Broadway at TPAC

Theatre Review: With an Electrifyingly Youthful Cast, ‘The Outsiders’ Indeed Stays Gold; at TPAC thru Sunday, October 19 as National Tour Continues

October 17, 2025 by Jonathan

From the moment the house lights dimmed in TPAC’s Jackson Hall on October 14, the national touring production of the Tony-winning Best Musical, THE OUTSIDERS made it abundantly clear: this is much more than nostalgia, more than adaptation — it is an emotional lightning strike. If Opening Night of the show’s six night Nashville tour-stop in Music City is any indication, the show promises to bring Tulsa’s Greasers and Socs to life with gritty heart, physical daring, and a musical pulse that lingered long after the final bow.

Based on S.E. Hinton’s seminal 1967 novel and a more than noticeable nod to the beloved 1983 Francis Ford Coppola directed film, that starred a who’s who of Hollywood up-and-comers including C. Thomas Howell, Matt Dillon, Tom Cruise, Diane Lane, Ralph Macchio, Patrick Swayze, Rob Lowe & Emilio Estevez, THE OUTSIDERS is a coming-of-age tale rooted in class divides, brotherhood, trauma, and the fragility of youth. The touring production, carrying the same Tony-winning creative team behind the Broadway show—director Danya Taymor, choreography by Rick & Jeff Kuperman, design courtesy the design collective AMP featuring Tatiana Kahvegian—hooks into the source material while carving out a new theatrical identity.

As is always the case, whether the story unfolds on the pages of the original book, or the aforementioned star-packed 80s now-classic cinema, the heart of THE OUTSIDERS always lies rests on the young shoulders of Ponyboy, Johnny, and Dallas — and in this magnificent tour cast, they are delivered with conviction.

Ponyboy Curtis (played by Nashville’s own Nolan White) is an earnest center. His vulnerability is palpable: you feel his longing, his anger, his fear. The softer, more introspective moments become small victories of clarity. When Ponyboy admiringly watches Paul Newman on the movie screen, dreaming of escaping his current us-vs-them small-town life, he’s instantly relatable to anyone who grew up unsure of what the future holds for them. When he recites Robert Frost’s Nothing Gold Can Stay, there’s not a dry eye in the house. Such emotion from such a young man is breathtaking. Later, when confronting what it means to “stay gold”, White again proves talent beyond his years. As I watched his performance on Opening Night of the Nashville dates, I marveled as the depth of his performance.

Johnny Cade (Bonale Fambrini) brings quiet intensity. His internal fragility — the sense that one more blow could break him — is juxtaposed with flashes of courage, especially in the church escape and later in his struggle to be seen. The camaraderie between Fambrini and White as Johnny Cade and Ponyboy Curtis is so believable, you just know these two young actors are forging a lifelong bond as friends on and off-stage.

Dallas Winston as portrayed by Tyler Jordan Wesley is swagger and sorrow intertwined. When the script calls for it, he roars like a lion, conversely, when necessary, he retreats far into himself, caught between angry rebellion and fracturing grief. In the inevitable climactic moments (surly by now we’ve all read the book or seen the movie), his breakdown feels earned — not sensational, but visceral, and sadly necessary.

The supporting ensemble (Sodapop, Two-Bit, Cherry, Bob and the rest of the Greasers and the Socs) feels fully realized. Corbin Drew Ross’s Sodapop Curtis, a standout, has infectious warmth, and yes, there’s no denying he looks the part, too. When he takes off his shirt early on in the show, I’m pretty sure I heard audible gasps as he revealed his sleek physique. I even asked my date for the evening (a dancer, herself) if she knew if he was a dancer or not. I also gotta mention Ross’s speaking voice. Meek and unassuming, I swear he’s having fun with the audience seeing if we think he sounds like Charlie Hunnam’s soft-spoken version of Ed Gein, but I digress.

As Cherry, Emmy Hearn soars, especially in moments where she bridges the divide between Socs and Greasers. A Cherry’s Socs steady, Bob, Mark Doyle paints the perfect high school bully and personification of thorn in Ponyboy’s life. Travis Roy Rogers’ Darrel Curtis, the eldest of the Curtis boys, finds a perfect balance between forced adulthood as the unplanned patriarch of the family, while simultaneously exhibiting his own self-doubt and unrealized dreams. Jaydon Nget’s Two-Bit brings a subtle but studied undertone to the wisecracking youth.

The structure propels you forward. With rapid scene changes, interwoven monologues and dreamlike transitions, it is never dull. The minimal scaffolding, projections, and shifting platforms keep the world lean yet alive. A perfect metaphor for the young cast themselves, lean, strong, always moving forward and alive. Interestingly, even before checking the Playbill and seeing that Kahvegian is credited as having created the scenography, I whispered to my date for the evening that I was coining a new term setography, because even when wood planks, tires, and various other elements of the minimal set were moved between scenes, they were done so-by the cast, no less- with such precisions and grace that the we at once unnoticeable, yet seamlessly part of the overall choreography of the piece

Coining another term, the fightography, especially in the pivotal confrontation between the Greasers and the Socs, is now the most beautiful movement I’ve ever seen on the stage. That honor, previously held by the quick/sharp jazz movement of the fight between West Side Story’s Sharks and Jets, no fully belongs to THE OUTSIDERS’ Greasers and Socs. Magnificently aided by Brian MacDevitt’s impactful lighting design, Cody Spencer’s chillingly vibrant sound design, Jeremy Chernick and Tillis Meeh’s mood-intensifying special effects design, the aforementioned AMP featuring Tatiana Kahvegian’s Tony-nominated scenography, and choreography by Rick and Jeff Kuperman, the fight choreography — punches, tumbles, and heart-pounding tension the show is choreographed to haunt, with no detail unattended. Slow-mo momentary freezes, punctuated by lighting cues, thunderous sound and an on-stage downpour, create a scene like none ever witnessed. A hauntingly perfect moment that’s likely forever etched into memory.

With a score by Jonathan Clay and Zach Chance, known collectively as folks duo Jamestown Revival, and Justin Levine, who also wrote the book of the musical, the score of THE OUTSIDERS fully embraces the rural small-town setting. Heck, the first number set the tone and time with the aptly named Tulsa ’67. THE OUTSIDERS score isn’t one that you’re likely to be humming after the show’s over. But, in the moment-while watching the story of young people trying to figure out who they are in their world as they struggle with inherent class division, sadness and expectations-realized or dreamed-the musical numbers perfectly propel the story, the emotion and the hopefulness of the characters. Fans of the novel might know that Ponyboy is reading Gone With the Wind. For the musical adaptation, Margaret Mitchell’s classic has been replace, dare I say, more fittingly, with Charles Dickens’ Great Expectations. To that end, Great Expectations, an impressive all-in musical number midway through Act 1, as lead by White’s Ponyboy, becomes a pivotal point as the audience fully realizes how trapped our antihero feels. Act 2’s Soda’s Letter, performed by Sodapop (Ross), Darrel (Rogers) and Ponyboy (White), in its raw, revealing, secure-in-their-masculity brotherhood realness, proves a tender audience favorite. Dallas (Wesley) and the company’s Little Brother, the perfect eleventh hour soulful and soul-gripping emotional melody. Of course you can’t have a THE OUTSIDERS musical without paying tuneful homage to the phrase “Stay Gold”. That said, the show’s final number, Stay Gold featuring White’s Ponyboy and Fambrini’s Johnny lyrically recounts the action of the story, reiterated Johnny’s wish for his friend and just like the precious metal referenced in the phrase, reflects brightly the beauty of friendship.

THE OUTSIDERS National Tour continues at TPAC’s Jackson Hall with a Friday evening performance, matinee and evening performances Saturday and Sunday. CLICK HERE to tickets and showtime details.

Having officially kicked off the National Tour in Tulsa (appropriately enough) just last month, following its Music City dates, THE OUTSIDERS tour continues with a four-city Texas tour in Austin, San Antonio, Dallas and Houston, then it’s on to Atlanta, GA, Durham, NC, Greensboro, NC, Orlando, FL, Tampa, FL, St Louis, MO and more through September of 2026. CLICK HERE for specific dates and the full tour schedule. Of course THE OUTSIDERS is still enjoying a hugely successful Broadway run at the Bernard B. Jacobs Theatre, so if you’re in New York, CLICK HERE. To keep up with the latest from THE OUTSIDERS, follow them on Insta, Facebook, Threads and YouTube.

Following THE OUTSIDERS, TPAC’s Broadway Season continues with the return of a favorite, Disney’s BEAUTY AND THE BEAST with an extended run November 4-16. CLICK HERE for tickets and showtimes. You can also follow TPAC on Insta, X, YouTube and Facebook.

As always, if you wanna follow JHPEntertainment to find out who we’re chatting with for my next Rapid Fire Q&A, or for our take on the latest local and national theatre, music and movie offerings, find us on Facebook, Insta and Twitter.

Rapid Fire 20Q with cast members of ‘MJ: The Michael Jackson Musical’; National Tour at TPAC’s Jackson Hall through May 11

May 10, 2025 by Jonathan

The term soundtrack of a generation might be overused, but with a solo career that spanned 45 years and included 13 number-one hits, 30 top ten singles, six decades of hits as an artist, 8 Grammys, and 26 American Music Awards…just to name a few accolades…it’s easy to say that Michael Jackson not only provided the soundtrack of a generation, but of GENERATIONS! That said, when I heard that the four-time Tony-winning Broadway musical, MJ: THE MUSICAL National Tour was headed to Music City, playing TPAC’s Jackson Hall thru May 11, I knew I had to chat with members of the company for my latest Rapid Fire 20Q. When I reached out to my TPAC contact, I found out I would be chatting with Anastasia Talley who plays Jackson’s Mom, Katherine Jackson, J. Daughtry who takes on the role of Motown hitmaker Berry Gordy, JoJo Carmichael, the company’s Dance Captain and Nashville’s own, Devin Bowles, who stars as Jackson family patriarch, Joe Jackson, so I knew these interviews were sure to be a Thriller!

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RAPID FIRE 20Q WITH CAST AND CREATIVES OF MJ: THE MUSICAL NATIONAL TOUR

RAPID FIRE WITH DEVIN BOWLES, JOE JACKSON IN MJ: THE MUSICAL

JHPENTERTAINMENT: You play Joe Jackson, the patriarch of the Jackson family in MJ: THE MUSICAL. What can you tell me about Joe, as he is written in the show?

DEVIN BOWLES: Joe Jackson is the Sun and everyone else and every thing navigates around him. We see the dominate and influential grip that he had on Michael and the remanence of his teachings. The environment that Joe created for his family was very controlling, abusive, and filled with mental schemes but all stemmed back to a tough love ideology that we showcase in this show.

JHPENTERTAINMENT: Devin, I gotta tell you, when I heard you were joining the tour as Joe, I was so excited. It’s always fun for me seeing actors I knew from the local theatre scene go on to bigger things. Heck, I recall seeing you in shows at Chaffin’s Barn Dinner Theatre and Studio Tenn. What’s most exciting about returning to Nashville for a tour stop at TPAC?

DEVIN BOWLES: It’s truly so surreal being back in Nashville! This city is where I began my professional career, it’s where my found my first community of artist, it’s the soil that ignited the ambition to be where I am now and to keep going. From Chaffin’s and to Studio Tenn, it’s a reminder of the power of manifestations, prayer, and full circle moments. I’m excited to continue to expand my artistry and career with this show and furthermore.

JHPENTERTAINMENT: As expected, the show is overflowing with classic MJ tunes. A few lesser-known Jackson songs are also among the mix. Money, a track from 1995 release HIStory: Past, Present and Future, Book I is one that you’re featured on. What’s the significance of this song appearing in Act 2?

DEVIN BOWLES: There’s for sure some songs that wasn’t too known me when I began this journey, Money was also one of these songs. In this show, Joe sings about Money as substance that controls people and with that, he compares himself to it. He believes he owns Michael and is proclaiming that he will do anything for him and for the product he is trying to make.

JHPENTERTAINMENT: Having been with the tour since the onset back in August of ’23, as Joe, you share the stage with all the actors portraying Michael at various points in his life. The current lineup includes Jordan Markus as MJ, Deaundré Woods at MJ (Alternate), Erik Hamilton as Michael and Quentin Blanton Jr. and Bane Griffith sharing the role of Little Michael. Using one word each, how would you describe the actors playing Michael?

DEVIN BOWLES:

Jordan Markus- Powerhouse

Erik Hamilton-Consistant

Dre Woods-Mastermind

Bane Griffith-Iconic

Quentin Blanton Jr.-Light

JHPENTERTAINMENT: As I mentioned earlier, you’re current Music City dates mark a homecoming for you. What are a couple of the ‘Must See’ Nashville things you hope to share with your cast mates while in town?

DEVIN BOWLES: I have already shared a list of restaurants, bars, lounges, and just all around great spots with the cast. I’m definitely going to dive into the food here that I have missed while being on the road, there’s nothing like it.

RAPID FIRE WITH JOJO CARMICHAEL, MJ THE MUSICAL’s DANCE CAPTAIN

JHPENTERTAINMENT: For those who might not be fully familiar, what exactly does being Dance Captain for MJ: THE MUSICAL entail?

JOJO CARMICHAEL: A number of responsibilities come with being dance captain for MJ: THE MUSICAL. One of them being, upholding the integrity of the choreography that we were taught day one. This can be married to making sure everyone is moving as one and the visuals are clean, clear and effective. I am also a swing, so I have the opportunity to perform. When new cast members join our company, I assist in teaching them the show. And I also teach classes across the country that are inspired by the movement we do in the show which I thoroughly enjoy. I’ve been able to learn so much through this position, as dance captain, and it is an opportunity I don’t take lightly.

JHPENTERTAINMENT: It’s not a stretch to say that Michael Jackson might be the most iconic pop star with some of the most memorable dance sequences ever. Is there a choreo moment in the show that you absolutely love performing night after night?

JOJO CARMICHAEL: My favorite number to perform would have to be the Fosse sequence into Smooth Criminal at the top of act two. There’s a sense of ferocity intertwined with mystery that comes with the movement which I find so fun to play with. Considering that it’s the only number in the show where it’s just MJ and the dancers on stage, it introduces a different energy to the show as well.

JHPENTERTAINMENT: When did you know a career in movement was the life for you?

JOJO CARMICHAEL: Around eighth grade is when I started to look at dance as a professional career. For the longest time, I wanted to be a neurosurgeon and dance was just gonna be a hobby or side hustle. So my Mom arranged a conversation with a neurosurgeon who was in their residency at the time, and they shared with me that it’s about fifteen years of schooling. I couldn’t compute how to go to school for that long and still dance, so I chose dance and never looked back.

JHPENTERTAINMENT: One key element of MJ: THE MUSICAL is the family. Michael always had his family whether onstage as part of The Jackson 5 to their behind-the-scenes support. You always hear that theatre is family, too. I’d imagine that sense of family is only amplified on a National Tour, traveling together, performing together and likely spending off-hours together. What does the family aspect of tour life mean to you?

JOJO CARMICHAEL: On tour we only have each other. We celebrate birthdays, we console and support each other through hardships. We look after each other as if we are family. And this cast and crew is truly a beautiful group of human beings that I am proud to call family. In general, family is something that I heavily value and prioritize in my life. So, to now have this connection with my cast is one thing I’m most grateful for MJ: THE MUSICAL bringing into my life.

JHPENTERTAINMENT: In addition to being Dance Captain, you’re also Swing, meaning you cover a multitude of roles stepping in to fill in when a member of the ensemble is out. What’s the most fun aspect of being Swing for a show like MJ?

JOJO CARMICHAEL: The most fun aspect of being a swing for this show is simply sharing the stage with this cast. We have a lot of fun up there. Even when we’re tired we find ways to lift each other’s spirits or make someone laugh. Being a swing also keeps my mind working, attentive and requires me to stay present which I find just as enjoyable as it is challenging.

RAPID FIRE WITH J. DAUGHTRY, BERRY GORDY/NICK in MJ: THE MUSICAL

JHPENTERTAINMENT: What can you tell me about your dual roles as Berry Gordy and Nick in MJ: THE MUSICAL?

J. DAUGHTRY: Nick is a savvy tour manager keeping things on track during rehearsals for Michael Jackson’s 1992 Dangerous World Tour. As Berry Gordy, I appear in flashbacks as the legendary founder of Motown Records—the man who first recognized young Michael’s extraordinary talent. Both roles highlight the forces shaping Michael’s artistic journey, from the business demands of the present to the mentorship and music legacy of his past.

JHPENTERTAINMENT: How did you come to be part of the tour?

J. DAUGHTRY: I love the Motown story in fact the music is a part of the fabric of my life. So anytime there is a show related to Motown I make sure I audition. There was a position opening up on Broadway and I threw my hat in the ring. I didn’t get the role on Broadway but I was blessed with the tour.

JHPENTERTAINMENT: There are so many Michael Jackson looks, from his preteen natural hair and bellbottoms during the Jackson 5 era and his red leather Beat It jacket to single gloves and military-style regalia. Do you have a favorite wardrobe moment represented in the show?

J. DAUGHTRY: Absolutely! There are so many but surprisingly my favorite looks of MJ in the musical are when he’s in a simple blue silk shirt, white tee shirt and black slacks with the iconic loafers.

JHPENTERTAINMENT: As I indicated in my intro to this piece, Michael Jackson’s music can truly be called the soundtrack of a generation. Which era is your favorite and why?

J. DAUGHTRY: I am an 80’s baby so I quite literally grew up on his music. I would have to say the Jackson 5 music is my favorite only because it’s what I grew up on.

JHPENTERTAINMENT: Is there a song included in the musical that you weren’t as familiar with that you are now obsessed with hearing night after night?

J. DAUGHTRY: Yes, Keep the Faith. I had never heard the song and now it is a moment of inspiration.

RAPID FIRE WITH ANASTASIA TALLEY, KATHERINE JACKSON IN MJ: THE MUSICAL

JHPENTERTAINMENT: Who is Katherine Jackson to you?

ANASTASIA TALLEY: Katherine Jackson is the matriarch of the Jackson family and the mother of one of the greatest artists of our time. She is an undeniable source of love and compassion, and Michael Jackson was vocal about the influence she had in his life. This is portrayed beautifully in her song with MJ in the show.

JHPENTERTAINMENT: Having been a fan of the Jacksons pretty much my whole life, I have this image of Katherine as the quieter, supportive parent, whereas Joe always seems to be portrayed in the media as the more business-oriented force behind the family. As she’s written in MJ: THE MUSICAL, what’s the most surprising aspect of Katherine’s persona that you’ve discovered?

ANASTASIA TALLEY: While it’s perhaps not surprising, I find myself deeply moved by the quiet but profound love she shows for her son and his artistry. Though often imagined as the reserved, supportive parent, the depth and fierceness of her devotion are portrayed with such clarity that it catches me off guard every time. There is a quiet power in her presence — deliberate, unwavering, and fiercely tender — and that quiet strength lingers with me more than I expect.

JHPENTERTAINMENT: Speaking of Joe, to kick off this Rapid Fire 20Q, I chatted with Devin Bowles, who plays your on-stage husband. What’s it like sharing the stage with Devin night after night?

ANASTASIA TALLEY: It is an absolute joy to share the stage with Devin. He is an incredibly curious, compassionate, and growth-focused human being, and it truly shines through in his acting. His generosity as an actor is tremendously grounding, and that generosity serves as the perfect inspiration for the cast to discover and rediscover the scenes every night. Side note: Devin Bowles is HILARIOUS offstage! He also treats everyone with genuine warmth and care. A true class act.

JHPENTERTAINMENT: As Katherine you’re featured in Act 1 alongside Little Michael and MJ on I’ll Be There, one of The Jackson 5’s more poignant songs. What does that scene and that song mean to you?

ANASTASIA TALLEY: I have sung that song literally hundreds of times with the show, and the way the meaning of the song deepens and changes never fails to astound me. The song is such a powerful display and vow of love. It’ is also a promise to show up, not just in words, but in action, for the people you love. It is a reminder that love is a verb. It is also a decision. I think the lyrics of the song depict that truth beautifully.

JHPENTERTAINMENT: What do you hope audiences come away remembering long after they’ve seen MJ: THE MUSICAL?

ANASTASIA TALLEY: I hope audiences remember the artistry, the music, the history, and the call to action: make the world a better place through change.

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MJ: THE MUSICAL wraps its two-week engagement at TPAC’s Jackson Hall with performances through May 11. CLICK HERE for tickets. While MJ: THE MUSICAL closes out TPAC’s current Broadway at TPAC season, there’s no stopping the art and entertainment. Among TPAC’s upcoming events: the annual Spotlight Awards: Nashville High School Musical Theatre Awards takes to the stage May 17. TPAC presents Paul Taylor Dance Company May 30-31, CAMP TPAC returns with theatre-centered intensives for various ages throughout June, plus much more entertainment throughout the summer. TPAC’s Broadway at TPAC 2025-2026 Season kicks off September 23-28 with THE WIZ. For more on these and all TPAC events, CLICK HERE. You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

Following it’s Music City dates, MJ: THE MUSICAL continues its National Tour with performances in Fort Worth, TX May 13-18, Fayetteville, AR May 20-25, Milwaukee, WI May 27-June 1, Appleton, WI June 3-8 and more. For the full schedule of dates, or to purchase tickets in your city, CLICK HERE.You can also follow MJ: THE MUSICAL on their socials, so check them out on Facebook, Bluesky, Insta, YouTube and TikTok.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with ‘KIMBERLY AKIMBO’ stars Carolee Carmello, Jim Hogan, Emily Koch and Darron Hayes as National Tour continues; at TPAC’s Jackson Hall beginning April 8

April 7, 2025 by Jonathan

KIMBERLY AKIMBO, a musical story of a young woman with a disease that rapidly ages her, who, instead of giving up, decides to live her life to the fullest every day. With book by David Lindsay-Abaire (based on his earlier comedy play of the same name) and music by Jeanine Tesori, the original Broadway run garnered the show eight Tony nominations, taking home five, including Best Musical. When the National Tour was announced, three-time Tony nominee Carolee Carmello was cast in the lead role as 16-year-old Kimberly, alongside five understudies of the original company.

As the cast and crew of KIMBERLY AKIMBO readied themselves for their Nashville debut, with performances at TPAC’s Jackson Hall April 8-13, I recently had the chance to pose a few questions to the show’s lead actress Carolee Carmello and her fellow cast members Jim Hogan, Emily Koch and Darron Hayes for the latest installment of my recurring interview feature Rapid Fire 20Q. What follow are those conversations.

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RAPID FIRE 20Q WITH CAST OF KIMBERLY AKIMBO; AT TPAC APRIL 8-13

RAPID FIRE Q&A WITH JIM HOGAN, BUDDY IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Buddy, the character you play in KIMBERLY AKIMBO?

JIM HOGAN: Buddy is our protagonist, Kimberly’s, troubled (and loving) father who just can’t seem to get it right despite his best (and worst) efforts.

JHP ENTERTAINMENT: While the tour began in September of last year, you have been part of the KIMBERLY AKIMBO family since late 2022 when you joined the Broadway company as standby for Buddy. In the two years since you’ve been associated with the role, has your approach to the character changed?

JIM HOGAN: I don’t think I’d say changed as much as I’d say grown. Being able to play Buddy night after night as opposed to the occasional nature of being a standby has heightened my sense of truth within his words and actions, despite how complicated they can be. I’m truly grateful to get to step into his Reeboks every night.

JHP ENTERTAINMENT: Prior to joining this show, you previously toured with WAITRESS and PHANTOM, so tour life has been part of your life for a decade now. What’s your favorite thing about life on the road?

JIM HOGAN: I LOVE touring. There’s something so special about it, and I hope every performer, both professional and aspiring, gets the chance to do it. I’d say my favorite part is exploring each city, but specifically trying each city’s unique cuisines.

JHP ENTERTAINMENT: Speaking of life on the road, in another lifetime, I too spent a couple years traveling from town to town during the original first two seasons of AMERICAN IDOL as part of the production. My main gig was registering hopefuls as they readied auditions for then-judges Randy Jackson, Paul Abdul and Simon Cowell. I bring this up because when I was told I’d be chatting with you for this Rapid Fire 20Q featuring members of the National Tour of KIMBERLY AKIMBO, I immediately recognized your name as being part of the vocal group T3 who appeared during 2021’s Season 16 of AMERICA’s GOT TALENT. So a two-parter…What’s your fondest memory of your time on AGT? AND…What’s going on with T3 now?

JIM HOGAN: That’s so cool!! We have a Simon Cowell connection 😅 T.3 had a blast on AGT, I’d say our favorite part was getting to meet and learn from everyone involved: the celebrity judges/host of course, but the artists/performers within the show and those backstage perhaps even more. It was a very eye-opening and important part of T.3’s creation and a great stepping stone to get us to where we are today! We are actively releasing new music, our viral cover of Imogen Heap’s “Hide and Seek” will be available on streaming shortly, and we tour all over the country whenever our schedule allows! We are releasing our biggest tour schedule yet in the coming weeks, so be on the lookout to see T.3 near you in August and September of this year 🙂

JHP ENTERTAINMENT: Back to KIMBERLY AKIMBO, Within the context of the show, even though Buddy is Kimberly’s father, he’s not exactly the ideal dad, and the roles seem a bit reversed at times. What’s your favorite aspect of exploring this dynamic with Carolee Carmello on stage night after night?

JIM HOGAN: Well first of all, Carolee is incredible in this part and it’s been an honor to act alongside her every night. As far as Buddy’s complexities go, I have always felt like I know him. For better or for worse, but I think more people are like Buddy than they would care to admit. I think that’s been the biggest thing, is tapping into the parts of myself that maybe I don’t love so much. But that in itself, has been healing.

RAPID FIRE Q&A WITH EMILY KOCH, DEBRA IN KIMBERLY AKIMBO

JHP ENTERTAINMENT: What can you tell me about Debra, the role you play in KIMBERLY AKIMBO?

EMILY KOCH: Debra is a bold, brash, fabulous woman. She might be involved in some unsavory activities but she knows how to get what she wants by any means necessary. She also, most importantly, adores her niece, Kim and wants her to have the best life she can. I love getting to play someone so sure of themselves, it’s inspiring.

JHP ENTERTAINMENT: Your show bio reveals that Jim Hogan, who plays Buddy, has been your boyfriend in real life for seven years. If my math is mathin’, that means you two began dating while you were both on tour with WAITRESS. Even though I’d love to know the worst, I’ll play nice and ask…What’s the best part of sharing scenes with your actual love interest AND having them on the road with you?

EMILY KOCH: Your math is mathin’! That is where we met. I’m being totally honest when I say, there really isn’t a worst part. Jim and I have both worked a lot separately and together and both done multiple tours so we just know how to do it well, so, knock on wood, we haven’t had any problems out here. We also just really deeply get along and respect each other’s work. It’s also been fun to play people who don’t like each other in the show. Maybe that’s why we are so happy, we work it all out on the stage!

JHP ENTERTAINMENT: During the Broadway run, you were standby for both Debra and Patti. How excited were you when you learned you’d been cast as Debra for the tour?

EMILY KOCH: I was ecstatic. Being the avid theatre fan that I am, learning you’re gonna lead a David Lindsay-Abaire and Jeanine Tesori musical is like winning the theatre lottery. I have to admit when I got cast on Broadway, I considered my time there as an extended audition for the tour. I just had never loved a show so much and wanted to be a part of it for as long as I could. I was also hoping Jim would get cast and he got the call from him agents about five minutes after me. Needless to say, it was an awesome day for our household. We drank champagne at noon.

JHP ENTERTAINMENT: From what I hear, there’s a few minor differences as far as staging and such from the Broadway run. Among the changes, Aunt Debra now skates. I gotta know, was skating already among your ‘special skills’ and what all was involved in brushing up on your technique during the rehearsal process of KIMBERLY AKIMBO?

EMILY KOCH: Yes,Debra does skate! I think the reason that change happened is because when I was covering on Broadway, I had to skate as Patti, so they knew I could already do it. Skating was definitely not a special skill of mine, but I do love to watch it and always have. We got to take a few lessons on actual ice for Broadway and Tour which was helpful and fun, and we do a cast “skate call” three times a week so now I think we all feel pretty comfortable out there.

JHP ENTERTAINMENT: Having previously toured with WAITRESS and WICKED, when you find yourself coming back to cities you’ve previously visited, do you try to revisit spots you enjoyed before, or do you try to scope out new things in now-familiar cities? Oh, and by the way, I hear The Escape Game Nashville in my little neighborhood of Berry Hill is quite fun, so…you’re welcome!

EMILY KOCH: Thank you so much for the rec! Escape rooms are such a good tour activity! And yes, that’s my favorite thing about tour honestly, is going back to my old haunts in all these awesome cities. They fully transport me to how I felt the last time I was there and I love that feeling. Aside from Memphis, TN, I have played every single city we are going to in this first year and I’m so happy to return to all of them.

RAPID FIRE Q&A WITH DARRON HAYES, MARTIN IN KIMBERLY AKIMBO

JHPENTERTAINMENT: Who is Martin?

DARRON HAYES: Martin is a star to be. He’s one of the teens in show choir who’s in a sticky love square, but knows there’s a beautiful and fulfilling life awaiting him outside of New Jersey.

JHPENTERTAINMENT: Like a number of your tour mates, you were also part of the Broadway cast of KIMBERLY AKIMBO. Has that fact aided in the company feeling like family as you’ve all taken the show on the road?

DARRON HAYES: Yes, it’s been so nice to return to Kimberly Akimbo with familiar faces and relationships. We get to tell this incredible story in a slightly different way with some great new faces as well!

JHPENTERTAINMENT: During your time with the Broadway production, you understudied the roles of Martin, Aaron and Seth. If a bit of internet sleuthing proved useful, it was March of last year that you made your Broadway debut as Martin. What was that moment like AND…how has your interpretation of Martin changed now that he’s yours completely?

DARRON HAYES: My Broadway debut, that happened almost a year ago today, was the most magical night of my life thus far. I’d worked for and hoped and dreamed of this moment my entire life. And when it happened, I thought… Here we go. This is just the beginning. Keep going, grasshopper, and I’m so proud of you! What has changed about me playing Martin full time now, is that I’m allowed to take full ownership of my interpretation, rather than feeling like I need to figure out how I fit in, what can sometimes feel like someone else’s play.

JHPENTERTAINMENT: Alright, when I chatted with Jim Hogan earlier, I asked him a bit about T3 and his experience on AGT. As I confessed to him, I worked on the original AMERICAN IDOL back in the day, so when I discovered you auditioned for IDOL a couple years ago, I knew I had to ask you about that experience. What did you use for your audition song?….AND…Have you and Jim ever compared ‘reality competition tv’ notes?

DARRON HAYES: We haven’t had the chance to compare our experiences yet, but maybe now we will. And I sang All I Do by legend, Stevie Wonder. And my experience with AMERICAN IDOL was interesting. I took it for what it was, met some insanely talented singers, and learned what I could from that unique experience!

JHPENTERTAINMENT: IS there a theme or idea presented in KIMBERLY AKIMBO that you find yourself consciously or unconsciously being more mindful of in your off time?

DARRON HAYES: ABSOLUTELY! As Crazy as Aunt Deb is, she never lied. Life is gonna life, and sometimes you aren’t dealt the best stack of cards. But to me, life is about looking at what you DO have control over. What decisions and choices can I make for a better outcome? Or to be more fulfilled? So the song Better is basically my motto for life.

RAPID FIRE Q&A WITH CAROLEE CARMELLO, KIMBERLY IN KIMBERLY AKIMBO

JHPENTERTAINMENT: OK, before we get into talking about KIMBERLY AKIMBO, I’m just gonna fanboy a bit. I’ve enjoyed your work since your stint as Maple LaMarsh on AMC’s comedy series Remember WENN? What do you remember most about your time on that series?

CAROLEE CARMELLO: CAROLEE CARMELLO: That show was a dream come true for me! I loved the scripts (by the brilliant Rupert Holmes) and I loved the 40s costumes and hairstyles (despite the fact that I didn’t wear a wig and all that hair spray definitely took a toll on my hair). Plus the cast was so talented!

JHPENTERTAINMENT: Now, on to KIMBERLY AKIMBO…From the start, what do audiences need to know about KIMBERLY, the show…and the character?

CAROLEE CARMELLO: I love the show! So smartly written, so funny, so touching … it really is the kind of musical I enjoy watching because it gives you ALL the feels! And the character I play is so positive, despite all of her many challenges. I learn a lot from Kimberly every night!

JHPENTERTAINMENT: If my research and memory serve me right, you’ve been in something like 16 Broadways shows, received three Tony nominations, and KIMBERLY marks your 7th national tour. Revisiting your incredible body of work, I was reminded of something my now-90 year-old former art teach frequently says, “Art is Life”. In regards to you, that certainly seems true. What’s behind your love of the arts and what keeps you continuing to explore your own creativity?

CAROLEE CARMELLO: Oh gosh, I still love musicals … I think it’s such an amazing way to tell a story. And I think live theater is the best way to experience story telling … sitting in a dark theater with a community of people watching LIVE actors and LIVE musicians bringing a story to life! It brings people together in so many ways … which is vital, especially right now.

JHPENTERTAINMENT: Back to KIMBERLY AKIMBO, If you were faced with circumstances similar to Kimberly’s is there anything you’d do differently or anything you’d lift from Kimberly’s reactions to her circumstances to better your own remaining time?

CAROLEE CARMELLO: I can only hope that I would take on each day the way Kimberly does … she wants an adventure, and she gets it, despite all of her challenges! It’s really inspiring!

JHPENTERTAINMENT: Dang! I could have done all 20 questions with you, but our time is up as I’m about to chat with a couple of your costars, so I’ll end our conversation with this. What do you hope audiences take with them after seeing KIMBERLY AKIMBO?

CAROLEE CARMELLO: I think the message of the show is to enjoy the time we have and the people we have to share it with … nothing else matters!

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The National Tour of KIMBERLY AKIMBO comes to Music City for eight performances beginning Tuesday, April 8 and continuing through Sunday, April 13 at TPAC’s Jackson Hall as part of the current Broadway at TPAC Series. CLICK HERE for tickets or more information.

Following the Music City dates, KIMBERLY AKIMBO stops in Charlotte, Durham, Boston, Washington DC and more as the current National Tour continues through May of 2026. To keep up with all things KIMBERLY AKIMBO, checkout their Official Site and follow them on Facebook, X, Instagram, Youtube and TikTok.

Next up at TPAC, it’s yet another Tony-winner as MJ: THE MUSICAL, exploring the life and career of music mega-star Michael Jackson closes out the current season of Broadway at TPAC with shows April 29-May 11. CLICK HERE for tickets and more information and be sure and check back right here at JHPENTERTAINMENT.COM as I’ll soon be chatting with members of the cast of MJ prior to their Nashville debut.

You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire Q&A with ‘HADESTOWN’ stars Nickolaus Colón and Namisa Mdlalose Bizana; at TPAC March 7-9

March 5, 2025 by Jonathan

HADESTOWN, often described as a Broadway folk opera, is singer/songwriter/playwright Anaïs Mitchell’s Tony and Grammy-winning musical retelling of Greek myths involving Orpheus, Eurydice, Hades, Persephone, Hermes and The Fates. When I heard HADESTOWN would be playing a limited weekend run at TPAC’s Jackson Hall Friday, March 7 thru Sunday, March 9, I knew I had to chat with some of the company of the show’s current tour for the latest installment of my recurring interview feature, Rapid Fire Q&A.

To that end, what follows are my conversations with HADESTOWN’s Hades and Persephone, Nickolaus Colón and Namisa Mdlalose Bizana:

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RAPID FIRE Q&A WITH HADESTOWN STARS NICKOLAUS COLÓN AND NAMISA MDLALOSE BIZANA; NATIONAL TOUR AT TPAC BEGINNING MARCH 7

RAPID FIRE Q&A WITH NAMISA MDLALOSE BIZANA, PERSEPHONE IN HADESTOWN

JHPENTERTAINMENT: For the uninitiated, what is HADESTOWN about?

NAMISA MDLALOSE BIZANA: It’s about two intertwined love stories between Orpheus and Eurydice, and the gods Hades and Persephone. When the story begins Hades and Persephone are misaligned in their relationship which has consequences for the mortal world. In this discord Orpheus and Eurydice fall in love and then are faced with having to make choices based on love or survival.

JHPENTERTAINMENT: What can you tell me about Persephone?

NAMISA MDLALOSE BIZANA: She’s a complex character with many layers to her. At face value she’s fun and charismatic but she has so much more to her. She quite literally holds light and darkness within her and must wade through the complexity that comes with it.

JHPENTERTAINMENT: This tour of HADESTOWN began in October of last year. You’ve been with the company since. Are you still discovering nuances of the character?

NAMISA MDLALOSE BIZANA: Of course. We’re playing gods. And by nature, there are endless possibilities.

JHPENTERTAINMENT: What’s your favorite aspect of tour life?

NAMISA MDLALOSE BIZANA: Getting to meet people from all over the US. Getting to talk to audiences and schools. And of course, the food! We’ve just come from Dallas and of course I had to try some Texan BBQ and it’s everything I thought it would be!

JHPENTERTAINMENT: Speaking of touring…any plans to tour The Parthenon while HADESTOWN sets up shop in Nashville? After all, we are the Athens of the South!

NAMISA MDLALOSE BIZANA: It’s definitely on my list!

RAPID FIRE Q&A WITH NICKOLAUS COLÓN, HADES IN HADESTOWN

JHPENTERTAINMENT: How familiar were you with the story of Hades and Persephone prior to taking on the role of Hades of the current tour of HADESTOWN?

NICKOLAUS COLÓN: Besides what I’ve seen of Hades depicted in movies and shows I hadn’t really had the exposure to the proper myths. I wish I had sooner because they are incredible to read about.

JHPENTERTAINMENT: In spite of connotations stirred simply by association of Hades and the underworld he rules, Hades, according to original mythos, is strong but rather passive and ultimately caring. What trait of Hades, as depicted in HADESTOWN, might you hope to mimic in your own life?

NICKOLAUS COLÓN: The greatest gift I’ve gotten from Hades has been a boost to my confidence. Confidence is power. To be able to hold myself to my full height when for so many years I’ve lowered myself to make others feel safe around me has been such a gift. I’ve always been confident in my abilities but ever since I put on the suit I’ve started to stand taller off the stage.

JHPENTERTAINMENT: As Hades, you not only rule the underworld, but you’re also betrothed to Namisa Mdlalose Bizana’s Persephone. What is your favorite thing about sharing the stage with her?

NICKOLAUS COLÓN: Namisa has been an absolute blessing of a scene partner. From the moment I met her and she asked if we could just take a breath together before our final callback, I knew she was my Persephone. Even on days when tour is hard, I can always count on her to be there with me on that stage and to make me laugh.

JHPENTERTAINMENT: Do you have a favorite musical moment in the show, whether it be yours or one that you just enjoy witnessing as a member of the company night at night?

NICKOLAUS COLÓN: Favorite musical moment for me would be during His Kiss, the Riot before I speak. The band and Fates watch as I slowly make my way around the stage to grab my stool and all the while they are fueling all the rage, fear, doubt, indecision, conflict that I am going through in that moment. Music is a powerful tool for storytelling.

JHPENTERTAINMENT: What do you hope audiences come away remembering long after their visit to HADESTOWN?

NICKOLAUS COLÓN: I hope they leave and have a core memory of the time a room of 3000 people for 2 hours were able to put aside their differences and take the ride of truly investing in these two mythical love stories.

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The current tour of HADESTOWN plays TPAC’s Jackson Hall with five performances over the three day period of Friday, March 7 thru Sunday, March 9. Friday and Saturday evening performances are at 7:30pm with matinees Saturday at 2pm & Sunday at 1pm and a final Music City performance Sunday evening at 6:30pm. Ticket prices start at $48.30. CLICK HERE for tickets or more information.

Not in Nashville? Be sure and check out HADESTOWN on Tour’s Official Site for upcoming cities including Johnson City, TN, Omaha, NE, Oxford, AL, Pensacola, FL, The Villages, FL, Columbia , SC and more as the tour continues.

Among the many entertainment options coming to TPAC following HADESTOWN, TPAC’s HCA Healthcare/TriStar Heath Broadway at TPAC in partnership with Nissan continues next with the return of MAMMA MIA, on stage at TPAC’s Jackson Hall March 18-23. CLICK HERE for tickets.

You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

TPAC Announces 2025/2026 Broadway Season; ‘The Outsiders’, ‘Suffs’, ‘The Wiz’ and more making their Music City Debuts while favorites ‘Hamilton’ & ‘Beauty and the Beast’ return for two weeks each

February 11, 2025 by Jonathan

On Tuesday evening, February 10, Tennessee Performing Arts Center hosted an invite only event for members of the media and social influencers to reveal their upcoming Broadway Season. On Wednesday, February 11, a press release detailing the coming season revealed the following.

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NASHVILLE, Tenn. – A storybook season awaits as the nonprofit Tennessee Performing Arts Center® announces its 2025-26 HCA Healthcare/TriStar Health Broadway at TPAC season, presented in partnership with Nissan and Farm Bureau Health Plans, as part of its 45th Anniversary.

The upcoming season features six Nashville premieres, plus the return of a classic fairy tale and the revolutionary re-telling of American history, with two-week engagements of Disney’s BEAUTY AND THE BEAST and HAMILTON. The lineup celebrates stories that range American theatre’s past, present and future with the groundbreaking twist on The Wizard of Oz, THE WIZ; the brilliant, passionate and funny American women who fought tirelessly for the right to vote, SUFFS; the beloved, cinematic classic that is now a Broadway musical, BACK TO THE FUTURE: THE MUSICAL; the life-chasing, life-changing trip of a lifetime, SOME LIKE IT HOT; the bestselling novel with a poignant reminder that life – and love – can begin again at any age, WATER FOR ELEPHANTS; and the coming-of-age story that takes you to Tulsa, Oklahoma in 1967, Tony Award-winning Best Musical, THE OUTSIDERS.

In addition, TPAC will present three limited return engagement presentations, including the world’s most popular musical, LES MISÉRABLES; the global sensation that remixes five hundred years of historic heartbreak told by the six wives of Henry VIII, SIX; and the outrageous musical comedy of a mismatched pair of missionaries sent halfway across the world to spread the Good Word, THE BOOK OF MORMON.

“For 45 years, TPAC has brought stories to life on our stages, creating unforgettable memories and fostering connections that inspire and entertain. This milestone 45th Anniversary season celebrates the transformative power of live theatre, featuring timeless classics and groundbreaking new works that honor our past, reflect our present, and look toward the future as America approaches its 250th birthday,” says Jennifer Turner, TPAC President and CEO.

“We invite audiences to join us on this remarkable journey through American storytelling, reinforcing TPAC’s role as a cultural cornerstone for Tennessee and a premier destination for extraordinary performing arts experiences.”

Season tickets are available now for new and renewing patrons for as low as $380. Purchasing season tickets allows theatre lovers to get the best seats at the best price when buying in advance. Plus, interest-free flexible plans allow patrons to spread the cost of a season package over up to seven months.

Season ticket holders also enjoy other exclusive benefits such as easy exchange privileges, priority access to buy additional Broadway tickets at a discount, and much more.

The Full 2025/2026 Broadway at TPAC SEASON

THE WIZ – Sept. 23-28, 2025

THE OUTSIDERS – Oct. 14-19, 2025

Disney’s BEAUTY AND THE BEAST – Nov. 4-16, 2025

SUFFS – March 3-8, 2026

BACK TO THE FUTURE – March 17-22, 2026

SOME LIKE IT HOT – April 21-26, 2026

WATER FOR ELEPHANTS – May 12-17, 2026

HAMILTON – June 17-28, 2026

Additional Broadway at TPAC presentations

LES MISÉRABLES – Jan. 20-25, 2026

SIX – Feb. 3-8, 2026

THE BOOK OF MORMON – June 2-7, 2026

To purchase season tickets and review the full benefits, pricing and seat map, CLICK HERE, or call TPAC Patron Services at 615-782-6560.

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Up next for the current season of Broadway at TPAC, it’s the Music City premiere engagement of the Broadway hit & Juliet, playing Jackson Hall February 11-16. CLICK HERE for tickets. You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

As always, if you wanna follow JHPEntertainment to find out who I’m chatting with for my next Rapid Fire Q&A, or for my take on the latest local and national theatre, music and movie offerings, find us at JHPEntertainment on Facebook, JHPEntertainment on Instagram and JHPEntertainment on Twitter.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with cast of ‘CHICAGO’; National Tour at TPAC’s Jackson Hall January 28- February 2

January 27, 2025 by Jonathan

Considering the original 1975 Broadway smash hit CHICAGO came to the stage with musical pedigree in hand, thanks to music by John Kander, lyrics by Fred Ebb and an equally engaging book by Ebb and Bob Fosse, it should be no real shock that fifty years later, it’s still one of the most beloved musicals of all time. Proving it’s popularity, the 1996 revival now not only holds the record as Broadway’s longest-running musical revival and the longest running American musical in Broadway history. So naturally I was among the droves of fans excited to hear that the current National Tour is making its way back to Nashville as part of TPAC’s current HCA Healthcare/TriStar Health Broadway at TPAC series.

As the cast and crew of CHICAGO readied for their return to Music City at TPAC’s Jackson Hall January 28-February 2, I recently had the chance to chat up four of the show’s cast. So settle in as CHICAGO stars Taylor Lane, Ellie Roddy, Connor Sullivan and Illy Kirven take the stand for the latest edition of my recurring interview feature, Rapid Fire 20Q.

Rapid Fire 20Q with cast of CHICAGO; National Tour at TPAC’s Jackson Hall January 28- February 2

Rapid Fire with Taylor Lane, Velma Kelly in CHICAGO National Tour

JHPENTERTAINMENT: The current National Tour of the iconic CHICAGO kicked off just a few months ago. What has it been like to step into the role of Velma Kelly thus far?

TAYLOR LANE: Stepping into the role of Velma Kelly has been an absolute thrill. It’s a dream come true to bring such an iconic character to life. I’ve loved diving into her strength, sass, and complexity, and it’s been an incredible challenge to embody her boldness while making her my own.

JHPENTERTAINMENT: As Velma, you are front and center leading the ensemble during the show’s spectacular, high-octane All That Jazz. Of course renowned choreographer Bob Fosse created the moves for the original production, and his style is typically honored by incorporating some Fosse-esque moves. The current national tour is using the equally iconic 1996 revival Ann Reinking choreo with Gregory Butler recreating Reinking’s choreography. Do you have a particular dance-centric moment in the open, or elsewhere in the show, that you absolutely love performing night after night?

TAYLOR LANE: Absolutely! There’s no better feeling than rising onto the stage, Fosse-walking to center stage, and diving into the intricate, precise moves of All That Jazz with the entire ensemble dancing in perfect unison behind me. The energy is electric, and it’s surreal to perform these legendary dance steps that we had the great honor of learning from Gregory Butler passed down from Ann Reinking. Some of my favorite moves in the show include the ‘pippin’ and ‘the lola’.

JHPENTERTAINMENT: Another choreo-heavy number is I Can’t Do It Alone. I can’t wait to see this company take on this ‘act of desperation’. On the subject of choreography. How much time goes into rehearsing the dance sequences for a show like CHICAGO?

TAYLOR LANE: We rehearsed for three weeks in New York City before heading out on the road. During that time, we learned all the music, choreography, and the book of the show, including lines and staging. Now that we’re performing regularly on tour, our dance captains give us notes to keep the show as sharp and clean as possible. We also have scheduled brush-up rehearsals with our choreographer to ensure we’re staying true to the original intention behind the choreography.

JHPENTERTAINMENT: Some audience members may not realize it, but CHICAGO is actually based on real life murderesses. Belva Gaertner, a thrice-married cabaret singer who murdered her married lover in 1924. Have you done any research on Belva in preparation for the role?

TAYLOR LANE: Yes, I’ve done some research on Belva Gaertner, the real-life inspiration behind Velma Kelly. It’s fascinating to learn about her story and how her persona influenced the character. Understanding the historical context and her bold, unapologetic attitude has helped me bring depth to Velma while still making her my own. It’s incredible to step into a role rooted in real history but reimagined with all the flair and style of CHICAGO.

JHPENTERTAINMENT: Since I’m about to chat with Ellie Roddy, who plays Roxie opposite your Velma, can tell me how it’s been to share the stage with her?

TAYLOR LANE: It’s such an honor to share the stage with the brilliance that is Ellie Roddy. Unlike our characters, who have a rivalry in the show, I absolutely adore her and love performing with her every night. She’s an incredible actress, and I truly enjoy getting to play off her energy onstage. My absolute favorite moment is singing Nowadays and dancing Hot Honey Rag with her at the end of the show. There’s something so special about dancing together as two powerful women—it brings me so much joy.

Rapid Fire with Ellie Roddy, Roxie Hart in CHICAGO National Tour

JHPENTERTAINMENT: When I spoke with Taylor Lane, I mentioned the fact that CHICAGO is based on real life murderesses. Your character, Roxie Hart is based on Beulah May Annan, a bookkeeper, who, while arguing with her lover, ‘reached for the gun’. What can you share about your creative process in playing Roxie?

ELLIE RODDY: It really was such a journey, and it’s still ever evolving. I find I continue to learn more and more nuances about this character the more I perform the role! They gave me a lot of freedom, creatively speaking. What’s really unique about CHICAGO is that yes, it is set staging and choreography that’s been on the Broadway stage since 1997, but it’s tailored to each and every individual and caters to their strengths. They play with each person’s individuality for each company member that is joining the CHICAGO family. It was a lot of trial and error for me. I’d try out a bit or try a certain inflection for certain lines, and they’d tweak it or we’d start fresh from the drawing board. It was one of the greatest gifts to receive as an actor, the trial and error with a safe space to play.

JHPENTERTAINMENT: In the previous question, I alluded to the song We Both Reached for the Gun. This number is one of my favorites in the show–admittedly there are several favorites. I love that Roxie is so bent on stealing the spotlight from Velma as the latest notorious murderess that she’s willing to do whatever her hot shot lawyer Billy Flynn (played by Connor Sullivan) tells her. How much fun have you are you and Connor having in fine-tuning this particular number?

ELLIE RODDY: On a scale of 1-10 I’d say 100. Oh, it is one of my absolute favorite parts in the show. It’s such a smart song and plot line. And not only is it catchy, but Greg Butler’s choreography and specificity with it is brilliant within the story telling aspect of it as well. Everything is so mapped out to a tee, and it’s so much fun to get to do. And to hear the crowd roar for Connor is nothing less than spectacular.

JHPENTERTAINMENT: Of course Roxie’s big number is, well..Roxie. If you had to rate the level of razzle dazzle in this particular sequence, what would you rate it, and why?

ELLIE RODDY: That is such a great question! Because it’s the first time in the show you really get to see her honesty and her point of view (now whether or not it is entirely the truth is up for debate) but it’s the first time where she gets to be stripped down as herself, vamped by a walking bass and piano line. When rehearsing the monologue into the song, David Hyslop and Greg Butler encouraged me to think of something like “Judy Garland’s one woman show, sitting at the front of the stage, microphone in hand, sharing a story with lots of charm and charisma.” So, with that in mind, it’s not so much flashy razzle dazzle, it’s little sparks and glitters weaved within. It’s more internal, and you get to go on the journey with Roxie and her dream and learn about her WHY. It just happens to be in a little tongue-in-cheek way.

JHPENTERTAINMENT: Since the show tells the tale of a group of felonious females, I’m just gonna ask….IF you could get away with murder, how would you choose to pull off the ultimate crime?

ELLIE RODDY: Ooh, I have never been asked this question before! Personally, I do watch some true crime documentaries/tv shows and have listened to some podcasts in the past, because I find the topic so fascinating. IF I could get away with murder, I think I would probably claim an act of self-defense, such as Roxie. Again, emphasis on IF!

JHPENTERTAINMENT: In spite of the fact that much of the show takes place in the Cook County Jail, CHICAGO features some gorgeous period-authentic 1920’s fashions courtesy six-time Tony-winning costume designer William Ivy Long. What’s your favorite piece of wardrobe in the show?

ELLIE RODDY: I think my favorite piece that I personally wear is the open back dress when I do Roxie. It’s a gorgeous tight fit lace dress with an open back, and I think it’s so sleek and classy, but has a little edge to it. As for the entire show, I think the costume that Faith Jordan Candino (Mona) or Serena Kozusko (Swing/DC) wears! I feel fortunate enough that during our rehearsal process in NYC this past September, I got to go to William Ivey Long Studios in person, and try on a handful of archived costume pieces to find the perfect fit! It was such an honor.

Rapid Fire with Connor Sullivan, Billy Flynn in National Tour of Chicago

JHPENTERTAINMENT: Who is Billy Flynn to you?

CONNOR SULLIVAN: To me, Billy is a person who loves what he does and works hard to make sure he stays at the top of his field. He views the legal system as a game, and he is fiercely competitive. His goal is to win, and he feels no qualms about doing whatever he needs to in order to make that happen.

JHPENTERTAINMENT: Billy Flynn, like most lawyers, comes off as suave, manipulative and driven by the opportunity to gain notoriety and success by painting his murderous clients as victims themselves. Those are a few of Billy’s less-savory characteristics. Have you discovered any redeeming qualities while creating your version of him?

CONNOR SULLIVAN: Billy is passionate about defending his clients and protecting his people. There are aspects of loyalty and verve to him that are, if not redeeming, at least somewhat positive. Once you are on his team, he will do whatever it takes to get you over the finish line with him.

JHPENTERTAINMENT: If you weren’t cast as Billy, who would you ‘kill’ to play in the show?

CONNOR SULLIVAN: I would love to play Velma Kelly. She has such a fearless tenacity that I think would be fun to embody every night. However, I could never do the role justice the way that Taylor Lane does – she’s currently playing Velma on our tour!

JHPENTERTAINMENT: One of your big numbers as Billy is Razzle Dazzle. It speaks of giving it everything you’ve got to wow the crowd. What is it about your three female co-stars: Taylor, Ellie and illy that will ‘razzle dazzle’ Nashville’s audiences?

CONNOR SULLIVAN: Ellie Roddy is a true triple threat performer. Her acting, vocal, and dance chops all shine through in her performance. Taylor Lane really captures the essence of who Velma is – her performance is self assured, grounded, and edgy. Illy is an incredible vocalist and has one of my favorite numbers in the show. She brings such a powerful presence to the stage and to our company!

JHPENTERTAINMENT: CHICAGO first opened on Broadway in 1975. The 1996 revival, from which this tour was born, is now the longest running revival in the history of Broadway. What’s it like being part of such a storied show?

CONNOR SULLIVAN: It has been such a huge blessing to be part of a show with the legacy that CHICAGO has. Working with our incredible creative team, some of whom have been with the show since the revival opened in 1996, has been the biggest honor of my career!

Rapid Fire with Illeana ‘illy’ Kirven, Matron Mama Morton in CHICAGO National Tour

JHPENTERTAINMENT: As Mama Morton, you get to belt out the show-stopping tune When You’re Good To Mama. It’s just one in a show full of wickedly wonderful tune by Broadway legends Kander and Ebb. How magical is it to perform such iconic tunes?

ILLY KIRVEN: From the time Matron Mama Morton is announced, the crowd is ready for her. Every night I am blessed to take to the stage to sing this incredibly iconic song. It truly feels like a gift. It’s a gift I’ve been given to give, but I also receive great gifts back from each audience, every single show. I’m completely humbled and honored to follow in the footsteps of so many iconic women who have filled Mama’s shoes. It really does feel quite magical.

JHPENTERTAINMENT: Which leads me to my next question…With such a grand theatrical history, there’s been so many fabulous actresses who’s brought Mama Morton to life. From Mary McCarty who originated the role on Broadway to my pal, Roz Ryan, who’s played her more than any other actress, having appeared both on Broadway in the revival and numerous subsequent tours. Can you reveal just a hint of how you’re making Mama your own?

ILLY KIRVEN: I love Ms. Roz Ryan so much. How amazing that you get to call this legend “friend”. I actually have photos that were printed for me for continuous inspiration with many of the ladies who have portrayed Mama including Ms. Ryan and Ms. McCarty. I did quite a bit of research for the role. Every video or sound byte I could find of various Mama’s singing voices and speaking styles were taken into consideration. I put lots of bits and pieces together of my own in order to let the director mold me into the Mama that works best for this current production. I like to think that I carry parts of all of them within me while putting myself fully into the soul of Mama. I won’t give away any more, but I hope the ladies would appreciate the performance if they were in the audience.

JHPENTERTAINMENT: CHICAGO first debuted on Broadway in 1975, then was revived in 1996 and is still running both on Broadway and as a tour in both the US and UK. Since you play the prison matron, I’ll ask you…what makes CHICAGO such arresting entertainment?

ILLY KIRVEN: I believe it is such “arresting entertainment” because it completely captivates you from the very first introduction. Even the opening announcements draw you in before one note is played or sung. You can literally see audience members leaning forward and trying not to miss a single moment.

CHICAGO, the Musical is written so well. Even the words have rhythm. And it’s got all the aspects that bring excitement to live entertainment: greed, corruption, violence, romance, coupled with beautiful performers and incredible song and dance. It is a show that continues to WOW audiences. Whether it’s their first time or their fifth time seeing it, it has a tendency to win fans over who come back over and over again. I think it’ll be around for many years to come. I’d definitely love and appreciate that.

JHPENTERTAINMENT: When we began chatting, I mentioned Mama’s big number, When You’re Good To Mama, so I gotta ask…what’s it take to be good to Illeana?

ILLY KIRVEN: Honestly, I’m not complicated. I like simple things. I enjoy learning, traveling and exploring. I really love my family, friends, cast, orchestra, crew and people who are genuinely kind. That’s all.

JHPENTERTAINMENT: Alright, one last question for you before this inquisition is over…What do you hope audiences take with them long after the last lights out at the Cook County Jail?

ILLY KIRVEN: I hope the show leads them to want to learn more about the real Roxie, Velma & other characters in the show. A lot of people do not realize that the musical is based on real life happenings. I hope audiences are inspired to want to know more.

But mostly, I want our audiences to leave feeling fully entertained. I’d want them to go home energized with some really great music in their hearts for a long time.

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CHICAGO TPAC’s Jackson Hall January 28 thru February 2. CLICK HERE for tickets. After their Music City dates, CHICAGO heads to Dayton, OH, Knoxville, TN, College Station, TX and more as the tour continues through June. To follow Chicago on Tour, check out their Official Website, or find them on Facebook, X, Instagram and YouTube.

Up next for Broadway at TPAC, it’s the Music City premiere engagement of the Broadway hit & Juliet, playing Jackson Hall February 11-16. CLICK HERE. You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with the cast of ‘Peter Pan’, at TPAC’s Jackson Hall, January 7-12

January 7, 2025 by Jonathan

Following a brief holiday break, TPAC resumes its Broadway at TPAC season with the return of the family favorite, Peter Pan, on stage at TPAC’s Jackson Hall with performances January 7-12. Yes, it still centers ‘round the boy who refuses to grow up, but this isn’t exactly your grandmother’s Peter Pan. While it’s still based on the beloved 1911 children’s classic by J.M. Barrie and the subsequent 1954 musical stage production starring Mary Martin in the title role, this adaptation, updated by indigenous playwright Larissa FastHorse brings the show to the modern era, and…features a younger male actor in the title role.

As the cast of the National Tour prepared for their Music City debut, I had the chance to pose a few questions to members of the company for my first Rapid Fire 20Q of the year. What follows are my conversations with Nolan Almeida (Peter Pan), Hawa Kamara, who plays Wendy Darling, Cody Garcia, the show’s Captain Hook, and Bailey Frankenberg, taking on the role of Tiger Lily.

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Rapid Fire 20Q with the cast members of Peter Pan, National Tour on stage at TPAC’s Jackson Hall January 7-12

Rapid Fire with Peter Pan’s Wendy Darling, Hawa Kamara

JHPENTERTAINMENT: You play Wendy in the current national tour of Peter Pan. What’s your favorite aspect of the character?

HAWA KAMARA: I think my favorite thing about Wendy is how opinionated and self-sufficient she is. The creative team and I really put in effort to make sure her ambitions weren’t purely about being a “mother” to the boys, but that her main goal is to simply help people. So yes, she has the added feature that she wants to be a surgeon, but I think that really just speaks to how determined she is to be a person that people can rely on to feel/get better; she is a caretaker and takes pride in that.

JHPENTERTAINMENT: The story of Peter Pan has been around for so long that its audience cannot be pegged to any age group or generation. How familiar were you with the story? AND…What’s your earliest memory of Peter Pan? Was it a certain version, stage show or film adaptation that you first remember seeing?

HAWA KAMARA: I was as familiar with the story as most children are, I remember having vague memories of seeing Peter Pan all around, perhaps a lot of references in pop culture, but I actually have never watched the original animated Disney movie. My first introduction was definitely the live action film in 2003, and I fell in love with that version. I loved seeing the childlike wonder in real bodies and seeing these actual kids navigate the coming of adolescence as well as the fantastical adventures in Neverland. Oh, there’s also a direct-to-DVD sequel to the Peter Pan Disney movie called Return to Neverland, and it was about Jane (Wendy’s daughter) being captured by Hook and taken to Neverland against her will because he thought she was Wendy. I actually credit the character Jane for some inspiration with the Wendy that I play, as she offered a bit of resistance and independence, which I really admired about her as a child.

JHPENTERTAINMENT: While Peter Pan offers something to be enjoyed by all audience members, regardless of their age, this production has truly embraced the youthful aspect of the story and characters by casting a relatively young company of actors in the primary roles of Peter, the Darlings and the Lost Boys. Has that energy been something you’re able to tap into and feed off of to enhance your own performance?

HAWA KAMARA: Absolutely. For a long time (before Nolan turned eighteen), I was the only adult on stage for about the first half of the first act; it felt like playing catch up to kids who are already so naturally energetic. I will say one of my greatest pleasures in doing this production is being able to share the stage with Nolan for as long as I do; in a funny way, he’s challenged me to release myself as an actor and lean into the childlike nature that these characters need. So, I don’t think I would be as akin to my childlike self if it wasn’t for him and the kids who play my siblings. I think I also take inspiration from them as children, just seeing their behavior even outside of this production is refreshing and reminds me who I’m doing this for.

JHPENTERTAINMENT: Even the music of Peter Pan is as iconic and multi-generational as the story itself with a who’s who of lyricists and composers credited throughout the decades. In fact, this production includes songs from lyricist Amanda Green, whose father, Adolph Green, alongside frequent collaborator Betty Comden, wrote music and lyrics for the original 1954 Broadway production. What does being part of such a storied show mean to you as a performer embarking on your first professional gig?

HAWA KAMARA: I think it’s certainly big shoes to fill. I would have never thought that this would be my first professional job in my field, especially so quickly after graduating. But I think the team has taken the time to make sure I became well accustomed to taking on the role and changing what the perception of Wendy could look like. As the first Black actor to play Wendy in a professional production of this caliber, I feel like I’ve offered a new layer of what it means to play Wendy, to see her in a light that isn’t historically shown in bodies like mine.

JHPENTERTAINMENT: As mentioned above, this is your first pro gig, having graduated from Boston’s Emerson College in 2023. I always find it interesting to ask about life on tour, so this being your first experience with a touring company, I’m curious to know what your favorite aspect of life on the road has been thus far?

HAWA KAMARA: My favorite aspect of the tour has got to be trying the different foods of the different local cities. There’s so much I’d never thought I’d get a chance to try, and all so soon! I’m very excited to see what Nashville has to offer food-wise!

Rapid Fire with Cody Garcia, Captain Hook in Peter Pan

JHPENTERTAINMENT: What is your favorite aspect of Captain Hook, the character you’re playing in the current National Tour of Peter Pan?

CODY GARCIA: Captain Hook is a challenge. It’s difficult to sit idly by while this little brat that cut off his hand runs/flys around pretending to be the hero of this story. And for the sake of this story, Hook is pretty much driven by revenge. Even though there is all this negativity clouding the hooked Captain, my favorite aspect of him is the humor that can be found around. I’ve always used comedy as a defense mechanism, and it is fun to utilize that during this magical play.

JHPENTERTAINMENT: You’ve now played Captain Hook for nearly a year. In that time, have you discovered little things about the character that you’re now incorporating into your performance?

CODY GARCIA: I have discovered little things about Captain Hook, and myself, in doing the role this long. There’s lots of aspects of the Captain I wish I could explore more than I have time to do in the scenes in the show. It makes me look forward to other jobs I will get, and sometimes fantasize about playing Hook in Steven Spielberg’s Hook. For myself, I’ve enjoyed the opportunity to be able to figure out performing in a sustainable way and so consistently.

JHPENTERTAINMENT: For this adaptation of Barrie’s classic tale, your director is Lonny Price, known on and off Broadway for a career that has spanned four decades, with impressive turns both on and off stage and who has worked with literally some of the biggest names in the business. What has your experience with Lonny as a director been like?

CODY GARCIA: What can I possibly say here about one, Lonny Price, that hasn’t already been said by countless people in the industry. I didn’t realize I had already seen some of Lonny’s work before I got this job and found out the extent his impressive resume.

My first time reading the script, I found Lonny’s energy to be generous and exciting. Lonny loves what he does and only wants to share magical experience with audiences. When we got up and started rehearsing the musical, I asked Lonny certain questions about aspects of the character, wanting to understand what he wanted for this piece, but also wanting to bring my own flavor and new aspects to this much recycled tale. I was very pleased that Lonny generously and excitedly encouraged me to play around. This was just the beginning of a powerful dynamic that honed the show and the character to be its own unique version. Lonny is a gracious and willing director. That spirit is important in making all theatre, but especially in a show such as this which is rooted in youthfulness and fun.

JHPENTERTAINMENT: Hook, by nature of the character, becomes involved in more than his share of fights. What is a typical fight rehearsal like? AND…do you continue to rehearse fight sequences while on the road?

CODY GARCIA: Our fights are designed by Sordelet Inc. Rick Sordelet has been doing fight choreography for years, across all kinds of mediums. It was an honor to work with him and his son, Christian, and Christian’s partner, Ana. They would choreograph the main fights in both acts, as well as small aspects stage combat throughout the piece.

We actually rehearse these all the time. Every day, before each show, we have a “fight call” where we run every fight we do in the show with weapons, flying and everyone involved. It is very helpful to do them to get them in your body before the audience sees it.

JHPENTERTAINMENT: Prior to being cast as Hook, you toured with Elf, playing Buddy. If you could switch a character trait from one to the other, what would it be and why?

CODY GARCIA: Hmm. Well I would certainly love for Hook to be a little happier. But if that were the case, then we wouldn’t have a story! The same thing with Elf. Buddy is happy all the time, and, in leaving the North Pole, eventually begins to understand the spectrum of human emotion. Im not sure that either would work with aspects of the other!

Rapid Fire with Bailey Frankenberg, Peter Pan’s Tiger Lily

JHPENTERTAINMENT: If research serves me, you joined the tour as swing, but as of early December, you’ve now taken on the role of Tiger Lily. How would you describe Tiger Lily to someone who somehow is unaware of Peter Pan?

BAILEY FRANKENBERG: Yes! I began as a Swing, meaning I covered (or understudied) up to fifteen tracks in the show. This is such a fun show to Swing for because of the range of characters I got to explore (and sometimes with minutes notice!)

I’m so thrilled to step up into Tiger Lily – for new folks, she is one of the main inhabitants of Neverland – she’s the Leader of a Tribe made up of Warriors who are the last of their people from around the world. In Neverland you can never grow old, so she leads people who are there to preserve their culture. Larissa Fasthorse did an amazing job revisioning TL and the Indigenous People in the story into something we haven’t seen before.

JHPENTERTAINMENT: As you mention, Thanks to playwright Larissa FastHorse, whose own heritage is Sicangu Lakota, gone are the days of portraying Tiger Lily and other indigenous characters in the show by offensive makeup choices and questionable terminology. I myself am part Comanche, so when I learned that you’re Choctaw, I gotta tell you I loved hearing it. How excited are you to be representing indigenous people in such a strong character?

BAILEY FRANKENBERG: Comanche! Oh my goodness I love it! Yes, I’m Choctaw and a Tribal member of the Cherokee Nation and I’m so proud to be here! It’s so special to be Indigenous playing Indigenous- there aren’t a lot of opportunities in mainstream theatre but I love that Peter Pan is now an option and avenue for it! If feels amazing to bring more depth and fire to a character that was written to, well, not say much and then speak in broken English. I hope that all walks of people can see this cast up here and see themselves reflected up on the stage. I know I yearned for that when I was growing up. Having the opportunity to show the world another fresh, powerful, Native Heroine (AND she’s in leadership!) means more than I think many people understand.

JHPENTERTAINMENT: I’ve heard that you knock it out of the park during a reprise of I Gotta Crow. What’s it like performing that particular number night after night?

BAILEY FRANKENBERG: Hahaha! Awww that’s so lovely to hear! This number feels different from the rest of the show- it’s a final celebration with all the Heroes of the play and takes place very close to the audience, so it feels very intimate with the crowd. Funny story, I did Peter Pan years ago at my High School and I played Liza the Maid (now a babysitter played by Hannah Schmidt) and in the original version, Liza goes to Neverland and sings the I Gotta Crow reprise with Peter. I had a feather duster and an awful cockney accent. It’s a really funny full circle moment to do it almost 20 years later as Tiger Lily on a national stage.

JHPENTERTAINMENT: Speaking of musical numbers, I Won’t Grow Up is one of the show’s most beloved tunes. You’re in your early 30s, making you one of the older primary cast members in this production. I’m nearly twice your age, so that’s not a dig at all. So, I gotta ask…what’s the benefit of having the mindset of never growing up?

BAILEY FRANKENBERG: It’s funny, I am actually thankful for aging in the way that I’ve never taken better care of my body or been as mindful as a Movement Artist before. I’ve never been stronger physically then my 30’s while also understanding the benefits/needs of icing my knees haha. I think the mindset of never growing up pairs well with “it’s never too late”. It feels good to make my National Tour debut in a very physically demanding show and still feel my own improvements every day. And when it comes to never growing up mentally- I think connecting with young audiences at the Stage Door has been really special since I’ve stepped into TL- remembering I was once a young theatre artist dreaming of being up on this big stage and I actually made it to the other side. That’s pretty dang cool to let sink in.

JHPENTERTAINMENT: In addition to being cast as Tiger Lilly, I understand you’re also the tour’s Dance, Fight and Flight Captain. I’m sure there’s a fight or flight joke to be made, but what I want to know is how gratifying is it to not only be expressing your creativity by way of your acting and singing skills, but to also be showcasing your talents as the dance, fight and flight captain for the show?

BAILEY FRANKENBERG: I must say I’ve thoroughly enjoyed answering these questions! Loved your research and approach! Yes, I was a triple Captain for my first year and now that I’m TL I’ve kept two of my titles as Fight and Co-Flight Captain. I’ve spent the past 8 years or so studying and specializing in movement storytelling through stage violence, combat, stunts, fire effects, and aerial arts. I’ve had so many incredible leaders and mentors that I learned from and I would NOT be the leader or artist I am without them. I trained in performance combat with multiple weapon disciplines with NYC based studio Neutral Chaos. Then I had the opportunity to work with the incredible Atlanta based company Havoc Movement for the past few years and my physical artistry elevated immensely. They are doing amazing work and this is where I learned Aerial and harness performance. The skills that I gained from these Artists and the community they stem from provided me the skill sets to Captain a show as big as Peter Pan with multiple fight sequences, flying, flying AND fighting, and other high-stakes stylized movement. I am so grateful and I love being able to apply these skill sets to the show!

Rapid Fire with Peter Pan National Tour star, Nolan Almeida

JHPENTERTAINMENT: Who is Peter Pan to you?

NOLAN ALMEIDA: Peter Pan is everything that it is to be a child. A beautiful thing, but also a reminder of why we eventually need to grow up.

JHPENTERTAINMENT: Most audience members of a certain age likely associate the role of Peter Pan with the diminutive women who’ve traditionally played the role, including Mary Martin and Cathy Rigby. How excited are you to be bringing an authentic youthful male energy to the role?

NOLAN ALMEIDA: That was originally one of the reasons I really wanted to do this role. As a kid, I thought Peter Pan was the coolest story ever. He was a superhero to me. I was bummed when I realized I’d probably never get to play him in the theatre. That ended up not being the case. I started this show when I was 16 years old, which is only a few years older than a lot of our target audience. It has been such a wonderful thing to show kids, all around the country, that dreams can and do come true. Kids have a certain intuition when it comes to experiencing art. I think that having a young guy playing Peter removes that immediate sense of doubt and lets the imagination begin to soar.

JHPENTERTAINMENT: I understand playing Peter is a bit of a full circle moment for you. A quick perusal of your bio reveals that when you were younger, you wrote your own sequel to the classic story. I gotta know…what is the basic plot of your Peter Pan sequel? AND…when are you going to publish it? I mean, seems like this would be THE perfect time.

NOLAN ALMEIDA: Ah the Peter Pan sequel! In fifth grade our class had an assignment to write a sequel to any fairytale. Being fresh off my community theatre production of the show, I went to work. The assignment was a one page project. Mine was 25 pages, leather bound, with illustrations included. In my story, Peter takes Jane to Neverland, where Jane ends up getting captured by Hook and the Pirates. Back in London, the lost boys are attempting to reintegrate themselves into modern society and failing miserably. I read it recently and I gotta say that fifth grade Nolan was on to something.

JHPENTERTAINMENT: What has your experience been like working with Paul Rubin, this tour’s Flight Sequences Choreographer?

NOLAN ALMEIDA: Amazing. Wonderful. Paul Rubin is not only great at his job, but great at being a person. At the start of this tour, I had a very intense fear of heights. When it’s your job to fly, that’s not the best situation to be in. He coached me through the flying but also through the fear. Paul comes back every so often to check in on the show and every time he does, it’s like Santa is coming; you can just feel the excitement that everyone has to see him.

JHPENTERTAINMENT: Long after the fairy dust is gone, what do you hope audiences take with them after having seen this presentation of Peter Pan?

NOLAN ALMEIDA: I hope that audiences young and old will able to connect with this story and with this character. For the older folks I hope it reminds them of what it was to be a kid. A gift that we all receive but are never truly thankful for until that gift is gone. I hope that the younger folks are able to cherish that gift, even just a little bit more.

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The current National Tour of Peter Pan soars to Neverland by way of Nashville with shows at TPAC’s Jackson Hall from Tuesday, January 7 thru Sunday, January 12. CLICK HERE for tickets.

To follow Peter Pan on Tour, check out their Official Website, or find them on Facebook, Instagram, YouTube and TikTok.

Up next for Broadway at TPAC, it’s the return of Chicago, playing Jackson Hall January 28-February 2. CLICK HERE or follow TPAC on Facebook, X, Instagram and TikTok for details, tickets and the full schedule of entertainment coming Tennessee Performing Arts Center. You can also follow TPAC on socials: TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with Cast and Creatives of ‘Moulin Rouge’; National Tour at TPAC beginning October 8

October 8, 2024 by Jonathan

Having been a fan of Moulin Rouge since first seeing the Baz Luhrmann‘s 2001 film, I was trilled to learn that the recent 10-time Tony-winning Broadway stage musical would be making its way to TPAC as part of their current Broadway at TPAC season!

My excited expanded ten-fold when I was recently given the opportunity to interview members of the tour…and not just anybody associated with the company, but three of the show’s lead actors AND the show’s wardrobe supervisor.

So put on your sparkliest of diamonds and get ready for my most Spectacular! Spectacular! Rapid Fire 20Q ever!

Rapid Fire 20Q with Cast and Creatives of Moulin Rouge National Tour

Rapid Fire with Moulin Rouge’s Harold Zidler, Robert Petkoff

JHPENTERTAINMENT: I’m just gonna be honest…I LOVE the character Harold Zidler, the role you play in the National Tour of Moulin Rouge. He’s truly one of the most flamboyant, hilariously brilliant roles in modern musical theatre. Who is Harold Zidler to you and how much fun have you been having playing him this past year?

ROBERT PETKOFF: For me Harold is this very complicated man who has one goal when the show starts: Keep the party going. Harold is so many things. Harold is the consummate showman. A charmer, a father figure, a grifter, a survivor. He and Satine have both made it from the mean streets to the pinnacle of entertainment in Paris of the 1890’s through talent, sheer grit and determination. I think he’s both a kitten and tough as nails when he needs to be. He is truly one of the most fun characters I’ve ever played. There are so many different versions of himself that he shows throughout the evening and that’s an actor’s dream.

JHPENTERTAINMENT: While Moulin Rouge is a jukebox musical, it’s so much more. Heck there’s something like fourteen songs featured in the opening number alone! Speaking of the music, a year after taking on the role of Zidler for the tour, is there a musical moment that you still revel in being a part of night after night?

ROBERT PETKOFF: I really enjoy hearing the audience when I begin singing Chandelier. They start to laugh when they realize what the song is and that Harold is going to sing it. I love the song and NEVER thought I would be singing it on a stage. It’s a perfect song for the character because the chorus has the feel of a party but there’s a sense of desperation at its core.

JHPENTERTAINMENT: When not onstage, you also enjoy an award-winning career as a audiobook narrator and voice over artist. What’s been the most bizarre or most memorable commercial or audiobook gig you’ve had?

ROBERT PETKOFF: The first thing that comes to mind is doing part of Hamlet‘s “To Be Or Not To Be” monologue as a dog for a commercial years ago. I sounded a bit like Scooby Doo. It was crazy. Some of the audiobook work can feel so insane as I’m voicing every part. It can be quite interesting (and funny) doing love scenes with myself, for instance. The voice work I’ve done has been a real lifesaver in my career allowing me to pick and choose roles in my stage career.

JHPENTERTAINMENT: While Zidler’s excited and excitable showman voice is a huge part of the character, there’s also the look. What can you tell me about your transformation to Zidler with the help of Hair and Makeup Supervisor, Tereza Cordeiro?

ROBERT PETKOFF: When I first joined the company I was asked to use my own hair and let it get wild. A combination of volumizing hair powder and lots of hairspray. I have to say it REALLY helps me get into the character to do the hairstyle. Looking at myself in the mirror and seeing that hair and my mustache and goatee really propels me into Harold. It’s a very showy look that I get to work against from time to time. When Harold gets very serious it is an odd juxtaposition with my look but I think that makes it much more interesting.

JHPENTERTAINMENT: Of course Moulin Rouge is just the latest National Tour of which you’ve been a part. If memory (and a little research) serves, your last visit to Nashville during a tour that occurred back in 2017 when you appeared at TPAC as Bruce in Fun Home. During that visit did you discover any Music City spots that you hope to introduce to your Moulin Rouge family during your upcoming Nashville tour stop?

ROBERT PETKOFF: Well, the first thing that comes to mind is all of the honky tonks on Broadway. I loved walking down Broadway at night after the performance of Fun Home and passing place after place with amazing live music. There’s such fantastic energy there. So I can’t wait to introduce that experience to some of my castmates.

Rapid Fire with Moulin Rouge’s Christian, Christian Douglas

JHPENTERTAINMENT: While preparing to chat with you, I did my usual Internet sleuthing..I love that your insta lays it out so clearly..”a songwriter named Cristian playing a songwriter named Christian. How would you describe Christian?

CHRISTIAN DOUGLAS: I would describe Christian as a heart-forward hopeless romantic, who comes to Paris seeking art, adventure and above all else, love. His journey through the show is a stripping away of his innocence and his naive view of the world.

JHPENTERTAINMENT: It’s been just over a year since you took over the role of Christian on tour. Has your perception and portrayal of Christian changed in the past year?

CHRISTIAN DOUGLAS: My portrayal and perception hasn’t necessarily changed but rather deepened. I have always felt connected to Christian, the character, but after a year of performing the same role, I think you start to sink a little deeper and find new moments of stillness and groundedness amidst the sometime chaotic world of the Moulin Rouge, allowing for the heightened moments to really pop and the real, more serious moments live in a more authentic place.

JHPENTERTAINMENT: Baz Luhrmann directed, produced and co-wrote the 2001 film upon which the stage musical is based. I, myself have been a fan of everything Baz since Strictly Ballroom. What was your introduction Luhrmann’s work and what is it about his creativity that you admire most?

CHRISTIAN DOUGLAS: I first saw Moulin Rouge when I was in high school and loved it ever since. I think he has a genius way intertwining the larger than life, spectacular and farcical elements, of the story with the realistic, emotional and heartbreaking elements of the love story. He truly transports you to another world.

JHPENTERTAINMENT: Prior to taking on your current role, you’ve previously been part of equally iconic theatre, including Muny’s West Side Story and the Off-Broadway revival of Kinky Boots. These shows, like Moulin Rouge, boasts fabulous musical moments. On that subject, Act 1’s closer Elephant Love Medley, a personal favorite musical moment of mine from the film and a continuing favorite from the stage musical’s score, features a few updates. Do you have a favorite musical moment in the show yourself?

CHRISTIAN DOUGLAS: While I love the epic nature of El Tango de Roxanne, I always love singing Come What May the most. The song is so timelessly beautiful and that moment between Christian and Satine always feels really special. It is their last moment to connect before things start to go south.

JHPENTERTAINMENT: I’m about to chat with your new leading lady, Arianna Rossario, who assumed the role of Satine just a few weeks ago, almost a year to the day of you taking on Christian full time. Did you offer her any advice as she stepped into the spotlight?

CHRISTIAN DOUGLAS: No advice needed! She is an absolute star and a pleasure to share the stage with. I’m just excited to share in this new chapter of leading the show together.

Rapid Fire with Moulin Rouge’s Satine, Arianna Rosario

JHPENTERTAINMENT: After having been part of the Broadway ensemble in 2022, you initially joined the tour as the alternate for the role of Satine, but as of the tour’s recent Detroit dates, you’ve now assumed the role of Satine. What’s your Moulin Rouge journey been like so far and how excited are you to be taking on the pivotal role of Satine full time?

ARIANNA ROSARIO: My Moulin Rouge journey so far has been unlike anything I’ve ever experienced. I was a huge fan of the film when it originally came out and always felt like it would lend itself well to a stage adaptation. I originally saw the Broadway production on reopening night, 9/24/21 and was so blown away that I knew that I wanted to be a part of the show at some point in my career. I joined the Broadway company a few months later in March of 2022 as a part of the Heels Ensemble and cover for Arabia, during my time there the directing team reached out to see if I would be interested in doing a work session for possible coverage of Satine. Flash forward to going out on tour as the Alternate for Satine September of 2023, and now officially taking over the full time role of Satine 9/24/24. It feels like a huge full circle moment. It’s not easy trying to change the perception of what you are capable of doing when in the ensemble of a show, sometimes this industry likes to put people in boxes so that its easier for the people that make the decisions to find a place for you. I am forever grateful to our Creative Team for seeing something in me and in turn trusting me to tell this beautiful story every night.

JHPENTERTAINMENT: Is there an aspect of Satine’s personality that you admire most and might want to incorporate into your own life?

ARIANNA ROSARIO: I feel like in my real life I have more of a quiet confidence to me whereas Satine has this fierceness about her that is so apparent from the second she comes down on the swing. She’s definitely taught me how to be more comfortable standing in my power as a woman.

JHPENTERTAINMENT: Like you, I’ve been in love with Moulin Rouge since seeing the film back in 2001. I can’t tell you how excited I am to finally see the stage musical. What more can you share about your memories of being introduced to Baz’s work?

ARIANNA ROSARIO: I absolutely loved the film when it came out, I used to create my own dance numbers to the soundtrack and perform them for an imaginary audience in my bedroom. There’s something special about the worlds that Baz is able to create, it allows you to suspend reality for a second and become so immersed in the story being told.

JHPENTERTAINMENT: Can we just talk about Satine’s entrance with the swing? It’s such a huge moment int he show. Is that something that has to be adjusted for each city on the tour depending on the venue logistics and capabilities? What was the rehearsal process like for this iconic scene in particular?

ARIANNA ROSARIO: When venues book our show they usually have a reference of the space we are going to need to do the show in its entirety. We travel to each city with our own show deck, which gets broken down and set up with each venue change. That deck has tracks for set pieces and scenery which are typically automated. The rigging for the swing is also something that lives in the fly space above the stage, so its going to be the same city to city as well and because of that we’ve never had to adjust it. The rehearsal process is actually quite quick. In preparation for my initial put -in (its a rehearsal where we run the show with costumes and all of the normal show elements without an audience) I had a day where I was able to go up in the swing and figure out how I needed to move to minimize the swinging from side to side. Then the day of my put-in I was able to go up once more in costume to see how that felt in the corset.

JHPENTERTAINMENT: A huge part of the visual excellence of Moulin Rouge comes in the form of the gorgeous costumes. I’m about to chat with Michael Hannah, the company’s Wardrobe Supervisor, so to transition into that…do you have a favorite Satine costume? AND…why is it your favorite?

ARIANNA ROSARIO: They are all so incredibly beautiful it’s hard to choose just one! I have two for different reasons, the first would have to be the corset I wear during Chandelier as The Green Fairy. The detail in the beading on it is so beautiful and it’s so different from a lot of the other corsets in the show. My second favorite is the red dress I wear for Roxanne. It reminds me so much of the dress Nicole Kidman wears in the Elephant Love Medley in the film and just feels so iconic for Satine.

Rapid Fire with Moulin Rouge Wardrobe Supervisor, Michael Hannah

JHPENTERTAINMENT: Alright, let’s just get into it…how many costumes are there in Moulin Rouge?

MICHAEL HANNAH: There are 220 complete costumes in the show.

JHPENTERTAINMENT: As Wardrobe Supervisor, you’re entrusted to the care and maintenance of each and every piece of wardrobe originally conceived by the show’s Tony-winning costume designer, Catherine Zuber. Is that fact still a pinch me moment for you?

MICHAEL HANNAH: It is quite an honor to be entrusted with the care of these beautiful costumes. I admire Catherine and her work a great deal.

JHPENTERTAINMENT: Of course you’re not alone in those responsibilities. You not only have a wardrobe team, but I understand that in each city of the tour, you bring in local wardrobe artisans to help keep the costumes show ready. Does that help keep your job fresh and exciting?

MICHAEL HANNAH: I have 2 Assistants that travel with the show as well as an advance person. In each city we hire 9 Dressers, a full time Stitcher and a full time Laundry person. Moving to different cities with the show is sometimes challenging but exploring new places is always exciting.

JHPENTERTAINMENT: Which cast member has the most wardrobe changes and how many are there for them?

MICHAEL HANNAH: Satine has approximately 14 costume changes some of which need to take place in 45 seconds for her to make her next entrance.

JHPENTERTAINMENT: I typically end these interviews with a variation of this question…What do you hope audiences come away from Moulin Rouge remembering log after the lights dim and the music fades?

MICHAEL HANNAH: I feel one of the most exciting aspects of Moulin Rouge is the lavish decadence of the era in which the show is set. The audience is exposed to a colorful feast for the eyes. Along with the beautiful love story and all of the music is a visual experience that I think the audience will take with them.

Moulin Rouge brings is sparkling musical magic to TPAC with shows Tuesday, October 8 thru Sunday, October 20. CLICK HERE for tickets. Not in Nashville, but wanna catch the show on tour? Well, you certainly can can can..CLICK HERE for the show’s official site and follow on Facebook, X, Insta and YouTube to see where they’re headed next.

Following Moulin Rouge, TPAC‘s Broadway season continues with Shucked, November 5-10. CLICK HERE for more info and to see what else is headed to TPAC. You can also follow TPAC at their official site and on socials: TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Theatre Review: The Cast of ‘Clue’…in Jackson Hall…with razor-sharp dialogue and killer comedic timing; National Tour based on mystery board game and beloved 80s farce in Nashville at TPAC thru Sunday, September 15

September 13, 2024 by Jonathan

Whether or not you’ve played the board game Clue (Cluedo if you’re from across the pond), or have seen the 1985 star-studded movie adaptation, or even the lesser-known more recent teen-drama miniseries reboot, the stage adaptation, Clue Live on Stage, currently on a National Tour and playing Music City at TPAC’s Jackson Hall thru Sunday, September 15, is just plain fun. For clarity’s sake, it should be noted that this is the straight comedy play, not the poorly received 90s musical adaptation.

Taking a cue from Clue’s own history, the play takes place in the 1950s. Appropriate, considering the original board game first appeared in shops in the UK in 1949 by British game manufacturer, Waddingtons, with a US launch by Parker Brothers following. That bit of Parker Brothers knowledge will serve you well when you see the show, as a bit of clever dialogue makes reference to the famed siblings.

At the time of the game’s initial release, murder mystery writer Dame Agatha Christie’s fame was at its height, so a board game in which the players assume the roles of a group of people who’s seemingly only shared experience is being at the wrong place at the wrong time when a murder is committed seemed perfect fodder for a new board game. The movie, and now the stage version, go one step further, making mention of the Red Scare of the time and cleverly tying all the players into a political web of lies and deceit. Sound’s oddly current, right? Not to worry, there’s only a jab or two at modern day politics.

All of the action of the play takes place at Boddy Manor, a stately New England mansion on a dark and stormy night, where six supposed strangers are summoned via mysterious letters inviting each of them to attend a dinner party, under assumed names. On the subject of Body Manor, Set Designer Lee Savage’s Boddy Manor is the stuff of which haunted mansions are made. Again, those familiar with the game will delight as the rooms of the mansion are explored as memories of commercials for the board game reenter their collective subconscious. I remember many a Saturday morning watching my favorite cartoons and seeing Clue commercials in which players attempting to solve the mystery would declare their guesses, “Mr. Green…in the study…with a knife” or “Mrs. Peacock…in the library…with a rope” and so on.

Where character portrayal is concerned, Clue could be considered a bit of a theatrical anomaly. Typically actors stepping into roles made famous by others are charged with making the character their own, but Clue, a true farce, almost demands that the company present the characters pretty much as those who portrayed the roles in the film had done. That’s not to discredit the actors in any way, but to thank them for brilliantly recreating moments and actions of the film to glorious life live on stage.

As the curtain rose at Jackson Hall Opening Night, Elisabeth Yancy’s Yvette, the French Maid was the first of the familiar characters to be seen as she stood centerstage drying a cocktail glass with a white cloth. Why was such a mundane task noticeable, you might ask. Because she was doing so in perfect syncopated rhythm to the mood-setting music. It’s little details like this peppered throughout the show that help to make Clue such an enjoyable night of theatre.

Next the audience meets Wadsworth, the Butler, played opening night by James Taylor Odom (filling in for a mysteriously absent Mark Price). Of course Tim Curry played Wadsworth in the film and in doing so, created an iconic interpretation of the character. To his credit, Odom stepped up to the plate during his performance and played Wadsworth with the perfect amount of cheek, sarcasm and charm.

The manor staff is rounded out by Mariah Burks as The Cook. Sassy and indifferent towards a former employer (remember, earlier I said they were all seemingly strangers…well, they’re not). Burks’ Cook, though her time on stage is limited, makes the most of her scenes. Spoiler Alert: Even in mortem, Burks’ Cook continues to provide laughs by way of being anything but a dead weight. Added Bonus: Burks reappears later in the play in another of the most memorable moments, but I’ll not spoil that.

Then there’s the evening’s host, the aptronymically named Mr. Boddy played by Alex Syiek. Brooding and thuggish, it makes sense that Mr. Boddy would become the night’s first victim…or does he?

As for the suspects, Christina Anthony’s Miss Scarlet is among my favorites. A wonderful departure from Lesley Ann Warren’s Miss Scarlet in the film, I love that every time she utters a double-entendre line that could be considered cringe by today’s easily offended audience, she breaks the fourth wall, winces and smiles as through she’s almost embarrassed at how silly what she’s just said is. Scarlet is the perfect color, as her performance is red hot!

John Treacy Egan as Colonel Mustard is as perfectly bumbling as Martin Mull was in the movie. Watch closely kids. While the entire cast is running throughout the mansion trying to find particular pieces of evidence that incriminates them all, Egan holds up a larger than life map of the join that will delight board game nerds. I may or may not have laughed a little too loud at that moment.

Joanna Glushak’s Mrs. Peacock is a lovely nod to the slightly ditzy way the character was played in the film by Eileen Brennan. Professor Plum, played by Jonathan Spivey, seems a bit more nefarious than Christopher Lloyd’s portrayed him back in 1985. This slightly darker element works well in separating Plum from the other characters.

John Shartzer’s Mr. Green (the Michael McKean role in the film) is the scene stealer of the show. With precise comedic timing, hilariously deadpan reactions and borderline acrobatic slapstick movement, Shartzer is suspect Number 1 is so many ways.

If any character besides Wadsworth is more closely associated with the film version, it’s Madeline Kahn’s Mrs. White. To that end, Tari Kelly takes full ownership of the role for the current stage presentation, and she does so with hilarious result. Near show’s end, when she stepped forward and uttered THE lines…you know the ones…”Flames! Flames on the side of my face!”, yours truly may or may not have gotten a little verklempt while spontaneously applauding. I gotta be honest, I felt Nashville’s Opening Night crowd didn’t appreciate this great moment in theatre as much as I did.

And can we just talk about the last few minutes of the show…again, with a huge ole wink to the film, in particular the multiple alternate ending scenarios ear the close of the show. For context, at the time of the film’s release, three prints of the film were distributed in each major city with three distinct endings naming a different murderer. So, you’d only know the three different endings IF you saw the movie more than once, and in a different theatre each time, each time. Genius marketing and a guaranteed box office boost, right? But I digress…at play’s end, Wadsworth and company perform a comedic rapid rewind again and again when each of the suspects takes the spotlight as various scenarios of who did what to whom and where play out in hilarious succession. WIth each retelling, the action gets more frantic and the reenactments more delightfully raucous.

Clue Live on Stage! will play Nashville from September 10 thru September 15 at TPAC’s Jackson Hall. For Tickets or more info, CLICK HERE. Not in Music City? Clue continues its National Tour through Spring of 2025 with stops across the US. CLICK HERE for Clue’s current schedule. You can always follow Clue Live on Stage! by visiting their official site, or by following them on Facebook and Instagram.

Next up in TPAC’s 2024/2025 HCA TriStar Broadway Season, it’s Moulin Rouge! The Musical (on stage October 8-20). CLICK HERE for tickets. For further details on more entertainment headed to TPAC, CLICK HERE or follow TPAC on Instagram, X, YouTube and Facebook.

In preparation of attending Opening Night of Clue Live on Stage! In Nashville, I did a little research to refamiliarize myself. After all, it’s been 75 years since the board game was first introduced (I was NOT around for that by the way) and it’s been nearly 40 years since I first saw the movie (and YES, during its original theatrical release, I was among the many fans fell for the above-mentioned marketing gimmick and saw it three times in three different theaters. Simply because I did my research I’ll share the following tidbits:

Waddingtons produced the game in the UK, while the US version was initially distracted by Parker Brothers.
Both companies were purchased by Hasbro in the 1990s.
The original UK board game was named Cluedo, A combination of the English word ‘Clue’ and the Latin word ‘Ludo’ which means “I play”.
Ludo was also the name of an existing board game, but because American audiences wouldn’t be familiar, the game was simply called Clue for its American debut.
The original concept featured 10 characters…nine suspects and one victim. During development, Mr. Brown, Mr. Gold, Miss Grey and Mrs Silver were eliminated, while Nurse White and Colonel Yellow became Mrs. White and Colonel Mustard.
The UK version has Reverend Green while the US version has Mr. Green.
The concept board first featured 11 room. The Gun Room and The Cellar were eventually eliminated leaving The Library, The Kitchen, The Conservatory, The Lounge, The Billiards Room, The Hall, The Study, The Ballroom and The Dining Room.
Weapons initially included such things as syringe, bomb, walking stick, fireplace poker, axe and poison.
Over the years there have been more than a dozen versions of the board game.
TV commercials have featured everyone from Sherlock Holmes and Watson to an inept detective reminiscent of Inspector Clouseau from The Pink Panther films.
The 1985 film adaptation wasn’t exactly a box office hit, but did garner a cult following in later years.
Jonathan Lynn (who’d go on to direct My Cousin Vinnie), directed the feature film.
Lynn cowrote the screenplay with John Landis (among Landis’ accolades, he directed An American Werewolf in London, Trading places and Michael Jackson’s Thriller video).
The movie was produced by Debra Hill (best known for having co-produced the original Halloween).
As early as 2009, there’s been talk of a remake of the 1985 film.
The musical adaptation debuted in 1995 and was presented off-Broadway in 1997.
The musical version closed after 17 previews and 29 performances.
One favorable aspect of the musical involved a bit of interactive theatre, allowing the audience to proclaim the murderer.
In 2011, a mini-series based on Clue, and starring six teenage/twenty-somethings premiered on The Hub, a network joint venture between Harbro and Discovery Kids.
Original 1985 film screenplay co-writer Jonathan Lynn adapted the story for the stage in 2017.
The stage play premiered in 2017 at Bucks County Playhouse adapted by Hunter Foster, whose sister is Sutton Foster.
The stage play was further revised by Sandy Rustin, premiering in 2020.
The current national tour, directed by Casey Hushion began in 2024.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!

Rapid Fire 20Q with ‘Hairspray’ National Tour Cast: Coming to Nashville’s TPAC June 11 thru 16

June 11, 2024 by Jonathan

Based on John Waters’ 1988 cult classic film, Hairspray made its way to the musical stage in 2002 with music by Marc Shaiman and lyrics by Shaiman and Scott Wittman, book by Mark O’Donnell and Thomas Meehan. The original Broadway production was directed by Jack O’Brien with choreography by Jerry Mitchell. Hairspray set out on its first national tour in 2003, playing Nashville’s TPAC near the end of that initial tour back in 2006. In 2021, O’Brien and Mitchell came together once again to helm the show’s second-ever US tour. Now it its third year, Hairspray once again returns to TPAC’s Jackson Hall with shows Tuesday, June 11 through Sunday, June 16.

WIth just days before the show returns to Music City, I recently had the opportunity to chat with members of the company for my latest Rapid Fire 20Q. What follows are those conversations.

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RAPID FIRE 20Q WITH CAST OF HAIRSPRAY NATIONAL TOUR

RAPID FIRE WITH HAIRSPRAY’s LINK LARKIN, SKYLER SHIELDS

JHPENTERTAINMENT: Who is Link Larkin to you?

SKYLER SHIELDS: Link Larkin is a golden retriever. To me, Link is the perfect balance of boy next door meets Danny Zuko. I think he’s the shiny “It” boy, but he’s a bit aloof which is what makes him so endearing when he meets Tracy. He’s never met someone quite like her and she pushes the boundaries and norms that he’s never had the courage to question.

JHPENTERTAINMENT: A quick perusal of your socials seems to indicate that you and your Hairspray costar, Caroline Eiseman, who plays Tracy Turnblad, get along off-stage as well as on. What’s your favorite thing about your work wife’s performance as Tracy?

SKYLER SHIELDS: Working with Caroline has been the biggest gift and blessing. It’s so empowering to be able to go on stage and know that someone truly has your back. We have laughed, cried, and accomplished so many goals this year, it’s been incredible having a partner like Caroline by my side. One of my favorite things we do is when, during Without Love while Seaweed is breaking Penny out of her house, we are supposed to be frozen at the jail cell, and we just talk and talk and pretend like the audience can’t see or hear us. It’s just a great reminder to me how lucky I am to be able to share this whole experience, let alone one of the best songs in musical theater, with one of my best friends.

JHPENTERTAINMENT: A couple months ago you celebrated your one-year anniversary with the show, having joined the company near the end of the latest tour’s second season. In that time, have you discovered aspects of Link that you didn’t really explore in your performance early on?

SKYLER SHIELDS: It’s been fun to play into different aspects of the role depending on how I’m feeling that day. Link has qualities of aloofness and being perhaps a little dull but also could be played as entitled, cocky, and overly confident. I’ve enjoyed stepping into these different sides of him all while trying to maintain a sense of likability and tenderness. I think one thing I learned from this experience over the year is truly to make Link a successful character, he has to be in service to Tracy’s story. Dramatically all the characters are in service of Tracy’s story and how they affect her life. If I approached every scene thinking about how funny I’m gonna be or how great my songs are the role would fall very flat. “The material is funny, you are not” is something our wonderful director Matt Lenz would often say. Trusting the incredible score and script we are given and being a vessel for the material has made embodying this character truly pivotal.

JHPENTERTAINMENT: Prior to being cast as Link, you spent some time at sea…as a cast member of Saturday Night Fever aboard Royal Caribbean cruise lines. What was the best part of your time with that show and life afloat?

SKYLER SHIELDS: Working with Royal Caribbean has been one of the craziest experiences of my life. I met some of the most amazing people from all over the world and performing such a fun show for over a year was wonderful. It was definitely tough being on the ship for so long but absolutely worth it. The best part by far was meeting some of my dearest friends from the UK and New Zealand.

JHPENTERTAINMENT: OK, I gotta ask…why is #gaylink not trending? But seriously, what does being a part of a show that shines light on equality and acceptance mean to you as an out gay actor?

SKYLER SHIELDS: I think at times I take for granted how lucky I am to have such an accepting family and a wonderful community around me. Being a part of a show that inspires its audiences to think deeper and embrace acceptance and love is why we do theater. Shows like Hairspray meant the world to me growing up and it’s been amazing being able to be a part of something that can bring that same joy to so many others while also spreading the narrative of acceptance, especially in the political climate we are in today.

RAPID FIRE WITH HAIRSPRAY’s LITTLE INEZ, KAILA SYMONE CROWDER

JHPENTERTAINMENT: Can you describe Little Inez in FIVE words?

KAILA SYMONE CROWDER: I would describe a Little Inez as bold, optimistic, light, courageous, and resilient.

JHPENTERTAINMENT: I understand Hairspray is your first National Tour. How much fun are you having, not only being in the show, but bringing its message to audiences across the country?

KAILA SYMONE CROWDER: Every day is a new experience! I have found that Little Inez truly brings out something within me that is so powerful. It’s truly been a blessing to share with the world, the gift that God has given me.

JHPENTERTAINMENT: You’re from Monroe, North Carolina, right? For whatever reason, one of the only things I know about Monroe is that one of its most famous…or infamous…natives was ultra-conservative politician Jesse Helms. How excited are you to change that statistic as your career flourishes and YOU become Monroe’s most famous citizen?

KAILA SYMONE CROWDER: I come from a family of history. My grandfather, Roy Lee Crowder, was a civil rights activist leader, along with the amazing Robert F. Williams, who was also known for his courageous stance on Black people and their freedom (Negros with Guns). It does me great joy to implement the things that my grandfather and the women in my family (Rhonda Crowder, my mother and Revonda Crowder, my grandmother) have gone through. Now I can take it to another level to truly bring a light into how we can move forward as nation through the theatrical aspect.

JHPENTERTAINMENT: Speaking of your home state, Hairspray’s costume designer, William Ivy Long hails from Raleigh, North Caroline. He’s designed costumes for more than 60 Broadway show, having won the Tony for Hairspray in 2003. Do you have a favorite costume in the show, whether it be your’s or that of one of your co-stars?

KAILA SYMONE CROWDER: Absolutely, I actually have two favorite costumes. The first one is the multicolored polka-dotted dress that is shown during Run and Tell That, and the other is the gold and off-white finale dress that is shown during You Can’t Stop the Beat. Although these are my favorite outfits, each outfit reminds me of when I was a little girl and how my mom would dress me in colorful dresses with white lace socks and Keds, which is exactly what I wear in the beginning of the show.

JHPENTERTAINMENT: In Hairspray, you share scenes—and a storyline familial bond—with Deidre Lang and Josiah Rogers who play Little Inez’s Mother and Brother, Motormouth Maybelle and Seeweed J. Stubbs, respectively. Do you have a favorite moment that involves one or both of them?

KAILA SYMONE CROWDER: During Run and Tell That, when Seaweed, played by the amazing Josiah Rogers, does the handshake, that moment signifies our close brother and sister relationship throughout the show and how he’s rooting for his sister Little Inez because he understand the talent has continued to pass down through another generation. Alongside my mother Motormouth Maybelle, who is played by the amazing Deidre Lang – during the song I Know Where I’ve Been, there’s a particular moment where she grabs my hand and then eventually let’s go of it, so that I can walk my own path and continue to be the light through darkness. It’s as if she’s passing on the torch to another generation to change the world in a positive way. This also supports how powerful the bond of a mother and daughter can be.

RAPID FIRE WITH HAIRSPRAY’s VELMA VON TUSSLE, SARAH HAYES

JHPENTERTAINMENT: What can you tell me about Velma Von Tussle, the character you play in Hairspray’s current National Tour?

SARAH HAYES: There are some people who, as the world changes, walk forward with arms open wide, ready to embrace any and all changes the future holds. Then there are some people who struggle with change and have a hard time adjusting. Velma Von Tussle is someone who needs to be dragged kicking and screaming into the future! She is a woman who has worked very hard to get herself into a position of power as producer of The Corny Collins Show, which is especially impressive in 1960s Baltimore. And to top it all off, she’s made her daughter, Amber, the star of the show. So Velma is having a great day when the show starts! Then Tracy shows up ready to “eat some breakfast and change the world,” and it all goes wrong for Velma.

JHPENTERTAINMENT: I must admit I’m a Hairspray fan since the OG 1988 John Waters film, so I gotta ask…How excited are you to be playing a role that was first brought to life by Blondie lead singer, Debbie Harry and has since been played by everyone from Susan Anton and Belinda Carlisle to Michelle Pfeiffer and Kristin Chenoweth.

SARAH HAYES: It’s a little intimidating because those are some big yellow heels to fill, but excitement still wins out, because that’s a pretty cool list to be on! I feel like my entire Hairspray adventure has been a series of “pinch me” moments, and one of those moments happened in Tulsa, when I got to perform for and meet Linda Hart, the OG Broadway Velma! Absolutely surreal. I also love that I get to say I share a resume credit with Catwoman. Haha!

JHPENTERTAINMENT: In preparing to chat with you, I did a little internet sleuthing and discovered your theatre background is highlighted by several performances at Myers Dinner Theatre in Hillsboro, Indiana. I do love a sweet little dinner theatre! How has your background working with such a small, intimate company helped you adjust to your first-ever National Tour?

SARAH HAYES: I know I wouldn’t be on this tour without the opportunities I had at Myers. Jeremy Littlejohn was the Artistic Director during my time there, and he created this little artistic oasis in the middle of rural Indiana. He gave me roles that challenged me and helped me overcome insecurities and nerves I’d battled for years, which then helped me be more successful in future auditions, including my Hairspray callback in New York.

The audiences at Myers were pretty small but they were mighty…in fact, right before the Covid shutdowns, we were doing Run For Your Wife which was a cast of 8. There were 7 people in the audience the night before the theatre closed. We asked if they still wanted us to do the show. They enthusiastically told us yes and those 7 people made thunder that night! That was such a beautiful night for everyone involved and a reminder of how important theatre is, and how lucky I am to get to do it for a living right now.

I’m really grateful for the twists and turns my career has taken, including several years in my late 20s and early 30s when I wasn’t getting much acting work. It’s easier to take something for granted if you’ve never gone without it. I’ve been hungry for work, and will probably be hungry for work again. That makes me appreciate the work I do get so much more.

JHPENTERTAINMENT: Again, while doing my homework prior to our chat, I fell down the proverbial Velma Von Tussle internet rabbit hole where I saw that fabulous Velma has an entry on Villains Wiki!!! So, a two-part question…1) How much fun are you having playing Velma and 2) Why is she NOT a villain?

SARAH HAYES: 1) That’s hilarious! I didn’t even know that she was on Villains Wiki! I understand why though…she’s so brilliantly written, which makes her a blast to play. I’m a peacemaker by nature, and struggle to communicate when I’m upset. Velma has no problem saying (or screaming or cackling!) exactly what she’s thinking, so that’s part of the fun of it for me, getting to play someone so completely opposite of me. Plus, singing Miss Baltimore Crabs every night is a dream!

2) Velma is not a villain if you dig a little deeper and look at why she does and says the things she does. I don’t think her motivation is actually hate. It’s fear. Velma is a widow raising her daughter on her own, while working full time in a changing world. She’s scared of losing her power and the empire she’s built for herself and her daughter, and as we know, fear can make people say and do some pretty nasty things. One of the most beautiful messages of Hairspray is that no one is beyond redemption. If the world is truly going to change it has to mean that no one gets left behind and (spoiler alert) even Velma and Amber finally get on board and shake and shimmy it!

JHPENTERTAINMENT: I love that the original Broadway director Jack O’Brien and original choreographer Jerry Mitchell are at the helm of this tour. What does it mean to you and the cast that they’re behind this tour?

SARAH HAYES: It’s incredible. I think it speaks to what a special show Hairspray is, that the original director and choreographer still want to take care of Baltimore and all of its residents. I know that gives me motivation on even the toughest days to dig deeper and give each audience the best show I’m capable of every single time I step onstage.

RAPID FIRE WITH HAIRSPRAY’s PENNY PINGLETON, SCARLETT JACQUES

JHPENTERTAINMENT: What do we need to know about Penny Pingleton before seeing the current National Tour of Hairspray?

SCARLETT JACQUES: Although Penny may not be the brightest, she always has the best intentions. She loves nothing more than to follow around Tracy and encourage all her endeavours, being the most supportive best friend whilst only living in a fantasy life in terms of her own desire to feel wanted. Throughout the story, Penny starts to find herself when she meets her love interest, Seaweed J. Stubbs, and is finally being noticed in a way she never expected. Her

character arc is one that is so beautiful and admirable, as she goes from being content following her best friend, to falling in love and gaining the confidence to stand up to her strict, racist mother Prudy.

JHPENTERTAINMENT: How does the role of Penny Pingleton resonate with you personally?

SCARLETT JACQUES: Penny Pingleton is the most wonderful character, and I truly am so lucky to spend every day stepping into the shoes of such a fun-loving, goofy and caring person. I have so much love for her, and this role will always have a special place in my heart. She has so many amazing qualities that I admire, and it makes me so happy that I get to put a smile on so many faces.

JHPENTERTAINMENT: Within the storyline, Edna is reticent to encourage Tracy to pursue her dreams of being a featured dancer on The Corny Collins Show, but Penny, being her loyal friend, encourages her to go after what she wants in life. In your own life, has there been someone who’s reminded you that You Can’t Stop the Beat?

SCARLETT JACQUES: Being from the small country of New Zealand, moving to the USA was a huge decision and one that I couldn’t do without my amazing support system that has continued to believe in me and my abilities. There are so many people I could talk about forever, but specifically I’d like to talk about Hamish Mouat. He is one of the top directors/choreographers in NZ. We first worked together when I was only 8 years old. He went on to provide me with many opportunities to grow as a performer. I have been involved in 14 productions with him. Earlier this year, Hairspray performed in Tulsa, Oklahoma, and as Hamish was travelling to the states to perform, he decided to stop in Tulsa just to see me perform in my first national tour and professional theatre job in the USA.

JHPENTERTAINMENT: Why do you think Without Love is such an important moment in the show?

SCARLETT JACQUES: Without Love follows the blossoming of relationships between Tracy and Link and Seaweed and Penny. In both circumstances, they are found in tough situations. As both couples work together to overcome these situations, the audience gets to witness innocent, young love forming between people who were not considered appropriate or fully acceptable to be together at the time. I love how Hairspray allows audiences to see the importance of love and how it has the power to go against what is expected of us, which is something that is definitely still valid in today’s society.

With the ongoing movement of the LGBTQ+ community feeling more comfortable and safer being out and honest about who they are publicly, I think Hairspray as a whole, but specifically Without Love, definitely still holds a huge amount of power. It is showing the whole audience, but particularly the younger generations, that love is a strong force, and no one should have to feel pressured to follow what anyone else says. Unfortunately, we still have a way to go in terms of accepting and loving people unconditionally.

JHPENTERTAINMENT: What do you hope audiences take with them after having seen Hairspray?

SCARLETT JACQUES: I hope that audiences take with them the knowledge of how far we have come as a society, but how there is still more we need to change. Being based in the ’60s, Hairspray expresses the important message about the racial inequality and segregation that was present at the time, as well as size-discrimination and bullying others simply due to their appearance.

A lot of the younger characters, Penny and Tracy included, are just wanting to have fun dancing together, and don’t understand why something that is seemingly so simple and easy, could be so unacceptable and difficult to achieve. It helps the audience to understand that there is this beautiful innocence that children have, and a lot of the time it comes down to nurture over nature. Tracy is blessed with wonderful parents, Edna and Wilbur Turnblad, who teach her to lead with kindness and love, which is something truly important that she shares with the other characters in the show and the audience.

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Closing out their 2023/2024 Broadway at TPAC season, Hairspray plays Jackson Hall with shows Tuesday, June 11-Sunday, June 16. Performances time are as follows: Tuesday thru Thursday at 7:30p.m., Friday and Saturday evening performances at 8p.m., Saturday matinee at 2p.m. and Sunday matinee and early evening performances at 1p.m. and 6:30p.m. Tickets range in price from $50.90 to $164.50. CLICK HERE for Tickets.

Not in Nashville? Hairspray continues it’s current tour with a stop in Dallas June 18-30. CLICK HERE for tickets. You can also follow Hairspray on X, Facebook, Instagram, YouTube and TikTok.

Next up at TPAC, Mark Morris Dance Group presents The Look of Love: An Evening of Dance to the music of Burt Bacharach, onstage at TPAC’s James K. Polk Theatre June 28-29 CLICK HERE for tickets. With numerous special engagements and performances filling their summer calendar, TPAC’s 2024/2025 Broadway at TPAC season kicks off September 10 thru 15 with the Music City debut performance of Broadway’s Clue: A New Musical. CLICK HERE for tickets. For further details on these and more entertainment headed to TPAC, CLICK HERE or follow TPAC on Instagram, X, YouTube and Facebook.

Got an event or show we should know about, drop us a line at the Contact tab. Till then, #GoSeeTheShow!