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Theatre Preview

Rapid Fire Q&A With ‘Beauty and the Beast’ Cast Members Kathy Voytko and Spencer Dean as Beloved Disney Musical Returns to TPAC November 4 through 16

November 2, 2025 by Jonathan

It’s a tale as old as time—and it’s coming back to Nashville! Disney’s Beauty and the Beast national tour brings its reimagined magic to TPAC for an extended two-week run November 4–16, featuring dazzling choreography, stunning visuals, and a heartfelt message that still rings true: beauty is found within.

Before the enchanted candlesticks, clocks, and dinnerware invite Music City to be their guest, we caught up with two of the show’s talented cast members for a special abbreviated edition of our recurring interview feature, Rapid Fire Q&A.

First, Broadway veteran Kathy Voytko, who steps into the iconic role of Mrs. Potts, reflects on honoring the beloved musical’s legacy, the lessons of love and change, and the nightly magic of singing the show’s unforgettable title song.

Then, Nashville native Spencer Dean, who plays the deliciously sinister Monsieur D’Arque (and other colorful townsfolk), shares what it means to bring his hometown audience a story that helped inspire his love of theatre—plus why a little villainy can be so much fun.

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RAPID FIRE Q&A WITH BEAUTY AND THE BEAST NATIONAL TOUR CAST MEMBERS

RAPID FIRE WITH BEAUTY AND THE BEAST’s MRS. POTTS, KATHY VOYTKO

JHPENTERTAINMENT: Performing the title song, Beauty and the Beast, is a true Broadway musical legacy moment. What goes through your mind in that instant under the spotlight?

KATHY VOYTKO: Singing Beauty and the Beast is such a unique honor because it has become such a beloved moment in the animated film and such a recognizable song originated by the extraordinary Angela Lansbury. However, when I sing it in the show, I have to attempt to forget all of that, and just tell the story, sing the notes, and say the beautiful words as though it’s the first time every single night because for one person in the audience, it is the first time they are hearing it.

JHPENTERTAINMENT: Angela Lansbury certainly set the gold standard as Mrs. Potts in the beloved animated classic—did you give any thought to honoring her while also making the role uniquely your own?

KATHY VOYTKO: As a lifelong Angela Lansbury fan I sure hope I am honoring her masterful blueprint of Mrs. Potts! Our director, Matt West, along with associate director Sam Scalamoni, music director David Andrews Rogers, and the entire Disney team guided us to shape our characters so they would be familiar to the audience, but still encouraged us to find our own unique take within the framework of the iconic characters. I’m extremely grateful that they trusted us and encouraged us to bring a little of ourselves into the mix.

JHPENTERTAINMENT: The show’s message of love and acceptance feels timeless—what part of Mrs. Potts’ wisdom resonates most with you personally?

KATHY VOYTKO: The biggest lesson that I had never really taken notice of in this story is one that I had discussed with our remarkable book writer, Linda Wolverton, who also wrote the original screenplay for the film. You can make a terrible choice/mistake in your life, and when you learn to make better, kinder choices, your entire world can change for the better. (And I even get to sing about it: “bittersweet and strange finding you can change learning you were wrong”).

Danny Gardner, Kathy Voytko, Kevin Ligon, Cameron Monroe Thomas, Javier Ignacio and Holly Ann Butler in Disney’s Beauty and the Beast. Photo by Matthew Murphy. (c) Disney

JHPENTERTAINMENT: The current tour reunites some of the original Broadway creatives behind Beauty and the Beast, including director and choreographer Matt West, who you mentioned. Do you have a favorite aspect of the newly enhanced production?

KATHY VOYTKO: Geez, I don’t think we have enough space for me to tell you all the things I love in this production, but let me give you my top three: 

I wildly love how we present Chip. The Disney magic for all the castle objects is very cool and tricky. And most folks ask about it at the Stage door. 

The musical numbers Gaston and Be Our Guest are extended and honestly, I could watch them each for 10 more minutes because the company is outrageously talented and I find it thrilling every single night.

Kyra Belle Johnson and Fergie Philippe (Belle and Beast) have a wonderful rapport that tells the story in a fresh way that by the time they are connecting and truly seeing each other in Act Two, you are giggling and rooting for them with unexpected delight.

JHPENTERTAINMENT: With apologies to Cogsworth, when you’re offstage, what helps you “unwind the clock” after bringing the necessary warmth and heart to every performance?

KATHY VOYTKO: Performing 8 shows a week can be challenging to our bodies and our voices, but getting to witness towns across America enjoying Beauty and the Beast is such a unique privilege. 

Many of us on tour try to do something decidedly local in every city. Sometimes it is going to a museum or renting a bike and going along a river trail or asking locals their opinion on their favorite little slice of life or favorite cuisine for the area. 

But for me personally, sometimes it’s just a hot cup of tea or a glass of wine and The Great British Bake Off or a long FaceTime with my family to unwind the clock and refresh my heart.

RAPID FIRE WITH BEAUTY & THE BEAST’s MONSIEUR D’ARQUE & OTHERS, ENSEMBLE MEMBER, SPENCER DEAN

JHPENTERTAINMENT: As a Nashville native, what’s it like returning home to perform at TPAC with such a beloved Disney musical?

SPENCER DEAN: Beauty and the Beast was the first Broadway show I ever saw. Then, I played Lumiere at both Act Too Players & Franklin High School, so this show means A LOT to me. Bringing it to the TPAC stage (where I saw every national tour as a kid) is an emotional and full circle moment. I’m so lucky to be here with this gorgeous production! Getting to share this with so many loved ones is the greatest gift!!

JHPENTERTAINMENT: Monsieur D’Arque might be small in stage time but big in impact—how do you make the most of every deliciously dark moment? SPENCER DEAN: The incredible custom coat I get to wear and crooked top hat (with detailing from the ORIGINAL Monsieur D’Arque costume) helps! Throw on some creepy contour and a grimace and I’ve got the audience both laughing and frightened. 

Dean (5th from right) Company of Disney’s Beauty and the Beast. Photo by Matthew Murphy. (c) Disney

JHPENTERTAINMENT: Villainy can be fun—what’s the best part of playing someone audiences love to hate as well as the other roles you take on?

SPENCER DEAN: It’s such a bold contrast from my quirky village character and our dashing Be Our Guest glam. I appreciate what a range of characters I get to step into every night! Definitely keeps it fresh and fun!

 JHPENTERTAINMENT: If an existing song from any genre were added to the score to serve as D’Arque villainous theme (à la Gaston), what would it be?
SPENCER DEAN: Creep by Radiohead. You’ll have to see the show to understand!

 JHPENTERTAINMENT: This reimagined Beauty and the Beast tour brings new life to a classic—what do you hope audiences take with them after experiencing this updated production?

SPENCER DEAN: A brief escape from the scary world outside. A reminder to lead with kindness and love. Beauty TRULY is found within. Never judge a book by its cover & treat others the way you want to be treated.

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Whether you grew up with the animated film or first met Belle and the Beast on stage, this newly enhanced production of Disney’s Beauty and the Beast promises an unforgettable theatrical experience filled with heart, humor, and timeless lessons about kindness and love.

Catch the national tour at Nashville’s TPAC, November 4–16. Tickets are available now at TPAC.org.

Following their Music City tour stop, Beauty and the Beast will continue its National Tour with multiple stops across the U.S. through September 2026, with more dates expected to be announced. CLICK HERE for full details or follow Beauty and the Beast on Insta.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, visit JHPENTERTAINMENT.com or find us on  Facebook, Insta and Twitter.

Filed Under: 2025, Entertainment, Interview, Live Performance, Live Theatre, Rapid Fire, Rapid Fire 20 Q, Rapid Fire Q&A, Theatre Preview Tagged With: Beauty and the Beast, Broadway at TPAC, National Tour, TPAC

Theatre Preview: Studio Tenn Bites Into Darkness with ‘Dracula’; onstage October 9 thru 26

October 6, 2025 by Jonathan

Get ready, Middle Tennessee! From October 9 through October 26, Studio Tenn brings to life a chilling rendition of classic terror as they present William McNulty’s adaptation of DRACULA at the Turner Theater in The Factory at Franklin. If their previous presentations of other monster hits like 2017’s The Elephant Man and their 2018 original adaptation of Frankenstein are any indication, this promises to be a horror-theater experience perfectly crafted for the Halloween season.

This version of DRACULA first surfaced in 2008. One aspect that sets apart McNulty’s adaptation is that his script places emphasis on suspense, danger, and the predatory nature of Dracula rather than romantic tropes often seen in the myriad of tv and film adaptations of the legendary tale. With creatives like Paul Vasterling at the helm as director, and visionary costumer and set designer Matt Logan once again returning to the company he co-founded, Studio Tenn’s production promises to lean into that darkness full force to frighteningly glorious results.

Jay Sullivan

The cast here is deep, textured, and brimming with promise. Jay Sullivan takes on Count Dracula, a role he previously played in 2014 at his longtime home theatre, Houston’s The Ally Theatre. He may be a Houston, Texas resident now, but Sullivan’s got local ties.  If memory serves, as a onetime season subscriber to Franklin’s now-gone, but much-beloved Boiler Room Theatre, myself, I recall seeing the young actor back in 2001 when he appeared amongst the cast of their production of A Chorus Line. After a few years, and several shows in and around New York, Sullivan made the move to Texas where he’s appeared  in dozens of productions at The Alley since his 2009 Houston debut as Orpheus in The Ally’s Eurydice. 

Brian Webb Russell

Opposing Sullivan’s Count is Nashville favorite, Brian Webb Russell as Van Helsing. No doubt a familiar face to area theatre audiences, throughout the last couple decades, Webb has appeared in various productions around town. His acting resume includes many shows with Nashville Repertory Theatre, Chaffin’s Barn Dinner Theatre and more. Like his onstage vampiric nemesis, Russell is also no stranger to the Dracula lore, having previously portrayed Simmons in a 2003 production of an adaptation by playwright Robert Neblett. entitled Dracula: The Case of the Silver Scream with Nashville Repertory Theatre back when they were known as Tennessee Repertory Theatre. 

Morgan-Ellene Davis

Morgan-Ellene Davis plays Lucy Westphal, perhaps the most tragic arc, moving from vitality into vulnerability under Dracula’s shadow. Among her previous credits, Davis appeared as the equally tragic Elizabeth LaVenza in Studio Tenn’s World Premiere  2018 production of playwright A.S. Peterson’s adaptation of Mary Shelley’s Frankenstein. Additionally, Davis appeared as both Belle and Mrs. Cratchitt in Rabbit Room Theatre’s 2024 holiday offering A Christmas Carol, which was also adapted by Peterson.

Nathan Quay Thomas
Andrew Johnson

Nashville native, Andrew Johnson steps into the role of Dr. Thomas Seward for DRACULA. Johnson’s theatre credits include numerous Nashville Shakespeare Festival productions. Rounding out the principal cast of Studio Tenn‘s DRACULA is Nathan Quay Thomas as Jonathan Harker. Having appeared in the 2024 U.S. premiere of Maggie: The Musical at Goodspeed Musicals in East Haddam, Connecticut, Thomas’s role in Dracula marks a return to Studio Tenn as Thomas previously appeared in the company’s 2023 production of The Sound of Music.

In the supporting cast, Lane Adam Williamson plays Robert Renfield with DéYonté Jenkins as Norbert Briggs. Catherine Gray is Margaret Sullivan and Jonah M. Jackson takes on the iconic role of The Monster. A lifelong DRACULA fan myself…after all rumor has it I was named after Jonathan Harker…my personal favorite supporting characters are Dracula’s Brides. Studio Tenn has cast Savannah Stein (Mina/Bride 3), Jordan Tudor (Bride 1), and Emily Stephens (Bride 2/Child) to take on these hauntingly beautiful roles.

Behind the scenes, as mentioned above, former longtime artistic director for Nashville Ballet,  Paul Vasterling directs, marking Vasterling’s second collaboration with the company, having directed Cabaret for Studio Tenn just last year.

On the subject of Studio Tenn collaborators, former Studio Tenn founding artistic director, Matt Logan handles both scenic and costume design, assuring this production of DRACULA will be as mesmerizing as Count Dracula’s hypnotic gaze.

With a runtime of about 2 hours 15 minutes, including a 15-minute intermission, Studio Tenn will present DRACULA Wednesdays thru Sundays, October 9-26. CLICK HERE for day and time details and to purchase tickets.

Mixed throughout the run, Studio Tenn will offer the following enhanced performances:

• October 19 (Sunday matinee at 1:00 PM) features a Talkback — stick around after the performance to hear from cast and crew about the rehearsal journey and creative choices.  

• October 18 (Saturday, 2:00 PM) is an ASL-interpreted performance.  

• October 25 (Saturday, 2:00 PM) is a Sensory-Friendly performance, with modified lighting, sound, and comfort supports.  

• Discounts apply for students, military/veterans, educators, and groups of 8+.  

Because Studio Tenn sells tickets only through Ticketmaster or their in-house box office, it’s best to secure seats early. As of this preview article, Opening Night is already reported as sold out.  

If you’re in Franklin or Nashville, this DRACULA is sure to be more than a seasonal treat. It’s sure to be an undeniable, irresistable pull into the darkness, a test of nerves…an invitation to watch what otherwise lurks in shadows. And with that Talkback on October 19, audience members get a chance not just to observe but to engage. Mark your calendars, take someone you dare to spook, and be ready to look over your shoulder as you exit the Turner Theatre and hopefully make your way back to your car. Studio Tenn’s DRACULA opens Thursday, October 9 and continues through Sunday, October 26.

Following the drama of DRACULA, Studio Tenn lightens the mood with a PINK GOES GOOD WITH GREEN: A Cabaret Fundraiser for Studio Tenn at TPAC on November 8. Broadway stars Carrie St. Louis and Teal Wick, who both spent time on The Great White Way in the mega-hit WICKED, as Glinda and Elphaba, respectively, will headline this one-night-only event. CLICK HERE for tickets or more info. Then, it’s a decidedly different holiday offering when Studio Tenn‘s Season 16 resumes as they present IRVING BERLIN’s WHITE CHRISTMAS, which happens to be my personal favorite musical…not just holiday musical, but my favorite musical of any genre and any era! CLICK HERE for tickets or more information.

Wanna keep up with the latest from Studio Tenn? Be sure to check out Studio Tenn online at StudioTenn.com or on social media at Facebook, Instagram and X.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook. Until then, #GoSeeTheShow!

Filed Under: 2025, Entertainment, Theare, Theatre Preview Tagged With: 2025, Dracula, Halloween, Live Performance, live theatre, Studio Tenn, Theatre Preview

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