a farce like this the audience reactions really drive the energy, so it takes a lot more intentional effort to keep the pace steady when playing one of these peripheral characters.

JHPENTERTAINMENT: I’m about to chat with Jonathon Joyner, who plays Lucy’s love interest, Jonathan Harker. I still can’t believe this show marks his first time on stage in a theatrical production. How has he been as a scene partner?

KATIE FRALEY: If I were to watch this show for the first time as an audience member, I would have thought he had been doing theatre for years. He’s a natural. His instincts and character choices come so easily to him. More than anything, he has understood the teamwork element of theatre since day one. He gives such great energy as a scene partner and brings authenticity to each scene. I have always felt comfortable working our scenes. Any little tweak that needed to be made, usually because of different practices between film and stage, he adapted to quickly and with grace. I selfishly hope we have converted him to a stage actor! 

Rapid Fire with Jonathon Joyner, Harker and others in Dracula: a Comedy of Terrors

JHPENTERTAINMENT: As I just mentioned in my chat with your co-star, Katie, while you’ve previously focused on film work, this show marks your stage debut, not just your Playhouse 615 debut, but your first time ever in a theatrical production. What lead you to audition for this show?

JONATHON JOYNER: Yes! this is my first time ever on stage and I just want to thank Ann first and foremost for giving me the opportunity. I came by the audition through a mutual friend, Mick Grayson. He referred me to the audition that was open and I decided to take a chance. I have always been interested in the stage but have maintained my focus on film. I now know the benefits of both and the wonderful expression that you get to convey on the stage. 

JHPENTERTAINMENT: When I saw you after the show on opening night, I shared with you my connection to the character of Harker, and I love that you’re playing a character who shares your first name (though spelled slightly different). Had you ever read the original book or seen any Dracula movies? AND…Did you realize there was a character that bore your first name? 

JONATHON JOYNER: I have not read the original book but I have seen many of the Dracula adaptations so I have been familiar with the story. Despite this I do not believe I had ever realized the connection in name, but I am so happy that I do now. I do believe I will go back and read the original work now!

JHPENTERTAINMENT: Speaking of names, I love the fun name drops peppered throughout the script, including the ship being named the SS Stoker, a nod to Dracula author, Bram Stoker. Is there a scene or line in the show that you find particular amusing?

JONATHON JOYNER:  I think that one of my favorite scenes is the scene where I play a gravedigger and the character has this cockney accent, I find it particularly amusing because cockney has always been one of my favorite accents. I recently watched Legend with Tom Hardy where his character has a cockney accent and I always find it so humorous and engaging. The juxtaposition of standard received pronunciation with Jonathan Harker and the fun animated nature of cockney always brings me joy. There is also a line where I say “I want to introduce you to my cousins Mary and Shelly” a nod to the author of Frankenstein which I always always always love delivering.

JHPENTERTAINMENT: Once bitten, your character undergoes a bit of a transformation. How much fun are you having vamping it up?

JONATHON JOYNER: The energy from the audience when coming out from the transformation is what makes it the most fun. Flipping to a complete opposite form allows me to loosen up on stage and enjoy the energy that is being thrown at me from the audience, I love it so much. It is almost like a release up to that point of my own personal energy being contained and an almost woosah type of moment once the transformation happens haha. 

Rapid Fire with Jeremy James Carmichael, Dracula in Dracula: a Comedy of Terrors

JHPENTERTAINMENT: When I interviewed you recently about your role in Aunt Sally’s Wild Ride, I asked you to describe your character in five words. You responded in the most cheekily arrogant way possible. Now you’re playing Dracula in an equally cheeky and arrogant way. So a two-parter for you: 1) How much fun are you having in this role? AND 2) Ever feel like you are being typecast? 😉

JEREMY JAMES CARMICHAEL: 1) Dracula is a blast to play, but it’s even more fun being supported by an incredible ensemble of hilarious and talented actors. I couldn’t be the Dracula you see in this show without the banter and trust I have with each of my co-stars. And Dracula changes from night to night depending on the energy of the audience, and how my scene partners feed me the lines; I’ve played him more petulant and melancholy at some shows, but hyper and more self-absorbed at others. The beauty of live theater! 2) Well gee, Jonathan (an actual line of mine in the show)… I like to think of it as excelling in one certain facet, or being able to demonstrate mastery in a particular trait. But yes, I do think I get type-cast a lot. When I look back at my work, I see many of the same characters: Billy Flynn, Conrad Birdie, Danny Zuko, Sam Carmichael. I hope audiences know that’s not me in real life; I’d consider myself fairly opposite of all those roles I play. But I wish I had their confidence and… cajones.

JHPENTERTAINMENT: When I attended the show opening night, the audience couldn’t stop laughing. I found myself wondering how you all keep it together, then, about an hour in, you broke character, attempting to stifle the giggles during a particularly hilarious scene opposite Robert Coles. During rehearsals, who had the hardest time keeping it together?

JEREMY JAMES CARMICHAEL: How dare you. But yes, breaking character happens to the best of us. Something magical happened the first night the five of us met for our table read; only two had known each other before, but we clicked and then bonded faster and harder than any cast I’ve worked with, and I’ve been doing this for 47 years. Our team is rock-solid, and our love for each other is palpable. When you have that trust, the show can skyrocket. I’ve told my scene partners I have no limits; lean into the comedy if the audience is eating it up. And sometimes jokes go farther than we’ve taken them before, and sometimes — yep. It’s too dang funny to keep inside. My four castmates are BRILLIANT. And so I constantly find myself lost in their performances and sometimes reacting, out of character. I’m only human.

JHPENTERTAINMENT: Let’s talk about those vampire teeth. What’s the most challenging aspect of wearing fangs while trying to deliver your lines?

JEREMY JAMES CARMICHAEL: They hurt! But I think they’re kinda sexy so I always keep them in right after the show. I’m always hoping to get pulled over on my way home.

JHPENTERTAINMENT: Why should folks come see Dracula: a Comedy of Terrors. AND After seeing Dracula: a Comedy of Terrors, what do you hope they come away thinking of long after those two mysterious blood spots fade on their necks?

JEREMY JAMES CARMICHAEL: The show is FUN. Sometimes are is provocative; sometimes it’s used as an agent for social justice or change. And sometimes it’s just damn fun. We’re in a heavy time in our nation and I think the escapism that theater provides is a real benefit. Trust me — you won’t be thinking about your problems for the 90 minutes you spend with us. I think audiences will leave happy, and sometimes, that’s the best you can ask for.

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Playhouse 615’s Dracula: a Comedy of Terrors continues with performances through November 3. At the time of this publication, Limited Tickets remain for the rest of the run with the exception of Saturday, October 26, which has SOLD OUT. Limited seating remains for October 25 & 27 and November 1-3. CLICK HERE to purchase, or contact the box office at 615.319.7031.

Next up at Playhouse 615, Joel Meriwether will direct Every Christmas Story Ever Told (And Then Some!) with performances December 6-22. WATCH THIS LINK for ticket info when it becomes available. For more on the show and to keep up with what’s next at Playhouse 615, check out their website or follow them on Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, follow us on Facebook, Instagram and Twitter.

Rapid Fire 20Q with cast of William Inge’s ‘Bus Stop’; Opening at The Keeton October 11 thru 27

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For their latest dinner theatre offering, The Keeton Theatre will present William Inge’s 1955 Tony-winning play, Bus Stop with performances Friday, October 11 thru Sunday, October 27. Directed by Erin Grace Bailey, Bus Stop features among its cast Josh Mertz, Fiona Barrett, Rich Moses and Jena Salb. As the cast and crew put the finishing touches on the show, I had the chance to chat with the four stars to get their take on the play, the characters they’re playing, and yes, the famous folk who’ve come before them in previous stage and screen adaptions of this classic slice-of-life work. What follows are those conversation.

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Rapid Fire 20Q with Cast of The Keeton Theatre’s Bus Stop

Rapid Fire with Josh Mertz, Bo Decker in Bus Stop

JHPENTERTAINMENT: Keeton audiences last saw you in the supporting role of Travis in their recent production of Footloose and now you’re playing leading man, Bo in Bus Stop. How excited are you to step front and center with this role?

JOSH MERTZ: It is such an honor and a privilege to get to perform at the Keeton. I used to see shows here growing up and dreamed of one day being on that stage. I’m very grateful for the theater family that I have made over the past couple months . I am very blessed that Erin Grace(our director) trusted me to tell her vision of the show as Bo Decker. He is such a fun role to play because yes, of course he’s the comedic relief but also his character arc is about his journey in finding true love and growing up. I believe there isn’t any small roles in theatre because at the end of the day, every actor upon that stage affects how story is told to the audience. 

JHPENTERTAINMENT: On the exterior, Bo seems to be a bit of a ruffian. How much fun are you having playing this type of character?

JOSH MERTZ: Bo Decker is one of the wildest characters I’ve ever portrayed on stage. Developing the mannerisms, voice And even walk of this character has been the most fun I’ve had with a role in a while. I feel like with every rehearsal was bringing something new to the table and I’m still finding things to incorporate with the character. I can’t wait for everyone to see who Bo really is. 

JHPENTERTAINMENT: Within the context of Bus Stop, Bo is said to be a rodeo champion. I understand you’re a Nashville native yourself, so I gotta ask…any experiences or interactions with livestock in your own background?

JOSH MERTZ: The closest I’ve ever been to something of that nature is my grandmother lives out in the country of South Carolina and owns horses and goats. I absolutely love animals and I’ve seen a couple of rodeo shows growing up. I actually hope one day to go horseback riding again. 

JHPENTERTAINMENT: Bo has fellow cowboy Virgil Blessing (played by Dean Bratton) as a bit of a mentor and occasional voice of reason. Is there a Virgil in your own life who sets you straight now and again?

JOSH MERTZ: The Virgil of my life was definitely my Pawpaw David Atchison. We lost him about a year and a half ago from a long battle with COPD. Anytime I ever had a life question or just needed to get something off my chest or needed better guidance on something, I would go and sit in my Pawpaw‘s room and talk about it. He was one of the best men I’ve ever known and I miss him every day. he always knew the right answer and lived his whole life with love and compassion towards others. He wanted me to follow my dreams so this is why I dedicate all my performances since to him. 

JHPENTERTAINMENT: I’m about to chat with Fiona Barrett, who plays Cherie to your Bo. What’s she like as a scene partner?

JOSH MERTZ: Getting to know this whole cast  has been such a blessing in my life. Everybody brings such an amazing energy to the show and it’s magical to be in. Fiona as a scene partner has been so fun to work with. She’s never afraid to make bold choices and very willing to try new things on stage. Could not ask for a better Cherie to my Bo.

Rapid Fire with Fiona Barrett, Cherie in Bus Stop

JHPENTERTAINMENT: Who is Cherie to you?

FIONA BARRETT: Cherie, to me, is a symbol of strength and perseverance, with a dash of fun and carefree nature. I say this to not only reflect her character in general, but also when thinking about the things she’s had to overcome in her past and present. She’s survived the lowest of lows and the highs of being on top; that, to me, creates a well-rounded character with depth, blended beautifully with a cheeky attitude.

JHPENTERTAINMENT: From your bio, I understand the role of Cherie marks the end of a five-year hiatus from the theatre. What’s it like being back on stage?

FIONA BARRETT: It’s truly been a gift; no exaggeration. Being back on stage feels like I’ve come home again. I spent a good fifteen years of my life doing theatre in my younger years, and I forgot how much joy it brought me until the rehearsal process started for Bus Stop. It’s revived my love for theatre and I won’t be stopping any time soon!

JHPENTERTAINMENT: Doing a little research in preparation to chat with you and your fellow cast mates, I revisited 1956’s film adaptation, which came out one years after the Broadway debut of the stage play. In it, Marilyn Monroe plays up Cherie’s naive sex kitten side. I also checked out 1982’s HBO teleplay in which Margot Kidder (Lois Lane in 1977’s Superman: The Movie) approaches the role with a bit of humor and clumsy charm. I’m curious how you’ve chosen to play the iconic role?

FIONA BARRETT: While I auditioned with the mindset of visually portraying Marilyn, my interpretation of Cherie comes forward with strength and wittiness, combined with that charm and appeal you may have seen in the past. I wanted to bring my own interpretation of the character itself to life based upon the text, but I also wanted to acknowledge that Cherie is still a beautiful young girl with a sense of humor and sweet disposition. To me, Cherie isn’t just a bombshell blonde dancer; she’s a young woman that’s grown up more quickly than most and has developed a keen sense of navigation of the world around her, even if it hasn’t been as kind to her as she’d like for it to be.

JHPENTERTAINMENT: One of my favorite scenes, regardless of who’s playing Cherie is the moment she gets to show off her talents as a ‘chanteuse’. Can you give us any insider info on ‘That Old Black Magic’?

FIONA BARRETT: I agree! I love the fact that I get to show off Cherie’s chanteuse side! Given that I’ve played primarily musical roles in the past, it’s so fun being able to give that duality onstage. However, even though That Old Black Magic is one of Cherie’s best numbers and the one that got Bo’s attention, she chooses a different song to sing when given the opportunity to shine in the diner. What song, you ask? Come see the show to find out! 😉

JHPENTERTAINMENT: Over the past couple years I’ve gotten to know your director, Erin-Grace Bailey, for her work both onstage as an actress and behind the scenes as a director. What’s your experience been like having her the director of Bus Stop?

FIONA BARRETT: I couldn’t have asked for a better director to work with upon my re-introduction to theatre, and I say that with my whole heart. Erin-Grace directs with intelligence and purpose, but also continuously ensures that the actors involved are comfortable with the direction given, especially in places where the text is more intense. She creates a collaborative environment between herself and the people she works with, but also leads with a keen sense of storytelling ability that you don’t see very often. I credit her with helping me find a version of Cherie that has depth and strength along with charm, beauty, and confidence. I hope I get the opportunity to work with her in future productions!

Rapid Fire with Rich Moses, Will Masters in Bus Stop

JHPENTERTAINMENT: What can you tell me about Will Masters, the character you play in Bus Stop?

RICH MOSES: Will is the local sheriff of our small town. He’s a big hearted guy, looking to protect the ladies of the diner as well as the passengers who are stranded due to the storm. While he’s a no-nonsense sort of sheriff, he also has a positive outlook on life and is willing to give everyone the benefit of the doubt. He takes his past experiences and uses them for good, even trying to help out a certain cowboy. He loves life and everything about it, and people love him for it.

JHPENTERTAINMENT: How familiar were you with Bus Stop prior to auditioning for the show?

RICH MOSES: I was familiar with the basic premise of the story along with the fact that it was a star vehicle for Marilyn Monroe but had not seen the movie. I try to avoid seeing any productions of a show I audition for prior to the run of our show. I feel like it helps me establish a character as my own, letting me put my own spin on things rather than being influenced by other actors and their character choices whenever possible.

JHPENTERTAINMENT: Keeton audiences might recognize you from your recent role in their production of The Music Man, among other Keeton shows. What is it about The Keeton that keeps you coming back?

RICH MOSES: Bus Stop will be my ninth production “trodding the boards” at Keeton. It’s one of my favorite theaters along with Playhouse 615 in Mt. Juliet. I keep coming back to the Keeton for a multitude of reasons. They do a great job with play selection, the directors are always fabulous and push actors to become better onstage, and I love working with the actors who perform there. Quite a few of us have been in multiple shows together, so the chemistry and fun we share onstage always shines through. The audiences are absolutely incredible as well. They bring the energy in the house and are always engaged in the show, which makes for a better production all around.

JHPENTERTAINMENT: When I chatted with Fiona, I mentioned that I had rewatched not only the 1956 film version of Bus Stop, but also the early 80s HBO teleplay. In the latter, Claude Akins played Will Masters. In both, Masters is the good-hearted everyman. What’s your favorite aspect of playing a character that’s just so likable?

RICH MOSES: Funny story – when I was reading the script and preparing for auditions I pictured Claude Akins as someone who could play that role, especially after his time as Sheriff Lobo on BJ and The Bear and The Misadventures of Sheriff Lobo back in the 70s and early 80s, and wasn’t aware he had performed in the 80s teleplay.

The best part of playing a likable character is the fact that it gives me an opportunity to make the audience smile and really enjoy the show. Those sort of characters are always memorable for audiences and they love to root for them and their impact on the story. I think we are always looking for the good in people and they can identify with someone on stage who exudes that positivity.

JHPENTERTAINMENT: Within the context of the play, Will seems to have a bit of a crush on Grace, the owner of the roadside diner where the action of Bus Stop takes place. Jena Salb plays Grace to your Will. Since I’m about to wrap up this Rapid Fire 20Q by chatting with her, what are you enjoying most about sharing the stage with Jena?

RICH MOSES: This will be my second show with Jena after performing with her last year in Arsenic and Old Lace. We had a ball for that show and are having just as much fun this time. She was so excited to audition for this show with me that she asked for me to yell at her during auditions “like I did in Arsenic for old times sake.” Jena is a master actress on stage with her comedic timing  and ability to bond with other characters. Her passion for the stage is infectious, and I love playing alongside her.

Rapid Fire with Jena Salb, Grace Hoylard in Bus Stop

JHPENTERTAINMENT: What can you tell me about Grace, the character you play in Bus Stop?

JENA SALB: Grace is a conundrum. She’s a little bit of everything, but mostly she’s tough. Not because she wants to be, but because she has to be. She’s a little selfish, but not in a mean way. She just has to look out for herself over anyone else, because she knows that’s the only person she can rely on. She’s snarky, but not bitter, and takes life as it comes. She’s a lot like me to be honest, which is what drew me to her.

JHPENTERTAINMENT: Most everyone knows Marilyn Monroe starred as Cherie in the 1956 film adaptation of Bus Stop, but while researching to chat with you and your fellow cast mates, I learned that Elaine Stritch, one of the most beloved theatre actors of the modern era originated the role Grace on Broadway a year prior to the film’s release. Does knowing the legacy of a role mean anything to you as an actor, or do you approach each role as though you’re the first and only one to step into it?

JENA SALB: Elaine Stritch is an icon! But, I haven’t looked at anything she did with the role. If I did that, it would just be a terrible Elaine Stritch impression and I’m saving that for when I’m old enough to play Joanne in Company. 

JHPENTERTAINMENT: From what I’ve seen on social media, Kevin Driver, Bus Stop’s technical director has outdone himself with the set. Grace’s roadside diner looks perfectly charming and authentic. Is there a piece of set decor that you particularly enjoy?

JENA SALB: I love anything that Kevin Driver does. He’s just the best person and we are so lucky to have him residency here at the Keeton. This set is really spot on and when I’m up there behind the counter, it really brings me back to my waitressing days at a diner downtown. I think I love all of the clutter on the walls the most. Just don’t spend too much time looking at all of it, because you’ll miss the little moments happening in the background by all of my cast mates.

JHPENTERTAINMENT: I gotta tell you, Grace is one of my favorite characters in this play. Rewatching the 1956 film and the early 80s teleplay, I literally LOL’d each time when Grace says, “I love a fight”. She’s got such great lines throughout. Do you have a favorite line or scene in the show?

JENA SALB: I love the end of the show when she is just tired of everyone’s shenanigans and wants them out so she can go to bed. Or it just a front and she loves having all of these crazies here to keep her company? I’ll let you decide that…

JHPENTERTAINMENT: I always end these Rapid Fire 20Qs with a version of the same final question and since you’re my last piece of this puzzle…What do you hope audience remember after having seen Bus Stop at The Keeton?

JENA SALB: I hope it just leaves them thinking. When I see a show, I know it’s a good one if I’m leaving having a discussion with who I saw it with. And even better if we disagree with each other! I hope they see these very flawed people with a human lens and see that they aren’t good or bad. They are just a product of their experiences. 

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The Keeton’s Bus Stop runs October 11-27. Dinner and Show tickets are $40 for Adults and $35 for Children. Show Only tickets are $30. For evening performances, doors open at 5:45p.m. with dinner served at 6p.m. and the show beginning at 7:30p.m. Shows with a Thursday show only performance open doors at 6:30p.m. with show at 7p.m. Sunday matinee hours are as follows: doors at 12:45p.m./lunch at 1p.m. and show at 2p.m. CLICK HERE to purchase tickets. As always, The Keeton coordinates their dinner menu to compliment the show. For Bus Stop, the pre-show meal will consist of a Dinner Salad, Country Fried Steak with Pepper Gravy served with sides of Mashed Potatoes, Green Beans and Roll with Cookies and Cream Pie for dessert. 

Next up at The Keeton is A Christmas Story: The Musical, with performances December 5-22.  WATCH THIS LINK for tickets or more information soon.

To keep up with the latest from The Keeton Dinner Theatre, follow them on Facebook, Twitter and Instagram.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook. In the meantime, #GoSeeTheShow!

Theatre Review: Robert Coles’ ‘Lithium & Xanax and All of My Friends’ is Just What the Doctor Ordered; World Premiere Performances Continue Through October 12 at Darkhorse Theater

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Cast members of ‘Lithium & Xanax & All of My Friends (photos by Rick Malkin/Courtesy Brand Spakin’ New Theatre)

Over the weekend, Lithium & Xanax and All of My Friends, the latest dramatic work by Nashville-based playwright, Robert Coles, enjoyed its World Premiere as presented by Brand Spakin’ New Theater. Under the direction of former Nashvillian, Bradley Moore, who’s been back in Music City the last couple months to helm the project, the play continues  at Darkhorse Theater (4610 Charlotte Ave., Nashville, TN 37209) with performances October 8, 10, 11 & 12.

Having recently attended a performance of Coles’ sweet and funny southern comedy, Aunt Sally’s Wild Ride, but hearing that this one sets a completely different tone, I wasn’t sure what to expect. It’s always exciting to see a new work, but having reviewed as many shows as I have over the years, when there’s the added bonus of getting the opportunity to see actors with whom I’m not all that familar, there’s opportunity for an even more exhilerating night of theatre, and this show delivers on all counts.  Lithium & Xanax and All of My Friends presents Adam (Payton Justice) a young wannabe novelist who yearns to finish his long-awaited first book while struggling with internal demons. On the night Adam has determined he will finish things once and for all, he’s visited by a few not always welcomed friends, who inevitably stir memories and feelings of Adam’s often-traumatic past. Justice presents Adam in such a relatable state. You don’t have to have shared traumas with the character, but if you have, get ready to swallow that bitter pill once more. Justice’s portrayal is so emotionally charged, that one can’t help but feel what he’s feeling.

Adam’s friends are also perfectly prescribed, played by a cast of talented actors as varied as the numerous medications Adam is currently taking to deal with the aforementioned traumas. During the course of the night’s action, his friends drop in one by one and offer equal doses of advice, criticism and encouragement on why he hasn’t finished his novel and how he might achieve his final act.

First up is Lee, as played by Sky Roberts. Lee has known Adam the longest, having first encountered the embattled playwright a few years prior to the action of the play when the two were first introduced while Adam was in hospital. As played by Roberts, Lee seems to balance out Adam’s more high-strung tendencies. He’s the perfect every friend, casual, supportive, but encouraging.

We next meet Brianca Renfro as Annie, who pops in with yoga matt in hand dressed like a reject from a hippie commune. Renfro’s Annie quickly encourages the boys to center themselves with a bit of meditation. Renfro’s zen-like performance is the ideal mix of stereotypical wellness-minded individuals, but played with a decidedly humorous wink.

By the time Adam’s friend Wil (Ezra High) appears, if the audience wasn’t clued into what’s going on, his lurking, silent, almost non-present presences will surely do the trick. Is he there? Is he not? Does it really matter? As written by the playwright, Coles, and expertly directed by Moore, High, without uttering one word for the first several minutes he is onstage, changes the mood of the show.

Just when things seem to even out, enter Remy (Andrew Hosale). Remy’s that one friend who’s loud, a bit obnoxious, energetic, but ultimately truthful. As Remy, Hosale’s high is addictive. With things seemingly on an upward swing, and Adam beginning to gain a little insight into his inability to follow through, why no bring his parents into the equation, right?

That said, Taryn Pray as Adam’s Mom is a blissful depiction of the universal Mom. Caring, intrusive, judgmental, unaware…all the things. In addition to playing Mom, Pray also appears throughout the piece in various other roles, none more enjoyable than during a trippy daydream/hallucination presented as some sort of warped game show. Pray taking on the role of the emcee and each of Adam’s friends offering a bit of comedic lightheartedness as they rapid-fire repeat certain side effects of their relationship with Adam.

Coles’ abilities as a playwright are most beautifully exhibited in two vastly different scenes. At one point in the play, Adam is confronted by his friends and forced to face his demons head-on. Under Moore’s direction, this scene is almost cinematic. Justice’s Adam downstage, is surrounded by the cast in a circle around him. If this were a film, you could totally visualize Adam center screen with the friends literally circling around him. Blissfully manic.

On the other end of that spectrum, there’s two scenes involving Adam and Mom that are ‘eye sweat’ inducing. One, when the duo are saying goodbye to Adam’s dying father, the other, an unexpected sweet musical moment between Mom and Adam. Even though the rest of the cast is still on stage during these intimate moments, thanks to Moore’s direction and some beautiful work by the show’s lighting designer, Robert Allen, the intimacy of these very personal moments shared between mother and son play as though they’re the only ones in the room. So intimate in fact that for those moments I dare say each audience member felt as though they were the only witness.

Speaking of the talented crew Moore assembled for the project, Jaymes Campbell’s set design, a slightly run-down city apartment feels inviting and comfortable, but also a bit serile and barely lived-in. Campbell’s attention to detail, seen in the fact that when the refrigerator is opened, there’s a glowing ominous hue to the bulb inside. That, plus the fact that the microwave actually works and the coffee actually brews, speak volumes to Campbell’s craft.

Moore himself provided the props peppered throughout the set, and he did so with purpose, for upon closer examination, there are visual clues hidden among the artwork on the walls in Adams apartment. The same can be said for Moore’s sound design. From the first beep of the microwave to the final beat of the father’s life support, that tone becomes its own character.

Costume designer Cat Eberwine’s wardrobe choice are without fault, subtly but sublimely capturing the recent past during which the play is set, while simultaneously mirroring the characteristics of each of Adam’s friends…Lee is dress all comfy cosy (loved the Evanescence visual cue by way of his 2021 concert t), while Annie is boho from head to toe. Wil’s attire is a bit nondescript while Remy’s is tad edgy. Even Adam and Mom’s wardrobe choices reflect their personalities. It’s a true joy as an audience member, and a self-admitted theatre nerd when such care is evident in the smallest of details.

All in all, Lithium & Xanax and All of My Friends is an unexpected whirlwind of emotion and a journey all too many can relate to. Brand Spankin’ New Theatre’s World Premiere production of Lithium & Xanax and All of My Friends continues October 8 thru 12 at the Darkhorse Theatre (4610 Charlotte Ave, Nashville, TN 37209). Tickets are $20 and can be purchased HERE. Remaining run performance schedule is as follows: Tuesday, October 8 at 7:30p.m., Thursday, October 10 at 7:30p.m. (Thursday’s performances offers a special 2-for-1 ticket price), and Friday & Saturday, October 11 & 12 at 7:30p.m. CLICK HERE for more info. Check out Brand Spankin’ New Theatre‘s Official Site HERE or follow them on Facebook.

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