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While Studio Tenn has continued to bring live entertainment, albeit either via streaming performances, their weekly LIVE Studio Tenn Talks chat show or with limited audiences in compliance with the past year’s global crisis, this weekend marks what we all hope will be their full return to normalcy as they partner with Artists Lounge Live to present Elvis, My Way starring Brandon Bennett, onstage at the Sondra Morris and Robert N. Moore Center for Arts and Entrepreneurship located at 336 Ernest Rice Lane in Franklin, TN on the Glen Echo campus of Battle Ground Academy.

In anticipation of the show, and my own return as an eager member of the audience, over the weekend I had the opportunity to chat with Studio Tenn‘s Artistic Director, Patrick Cassidy, Artist Lounge Live Producer, Michael Ingersoll and Elvis, My Way Star, Brandon Bennett for my very first post-pandemonium Rapid Fire 20 Q!

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RAPID FIRE 20Q WITH BRANDON BENNETT, MICHAEL INGERSOLL & PATRICK CASSIDY

Rapid Fire with Elvis, My Way star, Brandon Bennett

JHP: Alright, even before we begin chatting about your one-man show, Elvis, My Way, let’s talk about a few firsts….when did you first begin singing?

BRANDON BENNETT: I first began singing when I was around 8 years old. However, I was so shy that I would only sing for close family. 

JHP: What’s your earliest memory of realizing what an icon Elvis Presley is?

BRANDON BENNETT: I’m not sure if this counts,but I remember being drawn to his music as well as how “cool” he was, when I was about 7 years old.  I just happened to notice this guy on TV, in black & white, “dancin’ to the Jailhouse Rock!” I didn’t even know who he was, I just remember how much of an impact seeing and hearing him had on me. There was something special about him that I had never seen or heard before. 

JHP: When did you realize you not only bare a striking resemblance to Elvis, but could move and sing in a manner that evokes his essence?

BRANDON BENNETT: My mom was/ is an Elvis fan, so she is the reason I ever knew about him. When I became a teenager, she was the first to remark that I had a likeness to him. I didn’t think much of it until I began to hear it from others, especially when it started happening with people my own age, who I knew weren’t just be partial; like I had told myself was the case with my mom. Lol ! The movements seem to come natural. I remember my classmates in high school asking me “how do you move like that?!” The voice came with a little more effort. I could sing, and my tone was similar, but natural voice was not. Mainly because of how he may pronounce a word differently than I would, or make an inflection differently, or perhaps his cadence, etc. I’ve spent countless hours listening to his voice, repetitively. The next step was to take what my ear was hearing and make the transfer to my mouth. Some of it happened “naturally” at that point. I would record myself, and listen back for the differences. Rinse, lather, repeat; until I had a sound I thought was right. It was also important to me for all of this information to be so engrained that once I was on stage, I wouldn’t have to “think”. I wanted it to be as natural as possible. 

JHP: While researching to chat with you, I learned that in 2002, you won the honor of being named International Images of the King World Champion, being the youngest competitor to win that title. Is there anything specific you remember thinking in the moments before being announced the winner?

BRANDON BENNETT: Ah..yes.. I remember being so unsure of what the outcome would be. You see, this was not only my third year attempting to Win Images, but I had competed in multiple other competitions around North America in prior years. You never knew what the judges might come up with. Not to mention, winning Images appeared to be some type of  political situation, where it was said that you had to pay your dues.  I certainly knew many other talented people there, who had paid their dues.  I had received second place the two prior years, and when I received 2nd place at Images in 2000, I was floored! The whole “Elvis world” was so new to me back then. It’s safe to say that, a week shy of my 20th birthday, waiting to hear the places called for the 2002 WORLD CHAMP, I was a nervous wreck! 

JHP: One of my dearest friends performs as Cher in Las Vegas and like you, she sings and speaks live, going well beyond the moniker of ‘impersonator’. The term Tribute Artist is often used. Is that what you prefer?

BRANDON BENNETT: I’ve never taken offense to the term impersonator. I do believe there are professionals, who are able to pay tribute to someone with a high level of accuracy, and respect. It is an art, so Tribute Artist, I believe is more fitting. However, if Uncle Fred introduces me as an impersonator, I’m not gonna lose any sleep over it; as long as he thinks I’ve done right by Elvis, then I’m happy!

JHP: Now, about Elvis, My Way. How long have you been performing in this particular iteration of Elvis’ story?

BRANDON BENNETT: To some extent, I’ve been doing Elvis, My Way from the beginning. Going back to what I mentioned earlier about wanting my performance to be natural and real. I always thought it was important for my own personality to be there as well. I mean, everyone knows I’m not Elvis. I never could get comfortable with the idea of just getting on stage, and pretending to be someone else, at least within myself. Who was I gonna be foolin’?! Haha! I’m all for pretending and acting, but I needed it to be real. After all, I’m real, the audience is real, so let’s do this together. Paying tribute to someone, for me, is reminding people who that person is or was. When it comes to Elvis; he was one of kind. I want to bring back memories for people, and I want to show those, who maybe never got a chance to see Elvis, what he was like. To Answer your question, I officially began the show Elvis, My Way about 7 years ago. 

JHP: I’ve already mentioned one friend, so I might as well go for two. If you haven’t already, you should definitely check out my friend Manuel’s studio. For my readers who may not know, Manuel designed Elvis’ famous gold lame suit. He now lives here in Nashville and continues to design for many of today’s stars. On the subject of wardrobe, throughout his career, Elvis’ various ‘looks’ have all become quite synonymous with his mystique. Do you have a favorite look or period in his career that when reach that point in your show, you still get excited with anticipation of the audience reaction?

BRANDON BENNETT: Elvis certainly had quite a wardrobe! I’ve done many productions through the years where I’ve worn different Elvis looks. Part of why I decided to dive deeper into Elvis, My Way was, for me, Elvis was MUCH more than what he wore on stage. Elvis’ voice was so extraordinary, and it has been my goal, from day one, to do him justice vocally. Anybody can throw on a pompadour, a studded jumpsuit, and swivel their hips. I realized that God had given me a talent to be able to show that Elvis was more than just a guy with great hair, and a sparkly suit. I love all of those outfits just like the next Elvis fan, Elvis, My Way is more about the music, the voice, and the entertainer Elvis was. That being said, I dress more 50’s/60’s Elvis attire, and we cover The 50’s, 60’s, & 70’s eras. I believe it builds naturally, like the music did, as the show progresses. I feel like the people enjoy each moment with anticipation of knowing what’s coming down the line. 

JHP: In addition to the aforementioned International Images of the King World Champion, you’ve won other Elvis tribute titles, including competitions at Graceland where you were named Ultimate Elvis Tribute Artist and you starred in the Chicago mounting of Million Dollar Quartet. If you had to, and I guess since I’m asking, you do…describe the continued adoration of Elvis.

BRANDON BENNETT: If you’re asking why I believe Elvis is still such a phenomenon after all these years; My answer would be: He was real. He was like no other. He stayed humble, and I believe, everyone could tell how genuine, caring, and loving he was. So to some that up, haha! He was an extraordinary talent, who was, and is still able to connect with ordinary people. That’s who he was in his own mind, an ordinary person, who counted his blessings. 

JHP: From what I understand, Elvis, May Way presents The King’s journey from his humble beginnings in the world of entertainment in the early 1950s on to his legendary 1968 Comeback Special and throughout the 70s. After seeing you perform as Elvis, what do you hope audiences take away with them?

BRANDON BENNETT: Not to sound redundant, however, I hope people leave the show having their mind flooded with memories, and emotions that I believe, only music has the power to do. To remember Elvis, his music, and the entertainer he was. I hope they feel at home, and feel that I’ve done him some justice. 

JHP: Elvis famously worked with The Jordanaires. While Elvis, My Way is often referred to as a one-man-show, you share the stage with a group of talented musicians. Can you tell me a little about your backing band? 

BRANDON BENNETT: The group of men and women I work with on stage are the literal backbone of the show. I simply could not do the show without them. Literally! The anchor of our show is the rhythm section, The David Fontana Band. David Fontana, our drummer, is the son of Elvis’ first drummer, D.J. Fontana. Kenny Cramer on Lead Guitar, Wade Bernard on Bass, and Eddie Watson on Piano. They all have a list of accolades sharing the stage with artists such as: Ronnie McDowell, Englebert Humperdinck, Eddy Raven, Bobby Bare and Bill Joe Royal, to name a few. They are all great musicians as well as great people. They are like family to me. I even have them nicknamed either “Uncle”, or “Cousin”. I believe it adds a special element on stage because we are up there enjoying each other, while enjoying the music, and the crowd! 

Rapid Fire with Elvis, My Way producer, Artists Lounge Live’s Michael Ingersoll

JHP: Folks that know me often remark that I know everyone. True, to a degree, but speaking of degrees, not even Kevin Bacon holds a candle to Patrick Cassidy. Since meeting him I’m convinced you can truly connect anyone to him within six degrees…or less. So, to begin, how did you first meet Patrick?

MICHAEL INGERSOLL: Jake Speck, Studio Tenn’s former Managing Director is a dear friend and fellow Jersey Boys alum. Over the pandemic, he and I were collaborating on the creation of streaming content for AD Players in Houston where he is now the head honcho, and Jake felt that our work with John-Mark McGaha (a Studio Tenn favorite) would be a great fit for Studio Tenn as well. He introduced me to Patrick and I as immediately drawn to his enthusiasm, kindness, and love for the theatre community.

JHP: As you alluded above, theatre folk likely know you from your work onstage as The Four Season’s Nick Massi in not one, but three original companies of Jersey Boys, while live music aficionados might have seen you on tour with the vocal group Under the Streetlamp. But because I’m a nerd of all things Johnny Cash, I remember your big-screen moments as Donzil Burlison, who married Johnny’s beloved sister, Reba as seen in the 2005 film Walk The Line. In addition to your on-stage and on-screen career, you’re also a producer, creator and founding partner, alongside your wife, Angela Ingersoll, at Artist Lounge Live. When did you and Angela start Artist Lounge Live?

MICHAEL INGERSOLL: After 1300 performances as Nick Massi in Jersey Boys and 6 years of touring on the back of multiple PBS Specials with Under the Streetlamp, I was ready for a few years off the tour bus. My time with Under the Streetlamp taught me how well Broadway actors could serve the concert-going community by combining popular, nostalgic catalogues with great storytelling. I have so many incredibly talented colleagues in the Broadway and regional theatre community and I wanted to bridge the gap between these stars and regional audiences. It helped to provide additional opportunities for these folks outside of Manhattan and brought truly world-class entertainment to communities all over the country. Broadway-level experiences shouldn’t be reserved only for those who can make it to New York and can afford a ticket. My wife Angela, herself an Emmy Nominee for her PBS Special, Get Happy: Angela Ingersoll Sings Judy Garland, is the major creative force within our company. Her writing, eye for design, multi-media skills, and dedication to putting artists first is at the heart of what we do. 

JHP: How did you come to learn about Brandon and his Elvis performances?

MICHAEL INGERSOLL: Brandon spent years in the longest running production of Million Dollar Quartet in Chicago. I was working with a drummer on one of my concerts who said, “If you ever want to create a show around the Elvis catalogue, I know the guy.” Well, he sure a heck did. Once I saw Brandon and heard his treatment of these iconic songs, I knew I had the opportunity to work with someone truly special. When there was a request from David Letterman to have a MDQ cast member perform on The Late Show, Brandon was the one that got the call. I sought him out immediately. 

JHP: How much of a no-brainer was it to join forces with Brandon to present Elvis, My Way as a Artist Lounge Live production?

MICHAEL INGERSOLL: No-brainer is precisely the right word. Offering the Elvis catalogue and the stories about Elvis’ life to a live audience is truly a tall order. There are so many ways to get it wrong – to make fun, to parody, to play up the cheese factor. Brandon is grounded, authentically southern, authentically warm and humble, is an incredibly charismatic performer and captivating storyteller. He’s funny. He’s genuine. He’s generous. He’s precisely what folks who knew Elvis Presley say they loved most about The King. When you see the real deal standing in front of you, you hope you have the privilege to make something special together. Luckily, I’ve been able to have that privilege. 

JHP: As the world of performing arts comes back to life, what’s next for Elvis, My Way? What’s next for Artist Lounge Live? What’s next for you and Angela?

MICHAEL INGERSOLL: The future of Elvis, My Way, of Artists Lounge Live, and of anyone in the performing arts hinges on when and how strongly audiences will return to live performance venues. It’s entirely up to the people. I hope that folks increasingly conduct themselves responsibly to protect themselves and others so that we can give them what we so badly want to: joyful experiences of music, connection, and community. For those of us hanging on by our fingernails after the last 18 months, that time can’t come soon enough. We hope that our concert in Nashville is the start of that much longed-for time. 

Rapid Fire with Studio Tenn Artistic Director, Patrick Cassidy

JHP: When I chatted with Michael, I asked how you two met, so in a similar vein, can you tell me how Studio Tenn came to collaborate with Artists Lounge Live?

PATRICK CASSIDY: Jake Speck recommended Michael and his company, Artists Lounge Live. John-Mark McGaha (a longtime Studio Tenn Performer) was doing a Stevie Wonder tribute and we wanted to Live Stream it for Studio Tenn. Michael and I spoke for some time on the phone about the company, the tribute, John-Mark himself, and I wanted both Michael and John-Mark to appear on the Studio Tenn Talks. They were both terrific, and that forged a relationship that has brought us to this moment. I hope that it’ll be a long partnership. 

JHP: In researching to chat with you about this show, I may have stumbled upon a mention of Priscilla Presley and Lisa Marie visiting your Mom, Shirley Jones and your brother, David Cassidy on the Partridge Family set. Do you recall ever hearing any stories about that, or do you remember your first knowledge of Elvis as this larger than life entertainment superstar?

PATRICK CASSIDY: No, I don’t recall hearing about Priscilla and Lisa Marie on the Partridge Family set. That said, I suspect it is true. I know many celebrities visited the set, and several were guest stars on the show itself. I’m sure since David was at the top of the teen idol charts, it would have made sense that Elvis’s wife and daughter wanted to meet him. Elvis and his music was always in my home growing up. Both my older brothers made sure of that. 

JHP: While Studio Tenn has presented a few virtual performances and limited audience presentations throughout the last year, Elvis, My Way–in some ways–marks not only Studio Tenn’s return to full-scale performances, but also, in a way, presents a post-covid take on Studio Tenn’s Legacy Series, in which a single music legend’s musical catalogue is featured. Of course Studio Tenn’s Legacy Series typically features several performers while Elvis, My Way showcases Brandon Bennett as The King in what is in essence a one man show. Did the similarities between the Legacy Series and Artist Lounge Live’s Elvis My Way make it an obvious an organic choice to be included in Studio Tenn’s new season?

PATRICK CASSIDY: It made sense given the time factor of wanting to slowly return, and allow people to come back to live perfomance. We still plan to do our Aretha Legacy in the spring of  2022. Also having a show that is already set and ready to go, was a huge asset in production preparation. You are correct though, it does manage to give our audience an Elvis (Type) Legacy. 

JHP: What is it about Brandon as Elvis in this production that you are most excited for Studio Tenn audiences to experience?

PATRICK CASSIDY: Brandon is the best Elvis I have seen. And while I was not looking for an Elvis impersonator, I wanted a performer who does Elvis’s catalogue of music and can Rock the House. Get those tickets for Aug. 6th – 8th and come see what I am talking about. 

JHP: What’s next for Studio Tenn?

PATRICK CASSIDY: So many things to look forward to. Studio Tenn Talks just returned Monday Aug. 2nd with the amazing Audra McDonald. 

Our 3rd Cabaret on Stage….and Intimate evening with Shoshana Bean. Two shows at 2:00pm & 7:00pm on Aug. 21st at TPAC‘s Polk Theatre.

On Nov. 13th my brother Shaun Cassidy will be doing a fundraiser for Studio Tenn. Tickets will go on sale shortly. This will kick off our December Season with two shows to be announced. There’s also a New Year’s Celebration to look forward to. I can’t wait to launch it all. 

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Studio Tenn and Artists Lounge Live presents Elvis, My Way Starring Brandon Bennett onstage at BGA’s Sondra Morris and Robert N. Moore Center for Arts and Entrepreneurship opens Friday, August 6 and runs through Sunday, August 8 with shows Friday and Saturday evening at 7pm and a Sunday Matinee at 2pm. CLICK HERE for tickets.

Be sure to check out Studio Tenn online at StudioTenn.com or on social media at Facebook, Instagram and Twitter.

Just last week as the cast of The SpongeBob Musical’s first-ever National Tour prepared to turn TPAC’s Andrew Jackson Hall into their beloved undersea world of Bikini Bottom, I had the chance to pose a few questions to Lorenzo Pugliese, Beau Bradshaw and Daria Pilar Redus who star as SpongeBob and his besties, Patrick Star and Sandy Cheeks. So, sit back, grab a carton of Drinkable Sausage and check out the conversations below!

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RAPID FIRE FIVE WITH LORENZO PUGLIESE, SPONGEBOB SQUAREPANTS IN THE SPONGEBOB MUSICAL

JHP: I understand you were actually a fan on the SpongeBob animated series when you were a kid. What’s it feel like to now be playing him in the Nation Tour of the stage musical?

LORENZO PUGLIESE: It’s a dream come true! If you told me even a year ago that I’d be playing SpongeBob in the First National Tour of The SpongeBob Musical, I’d probably tell you you were crazy.

JHP: Do you have to be a fan of the series to enjoy the stage version?

LORENZO PUGLIESE: Not at all! Part of the genius of this show is that it works both ways. Whether or not you’ve seen the TV show, you’re going to love this musical. Because with or without the association of these iconic characters, you are getting a fantastic story with great characters and a killer score!

JHP: The animated version was created by the late Stephen Hillenburg. While the essence of his characters is ever-present, the musical’s co-creator and director Tina Landau has opted to give the characters a more human appearance. Your own character, for instance, as SpongeBob, you’re not sporting a bright sunshine yellow costume made of sponge and you’re not wearing square pants. Was it more of a creative challenge for you to find SpongeBob’s voice and characteristics without the benefit of the animated version’s trademark physical appearance?

LORENZO PUGLIESE: Being able to bring this super iconic character to the stage was and is the hardest thing I’ve ever done. But having the privilege to work with the original creative team that put this whole show together has made it possible. My character is a result of their brilliant direction and guidance.

JHP: Was SpongeBob really your first professional audition?

LORENZO PUGLIESE: SpongeBob was my first ever New York audition! It feels like I won the lottery.

JHP: Just between us….what’s the secret ingredient in the Krusty Krab’s most infamous menu item, the Krabby Patty?

LORENZO PUGLIESE: I’ll never tell 😉

RAPID FIRE FIVE WITH DARIA PILAR REDUS, SANDY CHEEKS IN THE SPONGEBOB MUSICAL

JHP: In the animated series, Sandy is a science loving, martial arts practicing squirrel from Texas. How much fun are you having playing het?

DARIA PILAR REDUS: Sandy is such a rewarding role to play! It’s a blast to do martial arts and show off the smarts while getting to tap into the more vulnerable, soft side of Sandy as well. It’s a side that we don’t get to see a lot of in the animated series, so I love being able to explore all of her layers!

JHP: Prior to being cast, had you seen the musical or were you very familiar with the original animated series?

DARIA PILAR REDUS: I saw the musical during its run on Broadway and absolutely loved it! I was a HUGE SpongeBob fan growing up, and actually remain a fan of the animated series to this day. After seeing the musical in NYC, I couldn’t wait until I’d get the chance to be a part of something as beautiful and fun as The SpongeBob Musical!

JHP: From the images and clips I’ve seen, scenic and costume designer David Zinn has done a marvelous job representing the fun and vitality of Bikini Bottom, even winning the Tony for SpongeBob’s scenic design. Is there a set detail or particular costume that you wish every audience member could get a closer look at to truly appreciate his creative genius?

DARIA PILAR REDUS: Absolutely! I wish everyone could get a close up on Squidward’s legs, although they’re so cleverly done that perhaps they should remain a mystery! The Mermaid costume is actually a collection of colorful rubber kitchen gloves that creatively make up the tail! Every costume in the show was designed so creatively and specifically!

JHP: Also mirroring that same energy is the show’s choreography by Christopher Gattelli, who won the Tony for his choreography of Broadway’s Newsies. How would you describe the choreo in SpongeBob?

DARIA PILAR REDUS: The choreography alone is a reason to come and see the show! There is everything from tap, to hip hop, classic musical theatre, and more! It’s specific, clever, and downright awe-inspiring.

JHP: Hero Is My Middle Name, written by Cyndi Lauper and Rob Hyman and performed near the end of Act 1 by you, Beau and Lorenzo, has proven to be one of the show’s most beloved songs. Performing it night after night the past few weeks as the tour has began, what has the song come to represent to you?

DARIA PILAR REDUS:  Sandy’s circumstances in this song are quite a bit different from that of her two friends. After being outcasted by the community she trusted for so long, it isn’t an easy decision to forgive and do what’s best for the greater good. But she does just that. This song is about friendship, loyalty, forgiveness, courage and strength. The journey from being defeated to being unstoppable is challenging, Sandy is more sure of her decision every new show!

RAPID FIRE FIVE WITH BEAU BRADSHAW, PATRICK STAR IN THE SPONGEBOB MUSICAL

JHP: Alright, I’m just gonna ask. While studying musical theater in college in Pittsburgh, did you ever fathom that a year later you’d be touring the country as the human counterpart to a famous pink cartoon starfish?

BEAU BRADSHAW: Actually, yes! I saw this show on Broadway during my senior year of college and all I could think about was how much I wanted to play Patrick. This is really a dream come true. 

JHP: Speaking of touring, what’s life on the road been like since the tour first kicked off just a few weeks ago?

BEAU BRADSHAW: Life on the road is a lot of fun. Getting to see all of these different cities is definitely the best part. The worst part about it is all the packing we have to do. 

JHP: As Patrick, you share a lot of your onstage times with Lorenzo’s SpongeBob. What’s he like as a on-stage best pal?

BEAU BRADSHAW: He’s the best. I couldn’t ask for a better scene partner. We really feed off of each other’s energy and that makes the performance exciting and new every night.

JHP: I have to confess…while my nephews grew up watching SpongeBob, I’ve honestly never seen an entire episode. Do you recommend a quick binge of a few episodes before taking in the show, or is it entertaining in its own right that familiarity with the characters isn’t necessary?

BEAU BRADSHAW: If you’ve watched SpongeBob you will definitely be rewarded with some fun Easter eggs but it’s definitely entertaining all on its own. The music alone is a reason to see this show. 

JHP: You’re not just playing an iconic character, you’re also performing musical numbers by some of today’s most iconic and well-known musicians, singers and songwriters. What’s that like, and do you have a favorite amongst the show’s tunes?

BEAU BRADSHAW: I feel so fortunate to be able to sing music by these amazing artists. The score is so well written that it’s honestly, an actor’s dream. My favorite song would have to be (I Guess I) Miss You by John Legend. It such a beautiful song about two best friends realizing how much they love one another. It’s also one of the shows only ballads.

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To keep up SpongeBob and the entire Bikini Bottom gang, follow SpongeBob The Musical on Facebook, Instagram, Twitter and YouTube.

Wanna check out previous Rapid Fire conversations? CLICK HERE. Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.

On Friday, August 2, Act Too Players’ professional theatre company, AT PRO will open their production of Matilda: The Musical at the historic Franklin Theatre nestled just off the town square in Franklin, TN. Based on Roald Dahl’s beloved children’s book, the 4-time Tony Award-winning musical features music and lyrics by Tim Minchin and book by Tony-winning playwright, Dennis Kelly. Directed by Act To Players’ theatre arts director, Sondra Morton, with musical direction from Jamey Green, the title role of Matilda will be shared (at alternating performances) by two young actors, Reese Benton and Reagan Schmicker and will feature a number of other youth performers and Act Too Players students. As for the adult cast, Tennessee native, Thomas DeMarcus, who now resides in New York, will take on the role of Ms. Trunchbull, with local theatrical mega-star, Megan Murphy Chambers playing Matilda’s less-than-caring mother, Mrs. Wormwood. Among the other adult cast members are Jeremy Maxwell as Mr. Wormwood, Erica Haines as Ms Honey and Jennifer Whitcomb-Oliva as Ms. Phelps. 

Just yesterday, while the cast was in the final hours of tech week, before Friday’s opening night, I had the chance to chat with DeMarcus and Chambers about their roles, working together, collaborating with Morton and the youth cast of Matilda for my latest Rapid Fire 20 Q. As always, the conversations were enlightening and entertaining, perfectly fitting considering the subject is Matilda.

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RAPID FIRE WITH MATILDA’s MRS. WORMWOOD, MEGAN MURPHY CHAMBERS

JHP: Who is Mrs. Wormwood to you?

MEGAN MURPHY CHAMBERS: Mrs. Wormwood is the delicious personification of rotten, upside-down Megan. She is shallow, blunt, arrogant and narcissistic. I am loving every single minute of wearing her leopard print skin. 

JHP: Exactly how many shows have you been involved in in collaboration with Sondra Morton?

MEGAN MURPHY CHAMBERS: Roughly 9,000, I think. 9,001 if you count the show that was being in the delivery room when her son was born.

JHP: Sometimes I feel like Sondra, Act Too Players and other youth theatre programs around town don’t get the praise they deserve. What’s something you would like to say to Sondra about her work with Act Too?

MEGAN MURPHY CHAMBERS: I agree that anyone who works with kids in this capacity is an unsung hero. The performance opportunities these kids get are extraordinary, and the miracles Sondra works to get these shows put together blow my mind.  Above all, though, the community that gets built during the process is unlike anything I’ve seen before.  I’ve heard so many of our students say that they feel like a most authentic version of themselves when they’re at Act Too, and I’m really proud to be part of that.  Sondra (and Erica, and Jamey!) are absolutely amazing. 

JHP: One aspect of Mrs. Wormwood’s personality is her lack of concern where her children are concerned. Knowing what little I do about you as a person, I can say with certainty that couldn’t be further from the truth, especially considering when not on stage at Act Too Players, you are among the staff of Act Too Players. How vital is it to encourage the creativity of youth in the performing arts?

MEGAN MURPHY CHAMBERS: Being part of high school theater and choir changed the trajectory of my life forever, so you won’t find a bigger advocate for youth arts programming than me. Regardless of what path a kid decides to follow, there are so many essential life skills that the kids pick up when working on a show. They become better communicators, collaborators, and empathizers. Watching these programs get pillaged breaks my heart, and does such a disservice to society in general.  Art makes us complete, makes us better versions of ourselves!

JHP: As a staff member of Act Too Players, your official job title is Experience Manager. What exactly does that title involve?

MEGAN MURPHY CHAMBERS: More than anything, I maintain lines of communication with our parents and families. I love that part of my job, and I love when show time rolls around, and that communication turns into actual face time with both the kids and their families. 

JHP: While your character isn’t exactly maternal, Matilda does find a friend and mentor in Miss Honey. Who encouraged your creativity and free-spiritedness as a child?

MEGAN MURPHY CHAMBERS: My childhood home was always filled with music, and my parents stocked us up with paper to draw on and Legos to build with; they’re both really interesting and creative people themselves, and my sister’s and my imaginations were encouraged to thrive. My 2nd grade teacher, Mrs. Brown, also threw a lot of gasoline onto my fire. She created a beautiful bound version of a book I wrote when I was 8 called Confetti about, no surprise, a dog. 

JHP: As Matilda’s on-stage mother, you are working with not one, but two young actors who are alternating in the lead role. What can you tell me about your two young co-stars, Reese Benton and Reagan Schmicker?

MEGAN MURPHY CHAMBERS: Reese and Reagan are delightful, capable, professional young ladies, and we are truly lucky to have both of them in this show. They have a huge role to tackle and are doing it with real grace and enthusiasm, not to mention talent. It’s also been lovely to watch them work together as a team. I’ve seen zero competitiveness whatsoever – just authentic support and enjoyment of each other. I love being awful to both of them!

JHP: Do you find being the uncaring Mrs. Wormwood on-stage has caused you to be extra nice to the youth cast off-stage, or do you avoid them in an effort to stay in character?

MEGAN MURPHY CHAMBERS: First of all – any of my friends reading this right now are laughing out loud at the idea of me ever being extra nice to kids 🙂  Coddling anyone other than my pit bull goes against my very nature. My character doesn’t impact the way I treat the kids at all.  My favorite thing about doing an Act Too Pro show with them is getting to just be a fellow actor (rather than a stage manager or child-wrangler or person in a leadership position).  In this environment, I treat them all the same as I do any other colleague. We have a great time, and I expect the same level of professionalism (and fun!) from them as I do any of the rest of my cast mates.   

JHP: What’s the best part of having Jeremy Maxwell as your on-stage husband, Mr. Wormwood?

MEGAN MURPHY CHAMBERS: I love watching Jeremy work, and he is always 100% game to experiment on stage with. Jeremy is super alive in a scene, and up for anything. It’s also lovely to watch someone who is so naturally patient and good with kids be so horrible to our Matildas.

JHP: I’m about chat with another of you co-stars, Thomas DeMarcus. If memory serves me you were both among the cast of Boiler Room Theatre’s Gypsy in 2004. When did the two of you first meet?

MEGAN MURPHY CHAMBERS: Thomas and I were friends looooong before Gypsy. We went to high school together, and he is one of literally two people that I’m still in touch with from those days. It has been so fun to be in a show with him again, so I’m overjoyed that we were able to lure him away from NYC for a little while. Getting to work with someone I’ve been friends with since 1993 is a gift, and I hope we’re still playing 25 years from now. There is no one I’d rather see play Trunchbull than him. 

RAPID FIRE WITH MATILDA’s MS. TRUNCHBULL, THOMAS DeMARCUS

JHP:  Tell me about your portrayal of Ms. Trunchbull.

THOMAS DeMARCUS:  I have loved Ms. Trunchbull since I helped the original Broadway production on their special events team. She’s so deliciously cruel and righteous that you can’t help but stare and be intimidated by. She has this wonderful pattern to her speech with so many different ways to insult you and has zero regards for your feelings. Everyone always wonders what it’s like to play the villain but the villain never knows they’re the villain. They’re behaving and reacting honestly to their own ideals. Agatha is a joy to play. Her costume and her makeup and hair do so much of the work, I just need to remember when Matilda is being a maggot and when Matilda is being a disgusting little toad. Ms. Trunchbull chooses her words carefully.

JHP: Appearing in Act Too Players’ Matilda is a bit of a homecoming on a couple of levels in that you grew up near Franklin n nearby Brentwood and you have a bit of a history with Act Too Players’ founder and Theatre Arts Director, Sondra Morton, having appeared in a few shows at Morton’s beloved and much-missed Boiler Room Theatre. What’s it been like to come back home, be a part of this show and work with Sondra again?

THOMAS DeMARCUS:  Coming back home feels truly wonderful. I miss Brentwood. A fun yearly game is figuring out which new restaurant has popped up at the place where that old restaurant used to be.  My parents are still here in the same house I grew up so they are thrilled to have me join them for a little bit. Sondra is one of those people that I will always have fond memories of. She was in my first show at the Boiler Room Theatre (The 1940’s Radio Hour) and the Boiler Room is where I met some of my greatest friends (some of them can be found in this production of Matilda!). To know that Sondra has built this company and sustained it for so long in an ever-growing and always-changing landscape of middle-Tennessee is nothing short of remarkable. She always has fifty irons in the fire and yet can answer a specific question without missing a beat. She’s immensely creative and a champion of trying something to see if it fails. She truly supports these kids and beams at their successes. I’m beyond grateful that she called me me in!

JHP: You attended the University of Tennessee at Knoxville. While there, you switched your focus from math to theatre. What prompted the change in your course of study? 

THOMAS DeMARCUS:  I know I never considered theatre a profession coming out of high school. I believe I told my guidance counselor that I wanted to teach math and help coach the basketball team at some middle or high school that would hire me. But once I devoted 100% of my time and energy into the theatre department and kept meeting great artists brought in from all over the world, I began to see theatre as a career. I still LOVE MATH. Ask anyone. There’s an aspect to problem solving that I find so relaxing. I can make the (broad) connection between math and theatre through problem solving. Instead of solving for x, I’m trying to figure out why this character would do or say that. Look, it’s a loose connection but I’m sticking with it…just let me solve my sudoku in peace.

JHP: Anytime I chat with anyone who has a connection to UT, I have to ask….did you have the opportunity to study under my friend Carol Mayo-Jenkins, who I of course remember first for her portrayal of Miss Sherwood in TV’s Fame?

THOMAS DeMARCUS: Carol returned to Knoxville just as I was leaving so I never had her for a teacher, however, I was extremely fortunate to work with her onstage in The Glass Menagerie. She played Amanda and I was the gentleman caller brought over to dinner to try and make a love connection with her daughter, Laura. My character doesn’t come onstage until Act 2 so I got to watch the masterclass Carol would put on every night from the wings. She is truly an angel and could not have been warmer or more lovely to this young college student. We also had one of those lovely only-in-live-theatre moments where a candle would not stay in the candle holder and her commitment to staying in character was nothing short of brilliant. She is every bit a professional and she could read the salads off of a menu and receive a standing ovation. You know you’re doing something magical when the city of Knoxville dedicates a day in your name.

JHP: What do you recall most about your time at UT?

THOMAS DeMARCUS: I had always been an excellent student but when I got to UT, my discipline turned wholly to the theatre department. I flung myself at every audition, took every theatre class, and treated my education as if I was at a BFA program versus a BA program. I couldn’t wrap my head around the need for an astronomy class or two semesters of French when all I really hungered for was more sonnets and more scenes. To say I regret my years at UT is misleading because the time I wasted there is through no one’s fault but my own. I learned a significant amount while I was there, but I could have been more upfront with what I was truly looking for. There’s a line from one of my favorite musicals, Passing Strange that says “Do you ever think it’s weird that your entire adult life is based off the decision of an 18-year old?” Sometimes I think college is wasted on the young and yet I don’t want this to come off as anti-college and certainly not anti-UT. I love Knoxville, I miss Knoxville and UT gave me so many opportunities. And storming the field after a victory over Florida ranks very high up on my greatest days list.

JHP: During your time at UT, you were involved in All Campus Theatre (ACT), a student-run troupe. What stands out in your mind about your time with ACT and what have you noticed about your time in this production at Act Too?

THOMAS DeMARCUS:  All Campus Theatre was a vital part of my undergraduate training. Because The University of Tennessee has a professional, resident theatre on campus (the magnificent Clarence Brown Theatre), there weren’t many opportunities for the undergraduates to be in mainstage productions. Outside of classwork, the well was fairly dry when it came to performance, design, or direction. ACT was completely student operated and became the secondary theatrical energy I was looking for. I remember we were all wide-eyed and ambitious as we would have Barefoot in the Park followed by One Flew Over the Cuckoo’s Nest. We were one of the first, if not the first production of Steve Martin‘s Picasso at the Lapin Agile after its New York run because we simply wrote him a letter asking for his permission (He agreed, and we had a gold chair reserved for him at every performance). What’s great about Act Too Players is I can see Sondra giving these kids such great opportunities they may not be getting elsewhere. It’s beautiful to see them dive into the work.

JHP: Ms. Trunchbull isn’t your first time to play a campy drag character onstage, having appeared in the National Tour of Spamalot, playing, among others, Dennis’ Mother. What are the best and worst aspects of tongue-in-cheek gender switched roles?

THOMAS DeMARCUS: The best part, other than perhaps an easy laugh, is the instant recalculation for the audience. There tends to be a double-take even if they know the drag is happening. They become more attentive as they try to figure out just what’s happening and what’s appropriate to laugh at or with. I’d say the worst part is there is always a tendency to over do the character. I have to remember that Agatha Trunchbull is a woman and nothing is particularly cartoonish about Agatha’s behavior in her mind. She may be brash and bold but it needs to come from a real place or the audience will know it’s all for show. The audience is always smarter than the actors.

JHP: Among your other theatre credits, you were also among the cast of the touring company of Peter and the Starcatcher. What was your favorite aspect of touring with that particular show? 

THOMAS DeMARCUS:  I LOVED That Company. Our time together was all too short as we only toured for three months. That show was the definition of ensemble and we only had about eight days to learn the Broadway version. If you assigned a color to everyone’s walking path onstage and put it on a chart it would make a fine Rorshach experiment.  Everyone is essentially onstage for the entire play and you cannot lose focus. You are constantly moving. One hour of every rehearsal was dedicated to cardio and circuit training. You might be part of a ship or part of a mirror or part of the crocodile or lifting this actor or catching this actor okay now put this coconut bra on because now you’re a mermaid!  You couldn’t have asked for a more committed group. That show is about trust and focus and sweat! We were lucky to have a few days with the late (and a true class act) Roger Rees, who directed the Broadway version.

JHP: You now call New York home. I imagine the young cast of Matilda have been full of questions about living in THE theatrical center of the world. What advice might you offer your young cast mates who are thinking of pursuing their theatrical dreams?

THOMAS DeMARCUS:  One of the first things I was asked was whether or not I had seen Hamilton and then I got to watch their jaw drop when I said I’d seen it three times. Being in NYC and being able to watch (and occasionally work with) some of the biggest names in theatre is a complete joy. I’m not always sure how to be an advisor for younger actors, but I suppose what I wanted to hear at their age was to always enjoy art.  Whether performing, volunteering, or just watching. Enjoy it. Theatre is so beneficial to a young mind. Not  becoming a dancer who can recite Shakespeare while belting Dear Evan Hansen. Those are all great, but theatre should inspire you, and cultivate your imagination and help you grow as an individual. Follow that dream. FOLLOW IT. Also, it really will help you with math. 

JHP: What do you see as the moral of Matilda?

THOMAS DeMARCUS:  Matilda might say it best herself: “Sometimes you have to be a little bit naughty.”   

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To catch Act Too Players & AT PRO getting a little bit naughty, be sure and get tickets to Matilda at Franklin Theatre from Friday, August 2 until Sunday, August 11. Opening weekend showtimes are Friday, August 2 at 7 p.m., Saturday, August 3 at 12 noon and 6 p.m. and Sunday, August 4 at 2 p.m. The show then continues the following week with shows Tuesday, August 6 thru Friday, August 9 at 7 pm., Saturday, August 10 at 12noon and 6 p.m. and Sunday, August 11 at 2 p.m. Tickets range in price from $15 to $49 CLICK HERE to purchase tickets and to view special ticket prices for the August 6 & 7 performances.

If you’ve enjoyed this Rapid Fire 20 Q, CLICK HERE to check out previous conversations. For more about Act Too Players, CLICK HERE and be sure and follow them on Facebook, Instagram, Twitter and YouTube.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.

On Monday, July 29th, members of Nashville’s theatre community will gather at Street Theatre Company (1120 Elm Hill Pike) at 6 p.m. to celebrate one of Music City’s true theatrical treasures, Martha Wilkinson as she and husband, Donnie Hall bid Middle Tennessee farewell. After three decades as an integral part of the performing arts landscape of Nashville and the surrounding area, including an astounding thirty year history with Chaffin’s Barn Dinner Theatre—twenty of which she served  as the company’s Artistic Director—Martha will be moving on to Harriman, Tennessee where she and Donnie will be working at the newly formed Three Rivers Theatre Company.

Over the weekend, I had the chance to chat with Martha for the latest installment of my recurring interview feature, Rapid Fire 20 Q. During our conversation, we touched on Martha’s earliest theatrical memories, some of her favorite roles, what brought her to Music City in the first place. We also spoke about her amazing theatrical career—thus far—and what the future holds for her.

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JHP: For those who may not know, you come by your love of performing naturally, you father having been an actor himself. Were you the type of kid who did ‘performance’ for family members any chance she got or were you more of an introvert? 

MARTHA WILKINSON: OH YES! I would put on the 45 record of Debbie Boone singing You Light Up My Life and perform it for my parents and their dinner party friends in front of the console stereo. I did that with  Hopelessly Devoted to You and There Are Worst Things I Could Do from the Grease movie soundtrack as well. Introvert is not part of my DNA lol.

JHP: When did you first step foot on stage? 

MARTHA WILKINSON: Besides elementary school pageants, Pippin when I was a freshman in high school. My pal, Nikki Hajosy encouraged me because she said ” you can sing so good!” So, I auditioned and I was cast in the chorus ( as we called it then) and the rest as they say is history!

JHP: Did you know from that moment that was the life for you? 

MARTHA WILKINSON: Immediately! the stage was, and of course still is, my favorite place to be. I absolutely love the palpable energy of it

JHP: From what I know, you grew up in Rome, Georgia. Were you involved in theatre there?

MARTHA WILKINSON: I was involved in my high school theatre program and then college program. I did not work for the community theatre there. I was also a lead singer for a cover band in high school, The Allies we called ourselves. So, when not in school plays I was with them doing gigs around town.

JHP: After college in Georgia, you attending North Carolina School of the Arts…I gotta know…was it like the movie and TV series FAME? 

MARTHA WILKINSON: YES! it was like a whole lil world in and of itself! I felt like Irene Cara! 😉 It was groovy! A day consisted of dance ( jazz and modern), voice class, stage combat and then the afternoon was a 3 hour intensive acting class. In the evenings we’d all hang out in the theatres and watch dance students rehearse. It was all art all the time!!

JHP: Following your education, it was on to Nashville to pursue a career in country music. What was your first impression of Music City? 

MARTHA WILKINSON: I grew up in Rome GA which was/is a small town…Nashville seemed HUGE to me, but I LOVED it! I had spent a lotta time in Atlanta growing up, so it wasn’t scary, I was thrilled to be there! When I moved, I knew two people in Nashville besides the producers on my demo.

JHP: OK, just between us…are there any bootleg recordings of Martha Wilkinson, aspiring country diva? 

MARTHA WILKINSON: Haha! yes, there are…

MARTHA WILKINSON: That is correct, Pam Atha as the choreographer and also a murderess

JHP: What do you remember about your first show at Chaffin’s? 

MARTHA WILKINSON: Well of course the magic stage!  And I just loved the people and thought it was an awesome place to work…it was comfortable.

JHP: Since that fateful night, you’ve been in more than 100 shows at Chaffin’s. Did you ever fathom being there thirty years, let alone becoming one of Nashville most well-known and beloved members of the theatre community? 

MARTHA WILKINSON: I did NOT ever fathom that! Haha! Best laid plans huh? I never had the dream to move to NYC but, I figured I probably would at some point. But the opportunity to work all the time was intoxicating! And a couple marriages kept me close to home too. 🙂

JHP: Do you have any favorite Chaffin’s roles that you remember especially fondly? 

MARTHA WILKINSON: Adelaide in Guys and Dolls, Annie Oakley in Annie Get Your Gun and Roxie in Chicago. 

JHP: Of course Chaffin’s wasn’t the only place you’d perform. What are among your favorite non-Chaffin’s roles? 

MARTHA WILKINSON: Mrs Lovett in Sweeney Todd, Ursula in The Little Mermaid, Mrs Potts in Beauty and the Beast, Joann in Company, Audrey in Little Shop…

JHP: OK, so when you and I chatted for a Rapid Fire Q&A about your recent star turn in Chaffin’s Kiss Me, Kate, we touched on the fact that you and Matthew Carlton had both done the show years ago. Are there any other shows from your past that you’d like the chance to revisit? 

MARTHA WILKINSON: Well, I’ve already revisited some… Steel Mags (3 x), Sweeney (2x) Pump Boys and Dinettes ( 3 x), Noises Off ( 3 x), Barefoot in the Park ( 2x), Rumors (2x)…blah blah blah 🙂 I’d love to do Ursula and Joann again.

JHP: While the bulk of your theatrical career has focused your attention here in Nashville, you’ve also ventured outside Music City from time to time, including critically acclaimed performances in Beauty and the Beast as Mrs. Potts and Ursula in The Little Mermaid. Is the energy of an audience who may not be as familiar with you as your longtime home audience at Chaffin’s any different? 

MARTHA WILKINSON: It is different but in a very good and gratifying way. When they enjoy my performance, I know they’re enjoying my talent for my ability, not just because they know me as “Martha and she’s always good.” It’s reassuring from time to time to be reminded “I still got it!” lol

JHP: What are some of the craziest things that’s happened to you during a performance? 

MARTHA WILKINSON: Oh my… well, a drunk patron threw a doubles glass at me and Brian Russell back in 1990, my skirt fell off during Newsies one night and my strapless dress came down one night in a Christmas show and well, the audience got “two” special presents, an audience member walked across the Barn stage in the middle of a scene to go to the bathroom… :b

JHP: While those may be the craziest, in my humble opinion, your brilliant turn as Mrs. Lovett in Nashville Repertory Theatre’s Sweeney Todd has to rank among your best. To what do you attribute the magnificence of that performance in that particular show? 

MARTHA WILKINSON: I just connect with that character- not that I wanna make pies outta people lol, but the theatricality of her, the humor, the communicating mostly thru song… it’s just everything to me. I’m always happy to be on stage but I’ve  never been happier on stage than in that show.

JHP: That role also garnered you accolades as Best Actor in both The Tennessean and Nashville Scene’s readers poll. Adding to your many First Night awards. Where do you keep them? 

MARTHA WILKINSON: I’m not much of a “show off” of things… but, the mrs Lovett one is on my shelf in my office as is my first night honors medal which is in a shadow box frame

JHP: It was recently revealed that you’ve decided to leave your post as Chaffin’s Artistic Director. How difficult was it to make that decision?

MARTHA WILKINSON: EXTREMELY difficult! I’ve cried A LOT! lol  I literally grew up there. I mean, 31 years is a long damn time! I attribute so much of who I am as a performer to the support and opportunities the Chaffin’s gave me. But, like all good things, it was time for a change. I really feel I had achieved what I hoped to achieve there as an Artistic Director and it was time to pass on the baton. 

JHP: Looking forward, you’ve taken on a new position as Managing Artistic Director of the newly formed Three Rivers Theatre Company in East Tennessee. Your husband, Donnie Hall joining the theatre team as Producer. How excited are you for this new chapter in your theatrical career? MARTHA WILKINSON: SOOOOOO EXCITED! Oh my goodness! Its a dream come true actually. Something Ive thought about for a long time; moving to a small town and starting a community theatre and sharing what Ive learned with others eager to explore the arts. AND, I get to do it with this handsome smart funny hubs of mine! Lucky much? God is good! The community is VERY excited too and the venue, Princess Theatre, is GORGEOUS!

JHP: Dang…twenty questions seems like a lot, unless I’m chatting with someone I’ve gotten to know and admire over the years, so I’m gonna cheat a little and make this last one a two-parter… 1) What are your hopes for your new theatrical home at Three Rivers Theatre Company? 

MARTHA WILKINSON: That the events and arts education we provide, for children and adults, will contribute to the growth of commerce and appreciation of the arts in Roane County- to be a strong member of this community.  I cannot wait to see it grow and flourish. 

JHP: AND….2) What are your hopes for your beloved 30-year theatre family in Nashville? 

MARTHA WILKINSON: I want them to SOAR and work all the time, be happy, grow and come visit me.

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Martha’s Middle Tennessee friends and fans won’t have to travel to East Tennessee just yet. As luck would have it, before she announced her upcoming move, she was cast in Studio Tenn’s upcoming 2019/2020 season opener, Mamma Mia, on stage at Jameson Theatre at the Factory in Franklin August 16-September 5. Martha will be playing Rosie, the free-spirited longtime friend and fellow Dynamo, joining Melodie Madden Adams as Tonya and Erica Aubrey as Donna. CLICK HERE for tickets. Then it’s on to Harriman, TN’s historic Princess Theatre for what Martha promises to be a great upcoming theatre season. CLICK HERE to purchase tickets for Three Rivers Theatre Company’s August 10 screening of the classic film, The Wizard of Oz or for tickets to their three day runs of the stage musical, Smoke On the Mountain.

To keep up with Martha and all things Three Rivers Theatre Company, like them on Facebook or CLICK HERE to join their email list.

Interested in coverage for your latest entertaining endeavor? Click the contact page and drop me a note. You can also follow JHP Entertainment on Instagram and Facebook.

The many faces of Martha Wilkinson